Showing posts with label Willem de Ridder. Show all posts
Showing posts with label Willem de Ridder. Show all posts

Monday, August 10, 2026

The Adventures of Willem De Ridder [Special Edition]


















[Willem De Riddder]
The Adventures of Willem De Ridder [Special Edition]
Amsterdam, The Netherlands: CultClub, 2017
32 x 23.5 x 4.5 cm.
Edition of 50 numbered copies


Published by Harry Ruhe and Jeannette Dekeukeleire's CultClub, this white box contains the monograph of the same name, alongside editions Eric Andersen, Pieter Engels, Ken Friedman, Geoff and Jon Hendricks, Hugo Kaagman, Bengt af Klintberg, Alison Knowles, Ben Patterson, Wim T. Schippers, Mieko Shiomi, Ben Vautier, and De Ridder’s former lover Annie Sprinkle. 



Editions:
"For Willem" by Eric Andersen
     Print on cardboard, 14.5 x 10.5 cm.
     Signed and numbered 32/50

"Willem de Ridder. A double portrait" by Ken Friedman
     B/w offset on cardboard, 21 x 30 cm.

"Untitled" by Bob Lens
     Color print on paper, 21 x 28.5 cm.

"Portrait of Willem" by Peter Pontiac
      Print on paper, 21 x 29.5 cm.

"Wie ist die Worst" by Willem de Ridder
      B/w offset on paper, 30 x 21 cm.
      Self portrait from the 60's

"Paper Constellation" by Willem de Ridder
      Mixed media on paper, 30 x 21.5 cm. Signed
   
"Untitled" by Annie Sprinkle
      Handcoloured print, 27.5 x 21.5 cm. Signed
  
"Untitled" by Ben Vautier
      Screenprint with USB, 29.5 x 21 cm.

"Replying Music for Walkman Piece" by Mieko Shiomi
       21 x 29.5 cm.

Photos:
 
"Wiesbaden, 2012", by Geoffrey Hendricks
      Color photograph, 12.5 x 18 cm.

Photograph with Ben Patterson at CultClub, 1 December 2012
      20.5 x 30.5 cm.
      while performing "Piano Activity" by Philip Corner

Media: 

DVD "The Lost Art of Willem de Ridder" by Frank Herrebout

Audio CD "Het Draadloze Individu" by Hugo Kaagman

Texts:
Texts by Jon Hendricks, Pieter Engels,
Bengt af Klintberg & Alison Knowles

Press:
Three articles,Romance Magazine by Wim T. Schippers
     June 1964, 31.5 x 25 cm. each





Monday, December 29, 2025

Willem de Ridder













Willem de Ridder died three years ago today, at the age of 83. 

The Dutch artist, anarchist, storyteller, publisher, and composer had a career that stretched over seven decades, typically working in the margins of the art world.  

De Ridder graduated from the Academy of Arts in Den Bosch, and shortly afterwards decided to stop painting. He first came into contact with Fluxus when he interviewed Nam June Paik, who introduced him to George Maciunas, who asked him to join the group. 

He ended up running the Fluxus European Mail-Order House. 

"An enormous crate arrived by freight, delivered to my house," de Ridder told me in 2002. "There was a huge amount of things from Maciunas: suitcases, boxes, all kinds of work. I thought, "Shit, now I have to do something about it." So I arranged all the various editions beautifully and had a friend of mine take a photograph of the display. My girlfriend [Dorothy Meijer] at the time sat in the middle of display. The photo looked so great that I distributed it and made a catalogue of the work, which I also heavily distributed. It listed all of the Fluxus works for sale, with prices and a description. Of course, I didn’t sell anything. Not a single thing."

The photograph became an iconic image of Fluxus publishing (see below)

A recreation of the work (with a cardboard cut-out of Meijer) is now in the collection of the Museum of Modern Art, New York .

“The list of fluxprojects that I did is endless,” he said, "and it became very clear to me that the young generation is very interested in the way Fluxus liberated us from all those officials who not only decided how we had to live, but what was art and what wasn’t.”

Together with Wim T. Schippers, de Ridder organized Dutch Fluxus festivals in 1963 and 1964 and, later, the Wet Dream Festival, the first international erotic film festival. 

The latter was a spin-off from Suck: The First European Sex Paper, which he ran as part of the SELF group (Sexual Egalitarian and Libertarian Fraternity), alongside Germaine Greer and others. Only eight issues were produced over a five year period of the periodical now called "an experimental amalgam of sexual liberation, feminist ferment, alternative visual culture, and literary ambition." De Ridder provided an office for the newspaper, and spearheaded the graphic design and artistic content, tapping his network for contributions by John Giorno, Valerie Solanas, Otto Muehl, Thomas Bayrle, Gunter Rambow, Ed van der Elsken, and others. 

