Yoko Ono signed recordings

Happy Birthday to Yoko Ono, who turns 93 today. 

Dave Dyment | My Friend Goo

Dave Dyment

My Friend Goo

Toronto, Canada: Paul + Wendy Projects, 2025

38 pp., 25 x 17 cm. staple bound

Edition of 200

Astutely recognizing that the subject matter touched on a number of my interests1, Paul Van Kooy commissioned me to write a text about Raymond Pettibon’s cover for Sonic Youth’s Goo LP and the subsequent hundreds of memes it has inspired. We amassed over a hundred of them, most of which appear in this little publication, and I wrote a text that attempts to make sense of them. 

It traces the way a Moors Murders paparazzi photo became a Raymond Pettibon drawing, then a cover for Sonic Youth’s major label debut and then a template for people to address subjects as varied as companionship, fandom, escape, corruption, trans rights, police killings, threats to democracy around the world, Covid19, and countless other contemporary concerns. 

The book is designed by Emma Wright (who designed Roula’s fantastic Index), features a cover illustration by Leanne Shapton2 and comes with a bookmark by Jonathan Monk3.

Thanks, of course, to Paul, Wendy, Emma, Leanne, Jonathan, Lee, and Roula. And special thanks to Annie Koyama for making this (and so many other things) possible.

The book is available from the publisher, here. 

1. Sonic Youth, Raymond Pettibon, album covers by artists, the ways that culture takes shape, etc.

2. Leanne Shapton is an artist, art director and publisher. She has designed lettering for the covers of two  Chuck Palahniuk novels and the credits of Noah Baumbach’s The Squid and the Whale. She also created the "armpit sex drawing" for Spike Jonze's 2013 film Her.

3. The first hundred copies include a bookmark made from a receipt drawing with an illustration of another SY album cover, Daydream Nation (see next post). 

"A wonderful look into not just our mashup but the whole history of them. I loved the historical antecedents - and the footnotes are as good a read as the text! Really wonderful to have this text about (or, in reference to) our album cover and Ray’s drawing.”

- Lee Ranaldo

New Yoko Ono Phaidon monograph

[Yoko Ono, Laurie Anderson, Eriko Osaka, Theirry Raspail]

Yoko Ono

London, UK: Phaidon, 2024

160 pp., 25 x 29 x 1.5 cm., softcover

Edition size unknown

The Phaidon Contemporary Artists Series is a consistently reliable collection of monographs surveying important contemporary artists. Titles in the series each include an interview, survey, focus, artist’s writings, “artist’s choice”, and an extensive chronology. They feature good reproductions, thoughtful writings and - perhaps most importantly - excellent distribution, bringing contemporary art to suburban shopping mall bookstores. 

First launched in 1996, the series includes books on Marina Abramovic, Francis Alÿs, Lynda Benglis, Vija Celmins, Tacita Dean, Mark Dion, Tom Friedman, Hans Haacke, Jenny Holzer, Roni Horn, Mary Kelly, On Kawara, Yayoi Kusama, Christian Marclay, Wangechi Mutu, Lucy Orta, Nancy Spero, Simon Starling, Sarah Sze, Gillian Wearing, Jeff Wall, Lawrence Weiner, Ai Weiwei, and many others. 

As far as I can tell, this is the first instance in which the artist appears on the cover, instead of an art work. Abramovic and Alÿs are both pictured on the cover of their titles, but mid-performance, their faces obscured. Yoko Ono is pictured posing for the camera while installing her 1966 Indica Gallery exhibition.

This may be the result of trying to grapple with the fact that Ono herself is better known than any of her works. “The world's most famous unknown artist,” is how her husband John Lennon frequently described her, “...everyone knows her name but no one knows what she actually does."

Or perhaps it’s a response to Ono eschewing a signature style or medium. In her essay Yoko Ono: Transcendent Freedom and Hope, Eriko Osaka observes “Having come to the art world via a training in music, literature and philosophy, with only a passing interest in painting and drawing, [Ono] was freer in her thinking, less fixated on any one technique or medium than others who went to art school.”

