Showing posts with label David Horvitz. Show all posts
Showing posts with label David Horvitz. Show all posts

Saturday, February 21, 2026

David Horvitz | Other People [Special Edition]







David Horvitz
Other People [Special Edition]
Paris, France: RVB Books, 2025
448 pp., 8.8 x 12.5 cm., softcover
Edition of 50 signed and numbered copies


The special edition of David Horvitz’ Other People [see previous post] comes with a signed and numbered Lambda print of four photographs of people that Artificial Intelligence Facial Recognition software mistook for the artist. 

The work is available from the publisher, here, for 80€.




David Horvitz | Other People













David Horvitz
Other People 
Paris, France: RVB Books, 2025
448 pp., 8.8 x 12.5 cm., softcover
Edition size unknown


"Other People is a collection of digital photographs found using facial recognition software. David Horvitz sent photographs of his own face to conduct these searches. The photographs presented here are misidentifications, errors that AI technology deemed to be the artists face but are not. These photographs are "other people," individuals unknown to Horvitz, with a slight familiarity and similarity, living parallel lives. The ethics of these image databases are ambiguous. They are formed from digital photographs dredged from the internet. In most cases, the authors (and the people depicted) of these images have no idea their photographs have been copied and monetized. Law enforcement agencies are among the customers of these databases, using them to enhance techniques of surveillance and control. This work was inspired by research on training materials for East German border guards at Checkpoint Charlie, found in the Wende Museum collection.”
- publisher’s blurb





Friday, January 30, 2026

Wednesday, December 11, 2019

David Horvitz | watching you become the sunset






David Horvitz
watching you become the sunset
Paris, France: Yvon Lambert, 2016
10 cm (stamp)
Edition of 100 signed and numbered copies

Available from the publisher, here, for €150.00.


Sunday, December 1, 2019

This week on Tumblr
















This week on Tumblr: Rubber stamps by artists and rubber stamp artworks by Marcel Dzama, Ray Johnson, Dieter Roth, Fluxus, Michael Dumontier and Neil Farber, Jonathan Monk, Jenny Holzer, JH Kocman, Dick Higgins, David Horvitz, Lawrence Weiner, Maurizio Nannucci, Mel Bochner, Vincent Sardon, Dick Higgins, bpNichol, Andy Warhol, Ulises Carrión and others.

Sunday, February 5, 2017

David Horvitz | two sunsets, viewed from the same place, by a mother and her son, some years apart





David Horvitz
two sunsets, viewed from the same place, by a mother and her son, some years apart
New York City, USA: Recess, 2013
48.9 cm x 61.6 cm. [unframed]
Edition of 20 [+ 5 A.P.]

A five-color screen print depicting two photographs, one taken by the artist’s mother, and the other by Horvitz, some years apart from each other, but from the same location in California.

The work was made as a fundraiser for Recess, the NYC-based organization whose mission is to assist artists creating works in the public realm, on their fourth anniversary. The prints are available from the organization for $1000 unframed or $1200 framed, and can be purchased by emailing info@recessactivities.org.

View a similar work, available as an accordion-fold booklet, here.


"The photographs, taken some five years apart, one by myself, and one by my mother, are layered over each other, in five shades of blue. A collapse of time from the same place."
- David Horvitz




Tuesday, November 22, 2016

David Horvitz | Studio Rent Editions/August, 2015



David Horvitz
Studio Rent Editions/August, 2015
Los Angeles, USA: Self-published, 2015
10.4 x 24 cm. / 10.2 x 15 cm.
Edition of ten signed, numbered and dated copies


"My studio rent edition series are a series of monthly editions that subsidizes my monthly studio rent. They are all an edition of 10 and sold for 1/10th of my studio rent. Most of previous ones are sold out (some are available at my gallery in Berlin). Each month I send out an email describing the new piece, and you can purchase one, and it is then mailed to you. Maybe this series could also be seen as a monthly mail art project as well."

....

"For an exhibition last year in Santa Barbara, California, I had 30 copies of my Public Access artist-book bound to library standards in an archival blue material with gold foil stamping by Trappist monks in Oregon. I drove up the California coast and left these books in local libraries.
The edition is five 4″x6″ photographs in a business envelope. The stamp and signature is on the back of the envelope…”

- David Horvitz


Horvitz has been producing the Studio Rent Editions since 2010, with buyers of the works covering the rental cost of his studio (first in New York, and then in Los Angeles). His commitment to the pricing model is consistent - a few years ago he spent the month of December on residence where there was no studio fee. The Studio Rent Edition that month was distributed without charge.

Opening today at the Joseph Gross Gallery (at the University of Arizona - not, uh, the Joseph Gross Gallery in NYC) is the exhibition David Horvitz: The Studio Rent Editions: 2010 –Ongoing, bringing back together six years of dispersed projects that include an envelope of sand, collections of snapshot photographs, postcards, rubber stamped envelopes and various other mail art projects.   

The exhibition continues until January 13th, 2017 and an opening reception is being held on December 1st, from 5 to 7pm, which will include a talk by the artist.

For more information visit the gallery website, here, and for further examples, see The Archive is Limited, here. 











David Horvitz | Studio Rent Editions, 2016 (rent for March)


David Horvitz
Studio Rent Editions, 2016 (rent for March)
Los Angeles, USA: Self-published, 2016
10.5 x 23.9 cm.
Edition of ten signed, numbered and dated copies

California wild flowers pressed into an envelope and damaged on the postal journey from the artist's home to the buyers. Sold as part of the artist's Studio Rent Editions series.