Previously, the artist had founded the music newspaper Hit Week, which published 32 issues between 1965 and 1969. He also co-founded the "counter culture" nightclubs Provadya and Paradiso.

“When I started at Paradiso, everyone could just jump on stage. And if you didn’t know what was going to happen, we didn’t either,” De Ridder recalled in 2018. “In no time it was packed and they came from all over the country.” The venue - operational for over fifty years - has hosted performances by Adele, Arcade Fire, David Bowie, James Brown, Nick Cave, Duran Duran, Guns ‘n’ Roses, Hole, Ice Cube, Curtis Mayfield, Willie Nelson, Nirvana, the Pixies, Prince, The Ramones, The Rolling Stones, Sonic Youth, U2, Frank Zappa, and countless others. 

He was the co-founder of the Mood Engineering Society (MES) and started the Society for Party Organizing (SPO) to introduce audience generated theatre. Together with Schippers he founded the Association for Scientific Research in New Methods of Recreation. 

De Ridder collaborated with performance artist and porn star/activist Annie Sprinkle, with whom he was also romantically involved, from 1978 to 1980. 

A consummate story-teller, with a captivating voice, de Ridder hosted a weekly radio show on Amsterdam radio station Radio 100 for over twenty years. 


"I hated Art. Shit, it kills everything. All creativity is killed by calling it fucking art. But I liked what the Fluxus people were doing - making things up on the spot. So I organized a big Fluxus concert at a very famous big theatre on the coast, near the Hague. I made big posters and a lot of people came. I invited friends to do some pieces; [George] Maciunas came, Dick Higgins, and several others. I also organized one in Amsterdam at a student theatre. Jackson Mac Low was there, and Alison Knowles, Eric Anderson. You name it, lots of people. And it generated a fair amount of interest.
- Willem de Ridder











Saturday, July 22, 2023

Robert Watts | Events





Robert Watts
Events
Amsterdam, The Netherlands: Fluxus, 1964
13 x 15 x 2 cm.
Edition size unknown


Given my fairly limited budget, I've been able to amass a decent sized collection of Fluxus books and multiples over the years. The image below, taken about a decade ago for my One For Me And One To Share book, illustrates a dozen boxed works from my collection, and there's probably another dozen since. 

This is the first I've been able to acquire that is not a Reflux edition, meaning a continuation from George Maciunas' archives, by Barbara Moore, who ran his estate after his 1978 death. She used his existing materials to keep the editions in print, as the unlimited editions they were always intended to be, thus preventing them from becoming over-priced collectables available only to a limited number of people. 

Of course, when Reflux wrapped up its operations, the continued editions began to sell for the same prices that the originals once fetched. The originals increased in value, also, but today their prices are not dissimilar. 

Robert Watts' Events is a white cardboard box with stapled corners and a George Maciunas designed label. Enclosed are a varying number of printed cards. This version was produced by Willem de Ridder for the Fluxus European Mail-Order House, that he ran out of Amsterdam. 

The cardboard box versions were either less common than their plastic counterparts, or they were more likely to perish and are therefore more scarce. Later editions were sometimes accompanied by other objects, such as postage stamps or rubber fruit. 





Tuesday, January 31, 2023

Willem deRidder + Crawl Unit | Voice & Sound







Willem deRidder + Crawl Unit
Voice & Sound
Sacramento, USA:  Povertech Industries, 1995
7" vinyl single, 12:32
Edition of 300


Povertech Industries is a record label ran by Joe Colley, who produces industrial sound works under the name Crawl Unit. Other acts on the label include Michael Prime, Hafler Trio, and Francisco Lopez.

For this 33rpm 7" single, Crawl Unit provides a low rumbling background for artist Willem de Ridder, whose spoken word vocal track was recorded in Bussum, Netherlands. Side A features a track called "Transmissio" (6:26), which is backed with "In The South" (6:06). 

Both sides of the  can be heard, here: 


De Ridder died last month at the age of 83. 

Thursday, January 5, 2023

The Adventures Of Willem De Ridder




Jeannette Dekeukeleire & Harry Ruhé
The Adventures Of Willem De Ridder
Amsterdam, The Netherlands: Cultclub Editions, 2017
74 pp., 26 x 21 cm., softcover
Edition size unknown


"Promoter of avant-garde theatre, Fluxus agent, founder of an art mail order house, publisher of taboo-breaking magazines, producer of controversial Radio Art programmes, and much more, Willem de Ridder has led a storied life. It seems that the moment he became successful with whatever he was doing, he would abandon it entirely to embark on some other project. In producing this biography, Harry Ruhé and Jeannette Dekeukeleire went back to the source – De Ridder’s old house in his hometown – and sifted through dozens of folders, clippings, dusty boxes, and attic treasures. The result is a book full of pictures, where texts should be interpreted as extensive captions." - Idea Books


Willem de Ridder died on December 29th, at the age of 83. A memorial is being held for him tomorrow, January 6th.


