Friday, March 31, 2023

Walter Marchetti | Arpocrate seduto sul loto

Walter Marchetti
Arpocrate seduto sul loto 
Madrid, Spain: Artes graficas Luis Pérez, 1968
[unpaginated], 21.5 x 30 cm., softcover
Edition size unknown

Rare artist book containing various scores and performance materials from the zaj artist who died in 2015 of a heart attack at the age of 84. The book covers works made from the years 1965 to 1966. 

Thursday, March 30, 2023

Christo | Wrapped Book Modern Art

Wrapped Book Modern Art
New York City, USA: brams Original Editions, 1978
34.5 x 25.4 x 4.4 cm.
Edition of 120 signed and numbered copies

The book Modern Art by Sam Hunter and John Jacobus, wrapped in transparent polyethylene with twine. Signed and numbered 27/120 in felt-tip pen and ink on the base verso. Valued at between $15 000 and $18 000. 

Wednesday, March 29, 2023

Ann Hamilton & David Ireland | Untitled (AHDI Boxes)

Ann Hamilton, David Ireland
Untitled (AHDI Boxes)
Philadelphia, USA: The Fabric Workshop and Museum, 1994
11.4 × 23.2 × 12.1 cm.
Edition of 80

A galvanized tin box containing two spheres: one made of concrete and the other of horse hair. 

Hamilton and Ireland have collaborated since the 1992 exhibition "Ann Hamilton/David Ireland" was presented at the Walker Art Center, Minneapolis. 

Tuesday, March 28, 2023

Jerry Ropson | A Tiny Record of the Smallest Gesture

Jerry Ropson
A Tiny Record of the Smallest Gesture
Sackville, Canada: Self-published, 2022
8.5 x 5.5 cm.
Edition size unknown

Monday, March 27, 2023

Ian Hamilton Finlay

Ian Hamilton Finlay died on this day in 2006, at the age of 80.

Sunday, March 26, 2023

Karen Azoulay | Flowers and Their Meanings

Karen Azoulay
Flowers and Their Meanings
New York City, USA: Clarkson Potter, 2023
248 pp., hardcover
Edition size unknown

It's satisfying to watch two close friends both produce Artists' Books that also double as general interest coffee-table books, with wide distribution. Last fall Diane Borsato released Mushrooming (see below) and on Monday Clarkson Potter - a division of Penguin Random House - published Karen Azoulay's latest investigation into the flower dictionary. 

Subtitled The Secret Language and History of Over 600 Blooms, the book uncovers secret meanings behind floral arrangements and the multicultural history of six hundred flowers, herbs and trees. 

It retails for $27.99. 

"It was a crown of orange blossoms that haloed twenty-year-old Queen Victoria on her wedding day. She loved all things floral and was very aware of the hidden meanings they projected. Fluent in the language of flowers, she knew the pale citrus blooms signified chastity, marriage, and—due to the tree’s generous trait to bear fruit and flowers simultaneously—fertility. Early in their marriage, Prince Albert’s grandmother gifted the young queen some myrtle, a bloom emblematic of love. Victoria had a cutting of the flower planted, and a sprig of myrtle originating from that bush has been included in every British royal wedding bouquet ever since. 

One hundred forty-one years later, when twenty-year-old Diana Spencer walked down the aisle to marry Prince Charles, she held a cascading forty-two-inch-long bouquet. Following tradition, it included some of Victoria’s “love myrtle.” The showy floral burst featured many other botanicals, each known for a different sentiment, including ivy (“marriage”), gardenias (“transport of joy”), lily of the valley (“return of happiness”), and veronica (“fidelity”). Awkwardly tucked in behind all these white flowers, barely visible, were two canary-yellow roses. This variety of Rosa floribunda happened to be named after Lord Mountbatten, Prince Charles’s deceased mentor and honorary grandfather. Presumably they were placed in his memory, but yellow roses are also known to signify jealousy and infidelity. Is it going too far to suspect the aggrieved Diana was expressing a complaint she could not yet dare speak aloud? This elaborate form of covert communication—broadcasting and interpreting emotions embedded in floral arrangements—is the art of floriography. 

This wildly popular method of cryptologic communication captured the imaginations of many young women during the Victorian era. In the language of flowers, as it was commonly known, each botanical species was assigned a specific emotional sentiment, varying in tone from sweet (ivy geranium gallantly requested, “Your hand for the next dance?”) to melodramatic (Viburnum declared, “I die if neglected”) to downright combative (a dried white rose indicated “death preferable to loss of innocence”). A thoughtfully curated bouquet delivered a layered poetic memo for the recipient to decipher with the help of an exhaustive dictionary. Hundreds of books documenting the language of flowers were published during the nineteenth century. 

Once you start looking, you will find that countless secret floral messages have been left for you to discover. In J.  K. Rowling’s Harry Potter and the Philosopher’s Stone, the first time Professor Snape speaks to Harry, he asks, “What would I get if I added powdered root of asphodel to an infusion of wormwood?” Asphodel is a type of lily, meaning “my regrets will follow you to the grave,” and wormwood represents “absence” and “bitter sorrow,” translating to “I bitterly regret Lily’s death.” 

