Monday, November 9, 2026

Guy Schraenen














Guy Schraenen  died on this day in 2018 in Paris, France. 

Schraenen was a curator and publisher who founded the Gallery Kontakt in Antwerp, the Archive for Small Press & Communication (A.S.P.C.) and his own imprint Guy Schraenen éditeur. He was the author of numerous several publications on international avant-garde and independent art movements from the late 1950s until the 1980s.



Sunday, November 8, 2026

Ian Hamilton Finlay | The Boy's Alphabet Book







Ian Hamilton Finlay
The Boy's Alphabet Book
Toronto, Canada: Coach House Press, 1976
60 pp., 19.7 x 20.3 cm,, softcover
Edition of 1000 copies


According to materials in the archives at the University of Iowa, this title took over five years to produce. Ian Hamilton Finlay sent three letters in 1971, seeking help in publishing the book. He wrote to Michael Harvey, Udo Breger, and bp Nichol. 

Nichol replies in June 1973 that Coach House Press may be interested in publishing the book, and follows up a month later indicating that things are moving forward. He acknowledges receipt of the manuscript and photographs (Dave Paterson) in November 1974. It would be another two years before the slim volume was produced. 

The title was advertised as "one of the lengthiest works to date by the internationally renowned poet Ian Hamilton Finlay. The extended form of the traditional primer allows full range for the demonstration of Finlay's abilities as craftsman, toymaker and word-shaper.”

The work consists of an A-Z of pictures of Finlay's model boats, airplanes, weapons and kites, accompanied by texts by the legendary artist and poet. The texts range from the poetic to the merely descriptive. 

The book features photographs from Dave Paterson and was edited for the press by bp Nichol. This copy was initially owned by artist Greg Curnoe and is now in the collection of Bill Clarke.  

Below are two one-off gelatin prints (40cm x 30cm) produced before publication. The models for the boats illustrated were made at Little Sparta in Finlay's workshop and are part of a larger number of similar models made for the same purpose.

Finlay was born on this day in 1925.


“For a number of years now Ian Hamilton Finlay has been building up a body of work whose importance is becoming clearer and clearer to an ever larger, ever more appreciative audience. Always precise, always demanding, Finlay is the ultimate craftsman who is unafraid of working with other craftsmen to achieve the full expression of his vision. Through an absolute focus on what at first appears to be simply surface, he has led us deeper and deeper into a respect for, an awe of, language and its relationship to the images it names. A Boy’s Alphabet Book is one of his longest works to date. The extended form of the traditional primer allows him full range for an exploration of a doubly referential world: names (descriptions) to images and images (the toys Finlay has created) to the things they image.

lan Hamilton Finlay was born in the Bahamas in 1925. He has published short stories, poems & plays, designed sundials, toys & various. poem/objects. For over fifteen years he has been a major figure on the international poetry scene. He lives with his family in Scotland. He publishes much of his work thru his own press:
Wild Hawthorn Press
Stonypath
Dunsyre
Lanark
Scotland”
- dust jacket blurb








Saturday, November 7, 2026

Jessica Stockholder | ABC TASTE, The Perfect Guest












Jessica Stockholder
ABC TASTE, The Perfect Guest
Valence, France: Captures éditions, 2010
56 pp.,  26 x 24 cm., softcover
Edition of 1000


"ABC Taste is a playful rendering of the alphabet by an artist otherwise known for her work in sculpture and installation. A hole cut from the centre of the page reveals a constant disc of reds and yellows. Each page then develops a diverse set of relations to that central color, bringing a full range of playful gestures and colorful forms. Each page also lists in alphabetical order a short series of words loosely aligned under the category of taste. The range is not only unpretentious, it forces us to think imaginatively, drawing no boundaries between disparate terms (“kitsch, kick-ass and kindling”). The result is an experience that is both playful with form, and subtle in its challenging of codes.”
- publisher statement




Thursday, November 5, 2026

Susan Happersett | ABCs of Beauty

 






Susan Happersett
ABCs of Beauty
Jersey City, USA: Self-published, 2006
[28] pp., 15 x 12 cm., saddle-stitching
Edition size unknown


An ABC primer made using collaged cut-outs of vintage womens' beauty magazines.





Wednesday, November 4, 2026

Robert Mapplethorpe











Robert Mapplethorpe was born on this day in 1946. 