Tuesday, January 3, 2023

Willem De Ridder, RIP

 



















Willem de Ridder died last week after a brief illness, on December 29th. The Dutch artist, anarchist, storyteller, publisher, composer, and "chairman" of Fluxus for Northern Europe was 83. His career stretched over seven decades, mostly avoiding the trappings of the art world (which has yet to publish an obituary for him). 

De Ridder graduated from the Academy of Arts in Den Bosch, and shortly afterwards decided to stop painting. After meeting George Maciunas and Nam June Paik in the early sixties, de Ridder was invited to run the Fluxus European Mail-Order House. 

"An enormous crate arrived by freight, delivered to my house," de Ridder told me in 2002. "There was a huge amount of things from Maciunas: suitcases, boxes, all kinds of work. I thought, "Shit, now I have to do something about it." So I arranged all the various editions beautifully and had a friend of mine take a photograph of the display. My girlfriend [Dorothy Meijer] at the time sat in the middle of display. The photo looked so great that I distributed it and made a catalogue of the work, which I also heavily distributed. It listed all of the Fluxus works for sale, with prices and a description. Of course, I didn’t sell anything. Not a single thing."

A recreation of the work (with a cardboard cut-out of Meijer) is now in the collection of the Museum of Modern Art, New York (above). 

Together with Wim T. Schippers, de Ridder organized Dutch Fluxus festivals in 1963 and 1964 and, later, the Wet Dream Festival, the first international erotic film festival. 

The latter was a spin-off from Suck: The First European Sex Paper, which he ran as part of the SELF group (Sexual Egalitarian and Libertarian Fraternity)1. Only eight issues were produced over a five year period of the periodical now called "an experimental amalgam of sexual liberation, feminist ferment, alternative visual culture, and literary ambition."2 De Ridder provided an office for the newspaper, and spearheaded the graphic design and artistic content, tapping his network for contributions by John Giorno, Valerie Solanas, Otto Muehl, Thomas Bayrle, Gunter Rambow, Ed van der Elsken, and others. 

Previously, the artist had founded the music newspaper Hit Week, which published 32 issues between 1965 and 1969. He also co-founded the "counter culture" nightclubs Provadya and Paradiso.

“When I started at Paradiso, everyone could just jump on stage. And if you didn’t know what was going to happen, we didn’t either,” De Ridder recalled in 2018. “In no time it was packed and they came from all over the country.” The venue - operational for over fifty years - has hosted performances by Adele, Arcade Fire, David Bowie, James Brown, Nick Cave, Duran Duran, Guns ‘n’ Roses, Hole, Ice Cube, Curtis Mayfield, Willie Nelson, Nirvana, the Pixies, Prince, The Ramones, The Rolling Stones, Sonic Youth, U2, Frank Zappa, and countless others.

De Ridder collaborated with performance artist and porn star/activist4 Annie Sprinkle, with whom he was also romantically involved, from 1978 to 1980. 

A consummate story-teller, with a captivating voice, de Ridder hosted a weekly radio show on Amsterdam radio station Radio 100 for over twenty years. 



“I was only interested in going into unknown territories, the insecure field of life. Most people are terrified of it. When I brought audiences into that state during my performances, there was panic, but there was always an idiot who said: “It’s ART!” The audience was immediately relieved. Oh… it’s art. Thank God. We were getting scared. The word “art” destroys all life. That’s why I step out of it. Museums are a sort of mausoleum.”
- Willem de Ridder 5



1. Other members of SELF included William Levy, Jim Haynes, Germain Greer and Heathcote Williams. 
2. Alison M. Gingeras, Document Journal. 
4. In 1996, Annie Sprinkle became the first porn star to get a doctoral degree, earning a PhD in human sexuality from the Institute for Advanced Study of Human Sexuality in San Francisco.
5. Flash Art, 2016



[Willem de Ridder, top right, with Ben Patterson, Geoffrey 
Hendricks, Philip Corner, Eric Andersen and Alison Knowles]


[Willem de Ridder and Ben Patterson at CultClub, 2012]


[Willem de Ridder, Annie Sprinkle and unknown couple] 


[Willem de Ridder and Myrto Semmoh in 2018]