Think of the coded language of emoji. Like a poetic bouquet, a chain of emojis can send a sincere message without uttering a word. It can be hard to express love, lust, and earnest declarations of praise or apology, but a combo of gimmicky symbols feels less vulnerable. As with floriography, this texting language was stylistically pioneered by young femmes. Since ancient times, urban youth—young women in particular—have used innovative terms that push language forward. In every generation, cries of illiteracy and vapidity belittle femme youth. In time, however, their colloquial transgressions are recognized. 

Who has the need to communicate and verbally explore more than young women? I can recall talking on the phone for hours with my teenage best friend, Pam. We would meet each other at school first thing in the morning with long handwritten letters to exchange. Tightly folded into discrete shapes, these pages were filled with doodles, dreams, and quizzes about our crushes (written in secret code, of course). 

Like pastel floral prints and other stereotypically feminine interests, certain language is often viewed to lack substance. Contrary to popular belief, the 1980s Valley girl like is not a speech filler; linguists have determined its value as a modal marker, a technique of reinforcement, and for paraphrasing. The teenage vanguard who championed an overuse of like are now middle aged and its use is still going strong. Like was not a fleeting, immature fad. 

When it comes to innovative language, women and girls have a knack for finding solutions to work around linguistic or cultural barriers. Floriography allowed women to express themselves on the topics of love and romance without disrupting the prohibitive expectations of feminine etiquette. While floriography can certainly be appreciated in a frivolous way, it can also be used to craft insightful messages. Poetic expressions of tender feelings and the artful creation of handmade tokens of love are worthy of admiration and value. 

The history of the language of flowers offers a unique context to investigate and question some of the larger cultural realities at play leading up to the Victorian era."
- Karen Azoulay

Friday, March 24, 2023

Karen Azoulay | Down With Liberty

Karen Azoulay
Down With Liberty
Toronto, Canada: The Nothing Else Press, 2013
218 pp., 18 x 18 x 2 cm., clothbound
Edition of 15 signed and numbered copies

Many, many years ago we were enjoying backyard drinks with Karen Azoulay, and she began recounting her fascination and fear of the Statue of Liberty, which was made all the more interesting given that she had moved from Toronto to New York only a few years prior. She added that she was collecting images of the tower being destroyed in pop culture, almost as immersion therapy. 

The ending of the original Planet of the Apes remains the classic example, but pulp science fiction and comic books predate that image, and subsequently it has almost become shorthand in disaster films for the city under siege. 

Down With Liberty is a three-thousand word account of the statue and the artist's fraught relationship with it. Following this are 200 images of the monument meeting its demise in film stills, video game screengrabs, scenes from comics, cartoons, and television series. 

The book is available in a limited edition of 15 signed and numbered copies, each with a unique hand-painted cover and collaged postcard.

The work has also been presented as a narrated slide show at Deitch Projects in New York, Concordia University in Montreal and TPW in Toronto. 

Thursday, March 23, 2023

Karen Azoulay | The Floriography Jacket

Karen Azoulay 
The Floriography Jacket
Brooklyn, USA; M-82, 2016
dimensions variable, embroidered patches on cotton jacket
Edition of 10

A now sold-out jacket accompanied by the artist book Flowers and Their Meanings (2015, see earlier post). 

Wednesday, March 22, 2023

Yayoi Kusama

Yayoi Kusama celebrates her 94th birthday today. 

Karen Azoulay | YES / NO / MAYBE Scarf

Karen Azoulay 
YES / NO / MAYBE Scarf
Brooklyn, USA: M-82, 2017
7 x 63”
Edition of 25

"Karen Azoulay’s YES/NO/MAYBE Scarf, created in collaboration with M-82, employs the form of the knitted soccer scarf along with the coded messages of flowers. Instead of revealing the wearer’s favourite team, the arrangement of the scarf wordlessly broadcasts their frame of mind: the red carnation means YES, the yellow NO, and the striped flower MAYBE. Produced in an edition of 25 for $100, it’s the perfect edition for those who prefer subliminal messages to speech."
- Wendy Gomoll 

Tuesday, March 21, 2023

Karen Azoulay | Flowers and Their Meanings, Playing Cards

Karen Azoulay
Flowers and Their Meanings, Playing Cards
Brooklyn, USA: Self-published, 2019
[64] pp., 5.7 x 3.8cm., boxed
Edition size unknown

A boxed deck of cards based on Azoulay’s 2015 book work Flowers and Their Meanings, a guide for deciphering, exploring the Victorian language of flowers. Each of the 60 cards reveal a symbol from the artist's flower dictionary, such as: foxglove (a wish), fuchsia (humble love) or crocus (abuse not). 

Beyond their use as flash cards to learn floriography, the set includes three instructions cards outlining how the deck may be used to play a Divination Game, generate poetry, or perform magic tricks.  

Unfortunately, the edition has already sold-out.