Showing posts with label Milan Knizak. Show all posts
Showing posts with label Milan Knizak. Show all posts

Saturday, August 29, 2026

Milan Knížák | Zeremonien














Milan Knížák
Zeremonien
Remscheid, Germany: Vice-Versand, 1971
[unpaginated], 20 x 16.8 x 2.6 cm., spiral-bound
Edition of 500 numbered copies


Zeremonien is a hard-cover, spiral-bound artist book published by Wolfgang Feelisch, in 1971. The following May, the work was seized from German collector Hans Sohm by Czechoslovak border guards, leading to arrest of Milan Knížák. 

Sohm was interrogated for hours while trying to return to Stuttgart, and the book (and other materials) were impounded on the pretext that they were “intended to discredit the image of Czechoslovakia abroad” and that their content was “pornographic.”

Knížák wrote to Feelisch asking him to organize people to write about the arrest, as well as asking lawyers and the “society for human rights” to supervise his next trial. He reasoned: “If I will go to jail, all Czech art will with me, all artfreedom will be jailed, tooooo.”

A later letter asked that Feelisch contact Wolf Vostell, Allan Kaprow, George Maciunas, Ay-o, Ben Vautier, Ken Friedman, and others, on his behalf. 

“It might seem very stupid to do all these things,” he wrote, "but they can KEEP me OUT of a jail. Best would be to send a protest of most avant-garde famous world artist and art magazine etc. to Czechoslovakian government. But this is probably too phantastic and too overblown.”

Deemed an Enemy of the State, Knížák was found guilty and sentenced to two years in prison. 

Wolfgang and Sohm co-edited an issue of Reflection Press Magazine (No. 31) in 1973, in order to draw attention to Knížák’s imprisonment. It featured an introduction by Albrecht D., letters of support from artist Allan Kaprow, curator Harald Szeemann, and others, as well as texts by the artist himself.

The international campaign indeed helped precipitate an early release. 

Later in life, Knížák became the director of the Czech National Gallery in Prague between 1999 and 2011 and was awarded the Medal of Merit by the Czech Republic.

Milan Knížák died last month at the age of 86. 





Monday, July 27, 2026

Milan Knizak










Milan Knizak died yesterday, at the age of 86. 



Sunday, March 10, 2024

Milan Knížák | FLUGGEFÜHL







Milan Knížák
FLUGGEFÜHL
Stuttgart, Germany: Akademie Schloá, 1991
[pp. 92], 23.2 x 16.3 cm., softcover
Edition of 500


Documentation of the action "Feeling of Flying” involving a nude woman (possibly his wife Jane) jumping in the air. Documented by Knížák in 1983. Text in German.





Monday, January 1, 2024

George Maciunas | New Flux Year
















George Maciunas
New Flux Year
New York City, USA: Fluxus, c. 1967
11.9 x 7 x 7 cm. [closed]
Edition size unknown


A commercial relief printed box in faux-reptile skin, with transfer type, containing a cloth covered spring, noise maker, and offset confetti printed with the title.
 
After assembling these items, George Maciunas, mailed copies of the box to Fluxus artists and friends around the globe. Milan Knizak received one in Prague, where he recalled the shock customs officials received upon examining the work. Yoko Ono and John Lennon also received one, which they responded to with the below letter, on Apple Records letterhead. 

“Why don’t our friend drop in to say hello? If he is up to sending us a snake...??? Happy New Years!!! Love John and Yoko."






Thursday, September 21, 2023

Milan Knížák | Necklace














Milan Knížák
Necklace
Remscheid, Germany: Edition VICE-Versand, 1968
41.3 x 30.2 cm.
Edition of 2,000


Necklace (or Halsschmuck) is presumably designed to cut the clothes of the wearer, given the 'destruction' that features in much of the artists' other work (Broken Music, etc).  

The work originally sold for twelve German Marks (or under eight dollars American), which would be the equivalent of around sixty-five dollars, accounting for inflation.

It is unlikely that the full edition of two thousand copies were produced, given the scarcity of the work now. 


Tuesday, August 29, 2023

Milan Knížák | Flux White Meditation








Milan Knížák
Flux White Meditation
New York City, USA: Fluxus, 1969
11.9 x 10 x 1 cm.
Edition size unknown


Milan Knížák's works are incredibly important to the history of sound art, and Artists' Records in particular (Ursula Block took the name of one of his Broken Music as the title for her quintessential book on the subject), and his Vice-Versand edition is excellent.

His boxed works for Fluxus, however, are all pretty poor. Flux Snakes is particularly bad, and the empty boxes of Flux Dreams has been done better by many others, before and since. 

Flux White Meditation features a plastic box with an offset label (as always, designed by George Maciunas - see his early study for the graphic below) and containing white powder. 

Curator Jon Hendricks writes in Fluxus Codex: "Narcotic powder? dust? ashes? crushed rocks? The work is not explained and could relate to any number of Knizak's activities". He also adds that "Knížák has a very ambivalent attitude toward the Fluxus realizations of his pieces and remembers very little of their genesis." This suggests that they may have been throw-away ideas that Maciunas ran with. 

Flux White Meditation was reissued/continued by Barbara Moore's Reflux Editions in the 1980s. Both versions remain scarce.