Showing posts with label Claude Closky. Show all posts
Showing posts with label Claude Closky. Show all posts

Saturday, April 25, 2026

Claude Closky | The 365 Days of 1991 Classified by Size





Claude Closky
The 365 Days of 1991 Classified by Size
Paris, France: Self-published, 1992
[14] pp.m 21 x 15 cm., softcover
Edition of 100


Ranging from the shortest (Friday the fifth of July) to the longest (Wednesday the twenty-seventh of November) this slim volume categorizes every date the year by the length of the sentence describing it. 



Monday, January 26, 2026

Claude Closky | Dessert Plate









Claude Closky
Dessert Plate 
Paris, France: Galerie de Multiples, 2010
21 cm diameter
Edition of 500 numbered copies


A Royal Limoges ceramic dish with a colour silkscreen print of bills and coins. 



Friday, May 22, 2020

I love Closky



Claude Closky
I love Closky
Paris, France: Frères Ripoulin, 1985
Colour offset sticker
4 x 27 cm.
Edition size uknown



Closky turns 57 today.


Friday, February 14, 2020

This Week on Tumblr: I Love

















In the mid-seventies in New York City crime was at an all-time high and tourism at an all-time low. The New York State Department for Economic Development tasked Madison Avenue ad firm Wells Rich Greene to develop a marketing campaign that would counter the negative coverage of riots, blackouts, muggings, fires, the Son of Sam killer, garbage strikes, a drug and crime epidemic, and neighbourhoods that had fallen into a state of disrepair.

The resulting 1977 campaign included the Steve Karmen song "I Love New York" as a commercial jingle and a now-ionic log by Milton Glaser (previously best known for a psychedelic poster of Bob Dylan). The logo was conceived in a taxi cab, with "I  ❤ NY" scribbled in crayon in a single line, which later changed to the present stacked letters (which Glaser later admitted might have been "subliminally" influenced by Robert Indiana's LOVE), and the serif typeface American Typewriter.

The campaign was truly a labour of love, with Karmen relinquished his publishing rights for the song, and Glaser also working pro bono. “You want to do things like that, where you feel you can actually change things,” he said in a recent interview in The Believer.

The campaign was launched forty-two years ago today, on Valentine's Day, with TV commercials featuring eighty Broadway actors, singers and dancers performing the "I Love New York" theme song. Originally intended as a five-week campaign, it continues to this day. 

Glaser's original concept sketch (above, top) and presentation boards are currently in the collection of the Museum of Modern Art, New York.

The New York State Empire State Development, New York’s chief economic development agency, holds the trademark to the “I Love New York” logo, and licenses its use. It's estimated that sales of merchandise such as mugs and t-shirts emblazoned with Glaser’s design generates more than $30 million a year. The state fights to uphold its trademark with over 3,000 objections against imitators so far, and an average of 100 trademark objections and cease-and-desist letters filed yearly.

The works above presumably fall under fair use. They are by Cary Leibowitz, David Shrigley, Mark Pawson, Sarah Nasby, Jeremy Deller, Claude Closky, Ross Sinclair, Adam Rolston and Ugo Rondinone (about Gertrude Stein, Andy Warhol, John Giorno, John Cage, Claude Closky, etc.)



Tuesday, September 26, 2017

Claude Closky | Votre Beauté





Claude Closky
Votre Beauté
Paris, France: Self-published, 1995
24 pp., 9,5 x 14,5 cm., softcover
Edition size unknown

An early artist book by Closky whose title translates to "Your Beauty".

Thursday, December 8, 2016

This week on Tumblr



Bags by artists: shopping, tote and book bags by Joseph Beuys, Jeremy Deller, Claude Closky,  Michael Dumontier, General Idea, Barbara Kruger, Cary Leibowitz, Roy Lichtenstein, Maurizio Nannucci, Yoko Ono, Richard Prince, Allen Ruppersberg, David Shrigley, Bob and Roberta Smith, Ben Vautier, Andy Warhol, and Lawrence Weiner.

http://artistsbooksandmultiples.tumblr.com/tagged/bags-by-artists

Wednesday, November 30, 2016

We Do Not Work Alone










Visit We Do Not Work Alone (Unusual Objects by Artists) at the Untitled Miami Art Fair this week. Prices range from five to seven-hundred dollars, for works by Claude Closky, Katerina Jebb, Mathieu Mercier, Elsa Werth and others.



Friday, January 1, 2016

Claude Closky | The 365 Days of 1991 Classified by Size




Claude Closky
The 365 Days of 1991 Classified by Size
Paris, France: Self-published, 1991-92.
16 pp., 21 x 15 cm., staple-bound
Edition of 100

Every day from 1991 written out in long form ("Tuesday the first of July") and then organized based on the number of characters in the sentence. The longest day of that year was “Wednesday the twenty-seventh of November.”