Tuesday, November 3, 2026

Turning over the pages : some books in contemporary art





Pavel Buchler
Turning over the pages : some books in contemporary art
Cambridge, UK : Kettle's Yard Gallery, 1986
[52] pp., 21 x 15 cm., staple-bound
Edition of 750


Published to accompany an exhibition held at Kettle's Yard Gallery, from the first of November to the seventh of December, 1986, this survey of artists’ books, including Christian Boltanski, Ulises Carrión, Hanne Darboven, Ian Hamilton Finlay, Richard Hamilton, On Kawara, Anselm Kiefer, J. H. Kocman, John Latham, Annette Messager, A. R. Penck, Anne and Patrick Poirier, Barbara Schmidt-Heins, Gabriele Schmidt-Heins, Dieter Roth, and Lawrence Weiner.

Organized by artist Pavel Büchler, who contributes a brief essay that traces the modern conception of the book to the Renaissance and examines various definitions and categorizations it has undergone since the 1960's. Büchler also provides the catalogues design and layout. 


"The exhibition has been selected in an intuitive and idiosyncratic manner from work which I have known for some time. It is not a survey or comprehensive overview of the ways various artists have been using books; this is an attempt to open to others the opportunity of encountering these works as I have done, as individual pieces and not as illustrative examples of a genre. Indeed, I hold too deep a mistrust for the programmic cross-referencing and categorising, which has become the standard formula for organising thematic exhibitions, to feel too urgent a need for yet another didactic tour through the labyrinth of movements, tendencies and styles. So, as there is no seamless and coherent curatorial statement, or even an explicit critical viewpoint, illustrated by the selection, the questions about stylistic relationships, mutual influences or connections among the artists represented will remain unanswered. This is not to say that I find such questions entirely irrelevant, but rather that there are other concerns contained in the works themselves, and I would like to encourage the viewer to make his own cross references, to find his own readings and to formulate his own questions. After all, it is still demanded of a work of art that it should be ‘individual’, i.e. different from other existing works of art, so it should be alright for somebody just to bring together different books .. . and leave it at that.

Any exhibition of books faces one enormous obstacle: books are not at home in a gallery. They have their place on a bookshelf, among other books, among everyday objects (‘artists’ books’ are no exception). They function in a direct and private interaction with the reader and they only come alive when they are used, touched, handled, manipulated. In an exhibition, this is not always possible. What is possible in a gallery however, is to try to create an ‘environment’ in which the books can stand alongside other works of art, that is, an environment of their generation, rather than of their ‘consumption’. And this is the intent of the exhibition: not to present a didactic argument, but simply to show SOME BOOKS IN CONTEMPORARY ART”
- Pavel Buchler, Preface

Monday, November 2, 2026

Christian Boltanski | Reconstitution









Christian Boltanski
Reconstitution 
London, UK: Trustees of the Whitechapel Art Gallery, 1990
32 x 26 cm.
Edition size unknown


Published on the occasion of the exhibition Christian Boltanski: Reconstitution at the Whitechapel Art Gallery in London, and The Van Abbemuseum, in Eindhoven, this brown cardboard box contains three softcover exhibition catalogues, five reprints of artist’s books, two facsimile letters, a colour poster, colour postcards and other ephemera:

Christian Boltanski: Reconstitution exhibition catalogue, with essay by Lynn Gumpert, 40 pp., with numerous color and black and white illustrations. 

Christian Boltanski 1944-90 catalogue of works, exhibitions and bibliography, 36 pp., with numerous black and white illustrations.

Christian Boltanski: an Interview with Georgia Marsh 48 pp., with five black and white illustrations.

Reconstitution des gestes effectués par Christian Boltanski entre 1948 et 1954 28 pp., with 7 b &w plates

10 Portraits photographiques de Christian Boltanski 1946-1964 24 pp., with 10 black and white plates.

Recherche et presentation de tout ce qui reste de mon enfance 16 pp., with 8 black and white plates.

Inventaire des objets ayant appartenu a une femme des Bois-Colombes 92 pp., with numerous black and white illustrations.

Saynetes Comiques 32 pp., with 22 black and white illustrations.

lettre de demande d'aide

Lettre aux conservateurs de Musee proposant le projet des inventaires