Showing posts with label Joseph Kosuth. Show all posts
Showing posts with label Joseph Kosuth. Show all posts

Wednesday, August 20, 2025

Joseph Kosuth | Two Oxford Reading Rooms






Joseph Kosuth
Two Oxford Reading Rooms [Special Edition]
London, UK: Book works, 1994
[112] pp., 21 x 9.8 cm., hardcover with slipcase
Edition of 250 signed and numbered copies


"Joseph Kosuth made two installations in Oxford as part of The Reading Room Project, for the particular contexts of the Taylor Institution and of the Divinity School of the Bodleian Library. This book configures these works back to back: The (Ethical) Space of Cabinets 7 & 8 is printed vertically while Say: I Do Not Know is printed horizontally. Both works put in apposition texts by Voltaire and John Locke. The ideas explored in the original installations are expounded in the book through the manipulation of the book format, utilising die-cut windows, tracing paper pages and two-colour printing.” 
- publisher’s blurb






Tuesday, January 30, 2024

Joseph Kosuth

















Joseph Kosuth celebrates his 79th birthday today. 





Wednesday, January 3, 2024

Joseph Kosuth and John Cale | Balzac's Solitude










Joseph Kosuth and John Cale 
Balzac's Solitude 
Cincinnati, USA: Solway Gallery, 1994 
36 x 23 x 10 cm. 
Edition of 12 signed and dated copies


Balzac's Solitude is a collaboration between one of the founding members of the Velvet Underground, and one of the earliest practitioners of Conceptual Art.1 

The work consists of a leather-bound book housing a 144-note Reuge music box mechanism. Kosuth designed the work, mostly the inclusion of the quote from French novelist Honore de Balzac: “Solitude is fine, but you need someone to tell you that solitude is fine.” Cale composed the music. 

He originally set out to create a low rumbling sound to be reproduced by the music box mechanism. When this proved impossible, he substituted an existing untitled composition he had written for a friend’s wedding. I haven’t heard it, but the LA Times described it as "a bland little piece of no particular distinction."

The work was created for the 1994 exhibition The Music Box Project, curated by Claudia Gould. Gould had co-founded Tellus Audio Cassette Magazine with Joseph Nechvatal and Carol Parkinson in 1983. When their audio periodical folded after a decade of activity, she revisited the idea of music boxes by artists, something originally conceived of as a fundraising edition for Tellus. 

Other works in the show include Laurie Anderson's witty Tilt #1, which utilizes as a carpenter’s level. One of two short tunes by Anderson plays, depending on which ay the level is titled. The movement also activates either a bobbing boat or tiny floating balloon. 

John Cage contributed Extended Lullaby, which features a dozen music boxes, each playing a fragment of a piece he composed for his partner Merce Cunningham's Dance Company a year before his death in 1992.

Kiki Smith transcribed a poem she wrote into Braille and then translated the raised patterns on the page into the pins of the revolving music box cylinder, creating a brief, atonal composition.

Other artists in the exhibition include John Armleder, Nam June Paik, Aminah Robinson and Haim Steinbach. David Byrne, Stevie Wonder, Peter Gabriel, and Glenn Branca all declined to participate. 



1. Josuth Kosuth provided the cover graphic for John Cale’s live album, Fragments of a Rainy Season, two years prior. It also consisted solely of a quotation: two lines from Shakespeare’s Macbeth: 

Banquo: It will rain tonight.
First murderer: Let it come down!





Sunday, November 12, 2023

Itinerant Texts











[Various Artists]
Itinerant Texts
London, UK: Bookworks, 1996
8 x 11.5 x 6 cm.
Edition of 40 signed and numbered copies



Itinerant Texts is a set of original slide works by Judith Barry, Robert Barry, Angela Bulloch, Tacita Dean, Jimmie Durham, Tracey Emin, Liam Gillick, Douglas Gordon, Susan Hiller, Joseph Kosuth, Tracy Mackenna and Simon Patterson. 

Each have created works commenting on travel, transience and the nature of site-specificity.

The works were originally commissioned for Artist / Author: Contemporary Artists’ Books, a touring exhibition organized by the American Federation of Arts. Itinerant Texts takes as its starting point the idea of the artist as itinerant worker, continually travelling on a kind of circuit and producing site-specific work.


Tuesday, September 1, 2020

Joseph Kosuth | Function Funzione Funcion Fonction Funktion







Joseph Kosuth
Function Funzione Funcion Fonction Funktion
Turin, Italy: Sperone editore, 1970
[96] pp., 16.7 x 11 cm., hardcover
Edition of 1000

Edited by Germano Celant and Perluigi Pero, with text in Italian, French, German, Spanish and English, this artist's book contains a series of logic problems


"This is from the ‘sixth investigation’. All of the investigation beginning with the first one (1966) have been subtitled ‘ART AS IDEA AS IDEA’ and my notebooks beginning with that time have been divided into ‘Specific’ and ‘General’"
- Joseph Kosuth, introduction

Saturday, January 3, 2015

Joseph Kosuth | Function Funzione Funcion Fonction Funktion



Joseph Kosuth
Function Funzione Funcion Fonction Funktion
Torino, Italy : Sperone Editore, Editarte, 1970
[96] pp., 16.5 x 11 cm., softcover
Edition size unknown

Edited by Germano Celant and Perluigi Pero, with text in Italian, French, German, Spanish and English.

From the Banff Library Archives tumblr, here.


Saturday, October 4, 2014

Joseph Kosuth | Notebook on Water






Joseph Kosuth
Notebook on Water
New York City, USA: Multiples, Inc., 1970
[15] pp., 24.5 x 30.5 cm., loose cards in envelope
Edition of 1200

An artist's book composed of a 9 1/2 x 12" printed manila envelope containing loose leaves with definitions of water in its various states [liquid, vapor, ice], photographs, a folded map, and facsimiles of Kosuth's notebooks.

Originally published for inclusion in the "Artists & Photographs" box published by Marian Goodman's Multiples, Inc. The other works in the box include:

Mel Bochner's Misunderstandings (A Theory of Photography), Christo's Packed Tower, Spoleto, Italy 1968, Jan Dibbets' Perspective Correction 1967, Dan Graham's Two Parallel Essays, Douglas Huebler's Location Piece #2 : New York City – Seattle, Washington, Allan Kaprow's Pose,  Michael Kirby's Pont Neuf, Sol LeWitt's Schematic Drawing for Muybridge, Richard Long's Rain Dance, August 24, 1969. The Rift Valley, East Aftrica (A3/4 Mile Travelling Piece Documented by 4 Photographs), Robert Morris's Continuous Project Altered Daily, Bruce Nauman's LAAIR, Dennis Oppenheim's Flower Arrangement for Bruce Nauman, Robert Rauschenberg's Revolver (the rarest item of the set, frequently missing from 'near-complete' sets), Edward Ruscha's Babycakes With Weights, Robert Smithson's Torn Photograph, Bernar Venet's Exploited, and Andy Warhol's Portraits.

Available on Ebay, for 200 GBP, here.