Sunday, October 18, 2015

Bookclub Bookbags









Each fall Bookclub commissions an artist to design a book bag that we produce in a very small edition, for distribution among Bookclub members and their friends. Above are the 2012 bags (Michael Dumontier), 2013 (Kay Rosen) and 2014 (Claude Closky). Sara Mackillop will design the 2015 bag, due in December.

Visit her website, here.

Bookclub members include myself, Bill Clarke, Wendy Gomoll, Michael Klein, Micah Lexier, Derek McCormack, Roula Partheniou, Sarah Robayo Sheridan, Derek Sullivan, and Paul Van Kooy.


Thursday, August 20, 2015

I Called Shotgun Infinity When I Was Twelve




Off topic but possibly of interest:

In 2006 I curated an exhibition at Mercer Union called Infinity Etc., which featured works by Kelly Mark, Germaine Koh, Daniel Olson, Micah Lexier, Martin Creed, Lee Ranaldo, Jonathan Monk and Claude Closky.

Kelly Mark's contribution was a neon work that spelled out the phrase I Called Shotgun Infinity When I Was Twelve. The work was produced for the exhibition, though had been planned beforehand.

Last week Mark discovered a near-identical, unauthorized replica of the work,  as decor for a Toronto restaurant called Old School. The phrase is identical, the colour and layout the same. The font is slightly different. Another neon work appears also to be copied, by New York artist Daniel A. Bruce. Both original works appear side by side if you search "Neon Art" on Pinterest.

Toronto Star art critic Murray Whyte reached out to the restaurant owner for comment and received this reply: “Both of these signs were made from scratch, both relating directly to our Old School story. No has has (sic) stolen anything thank you.”

Read the full article, here.




Friday, February 13, 2015

Claude Closky | Three thousand four hundred and fifteen Friday the 13ths






Claude Closky
Three thousand four hundred and fifteen Friday the 13ths
Paris, France: Self-published, 1992
16 pages, 21 x 15 cm., staple-bound
Edition of 100

An unsigned and unnumbered black and white photocopied bookwork in which the artist compiles an exhaustive list of every Friday the 13th between year 1 and the date of the book's publication, 1992.

Tuesday, January 6, 2015

Claude Closky | Not Serif



Claude Closky
Not Serif
Toronto, Canada: Bookclub, 2014
54 x 35 cm.
Edition of 60

Bookclub is a group of Toronto artists, publishers, curators, writers, etc. who collect artists' books. The group includes myself, Roula Partheniou, Micah Lexier, Bill Clarke, Paul Van Kooy, Sarah Robayo Sheridan, Michael Klein, Wendy Gomoll, Derek McCormack and Derek Sullivan. We get together a few times a year at each others homes and share recent acquisitions. Sometimes we impose ourselves onto the homes of other artist book collectors, and occasionally we give public presentations (most recently at the Whitechapel in London).

After one of these public talks (at The Power Plant, 2011) we decided we decided to spend our fee on the production of book bag. We commissioned our friend Michael DuMontier - an artist for whom the form of the book plays a large part in his practice - to produce the inaugural project. This was followed by Kay Rosen, who had just produced an edition with Paul+Wendy Projects (here).

The 2014 bag was just produced, by French artist Claude Closky. In an email to Micah Lexier (who handled the production), he wrote:

It figures a thing, a text, to be carried. 
It is actually a thick line bent seven time. There is a little variation between the front and the back of the book bag. 
The title is ‘Not Serif’, but it shouldn't be printed on the bag, because I want it to simply allude to tangible stuff moved around. 

Two similar projects by the artist can be seen on his website, here and here. An article about Bookclub can be read at Shelflife, here.




Friday, April 18, 2014




MOREpublishers have just released two new poster editions this week by Claude Closky and Yann Serandour (both favourites). They are released as part of the Exhibition Copy series, and both are available in small edition sizes (10 + 4 AP), signed and numbered for €150.00 each.

For more information, visit the site, here.

Tuesday, December 17, 2013

Holiday Recommendation Guest Post #13: Sarah Robayo Sheridan











I thought of the edition that I would really want for Xmas, but that is outside of my budget:

[Various artists]
Artists & Editions
San Francisco, USA: Rite Editions, 2013
14 × 14 × 4.5"
Screen printed cardboard box containing five prints, four artist generated archival publications, two three-dimensional paper pieces, two posters, a painting, a drawing, a coupon for redeeming a record, an artist’s book, a metal stencil, a weaving, a sewn canvas work and an edition catalog.
Edition of 35

Available here, for $12,500.00


It's a great tribute to Steven, following on his various dealer catalogues that always mimicked well known (and lesser known) editions.

- Sarah Robayo Sheridan


Sarah Robayo Sheridan is a curator, writer and occasional teacher. She has previously been Director of Exhibitions and Publications at Mercer Union. In 2008, she worked closely with Steven Leiber and Rite Editions to produce the edition "The White Album" by Mungo Thomson. In 2014, she will become Curator of Exhibitions at The Power Plant.