David Horvitz | Studio Rent Editions, 2015 (rent for October)



David Horvitz
Studio Rent Editions, 2015 (rent for October)
Los Angeles, USA: Self-published, 2015
17.5 x 12.6 cm.
Edition of 10 signed, numbered and dated copies


A photograph of Horvitz' 2015 book Mood Disorder (see post, here) being held up by helium-filled balloons. Sold as part of the artist's Studio Rent Editions series.


David Horvitz | Studio Rent Editions [rent for February]







David Horvitz
Studio Rent Editions [rent for February]
Los Angeles, USA: Self-published, 2016
29.6 x 20.9 cm
Edition of 10 signed, numbered and dated copies

A pair of envelopes mailed separately which join to complete a text work. Sold as part of the Studio Rent Editions project. The text work has also been produced as a poster and bookbag (below, available for $25 US, here).









Thursday, January 28, 2016

David Horvitz | Mood Disorder










David Horvitz
Mood Disorder
Berlin, Germany/Vancouver, Canada: Chert, Motto Books, New Documents, 2015
72 pp., 34.5 x 25 cm., staple-bound
Edition of 2000

Perhaps my favourite media-intervention work since Hans Eijkelboom's brilliant 1978 piece In The Newspaper (in which the artist managed to appear in his local newspaper for ten consecutive days), David Horvitz' Mood Disorder traces the life of a self-portrait as stock photograph. 

The artist describes the work as follows:

"A photograph of me crying early in the morning on the beach in the far rockaways that is placed onto the english wikipedia page for mood disorder and then used by various websites as a free stock to illustrate what it looks like to feel bad."

The image, based on studies of stock photographs that depict depression and sadness, portrays the artist dressed in black, head-in-hand, with tumultuous crashing waves in the background. It refers back to Horvitz' 2012 bookwork Sad, Depressed, People and to the 1970 Bas Jan Ader work that inspired it, I'm Too Sad To Tell You (below).

Horvitz uploaded his image as a high resolution file on the 17th of May, 2012 and licensed it as Creative Commons, enabling its free distribution, without restrictions. This meant that any online journal, news site or blog with a budget too small to allow commissioned or licensed images could simply use Horvitz' self-portrait. 

Presumably through the use of a reverse-image search function, Horvitz is able to keep tabs on the ever-expanding use of the photograph. An ImageVirus of the sort that General Idea predicted years ago with their AIDS logo. 

This new oversized glossy magazine published by Chert, Motto and New Documents collects seventy examples of the photograph's use, and presents them as screen grabs, alongside the existing context (adjacent articles, links, sidebar and banner ads, etc.). This publication was preceded by a 32 page, black and white xerox booklet made in an edition of 150 copies, and issued by Shelter Press in 2013, which took a similar approach. 

Horvitz' head-in-hands image has traveled far and wide, used to illustrate articles in numerous languages, with titles like "Oily Fish Fights Winter Depression" and "Teens in After-School Arts Programs More Likely to Report Depression (Study)"

Mood Disorder builds on a number of other Wikipedia interventions by the artist. Public Access (2010) was a road trip peppered with self-portraits at every public beach along the Californian coast, uploaded to the various Wikipedia pages until the editors caught on and began removing them, eventually banning Horvitz and his various "sock puppet" aliases. 

Also removed from the site, was the artist's intervention into the Karl Marx page. Horvitz uploaded a photograph of the socialist's memorial at Highgate Cemetary in London, a tombstone carved with a quote from the posthumously published Theses on Feuerbach: "The philosophers have only interpreted the world in various ways—the point however is to change it." Horvitz' hand could be seen entering the right side of the frame. 

The latter gentle prank was issued as part of the artist's Studio Rent Editions. Each month Horvitz produced a work in an edition of ten, priced at one-tenth the cost of his monthly rental costs for his Brooklyn studio. The works (typically signed and numbered) were $33.00 each in 2010, and the price was raised the following year by a dollar. In 2012 he relocated again and the rent - and subsequently the editions - became slightly cheaper. His dedication to the pricing model was maintained for a month where he had no costs (he was participating in a residency, if I recall correctly): the works were given away for free. 










Saturday, August 1, 2015

David Horvitz | The Distance of a Day








David Horvitz
The Distance of a Day
Berlin, Germany: Chert Gallery/Motto Books, 2013
16 × 11 × 0.6 cm.
Edition of 1200

An accordion-fold book with colour photos on one side, and an interview with MoMA curator David Senior on the verso. Working with his mother in Los Angeles, the artist calculated the exact location where he could view the sun rising at the exact same time his mother watched it setting.

"The title, The Distance of a Day, is a reference to the idea of the journey. Originally, journey meant the distance one traveled in a day. Here, the spatial distance that separated my mother and myself was not defined by the distance one could travel in a day, but by the day itself. By the delimitations of a day - where the sun rises and where the sun sets."
- David Horvitz


Available from Art Metropole, here, for $13.00 CDN.

Wednesday, June 24, 2015

David Horvitz | How to Shoplift Books







David Horvitz
How to Shoplift Books, Come Rubare Libri
Venice, Italy: Automatic Books, 2013
64 pp, 11 × 17 cm, hard cover
Edition of 100


A users guide in both English and Italian, detailing 80 ways in which one can steal a book.