This site is dedicated primarily to Artist’ books, Multiples and Editions, with a secondary focus that  

reflects my interests in Artists’ Records, Conceptual Art, Performance Art, Mail Art, Advertisements, Text, etc. Yoko Ono has not only created works in each of these often disparate media, she has frequently produced defining examples. 

Grapefruit is the quintessential Artist Book, and in some ways functions as a blueprint for the rest of Ono’s seven decades-long career.1 The title is still in print over fifty years later, and has been translated into Chinese, German, Spanish, French, Italian, and back to its original Japanese.2

Her Fluxus edition Box Of Smile ranks among the best of the hundreds of boxed works George Maciunas produced for the group. It is simple, poetic, funny and participatory: a small square plastic box with the title foil stamped onto the lid opens to reveal a mirror reflecting the viewer’s face, who completes the work with a grin of recognition. 

White Chess Set - first exhibited in the Indica Gallery show featured on the book’s cover - is an all-white chess board with white playing pieces, emphasizing concentration over competition. Sometimes known as Play it By Trust, the piece has been editioned a few times, made into large scale public art, presented as public participation pieces, and in performances reminiscent of the Toronto chess match by Marcel Duchamp and John Cage.

Cut Piece is as powerful and influential a work of Performance Art as anything by Marina Abramovic, Vito Acconci, Chris Burden, or Carolee Schneemann. Ono sits on the stage in her best dress and places a pair of scissors in front of her. Audience members are invited to come up one by one and cut away pieces of her clothing. Osaka notes that the work “brought out people’s latent feelings of desire, anger, vulnerability, destructiveness, confrontation, dedication, forbearance, acceptance”. 

Film works like Fly or Film No. 4 (better known as Bottoms) are rightly celebrated as important early examples of artists’ cinema, but lesser known works like Erection (not what you think), Self-Portrait (what you thought) and Apotheosis are equally compelling. Apotheosis [1970] is a 17-minute film shot from an ascending air balloon. Following the initial landscape view, audiences are presented with a test of their patience by several minutes of white-out, when the balloon reaches the clouds. The pay off is the “huge poem”3 of the reveal once the balloon ascends above the clouds.4 

Ono’s use of advertising spaces such as public billboards5 anticipated Jenny Holzer’s public works and the Time Square Jumbotron by over a decade. Her presentation of text-only works predate Joseph Kosuth and can rightly be considered the first exhibited examples of Conceptual Art.6

Phaidon’s Yoko Ono examines these works and countless others, from pieces made in the artist’s childhood, to projects realized in the last few years. The two essays are well-researched and share little overlap. The Artist’s Writings section features early examples of Ono’s essays, often presented in facsimile.  

The Artist’s Choice section presents Ono’s 9 Concert Pieces for John Cage, from 1966, which were originally intended for inclusion in Cage’s 1969 Something Else Press book Notations. Only a single example made its way into that legendary collection, but all nine are reproduced here, one to a page. 

The major disappointment in the book was the thing I was most highly anticipating: an interview with Ono conducted by Laurie Anderson7. The latter’s questions are interesting enough, but Ono opts to answer in single sentences only. This was likely a deliberate strategy - and nod to the direct short Event texts of Grapefruit -  but is not particularly illuminating. I would have preferred a long rambling conversation. 

The most interesting takeaway from the exchange was the fact that Ono provided comforting words to Anderson following the loss of her husband. She tells Ono “You were very encouraging and consoling to me when Lou [Reed] died. You helped me see that he had become a sum of all the thing he was in his life. This completely changed my ideas and feelings about time and loss, life and death. And it helped me accept that he would always be a part of my life in ways that continuously change.”

Grief is a difficult subject for an artist to explore without succumbing to over-indulgence, or saccharine platitudes. Both Ono and Anderson have brilliantly worked through the loss of their partners in their practice: Anderson with the 2015 feature film Heart of a Dog8 and Ono with Season of Glass9. Recorded and released only half a year after Lennon’s murder, the LP features several heart-breaking songs about loss, the sound of gunshots, and a cover graphic of Lennon’s blood-stained glasses. 

There is very little in the book about Ono’s musical output, which includes thirteen solo studio albums, six in collaboration with Lennon, and one with Kim Gordon and Thurston Moore10. Her activism also, is mostly overlooked, other than when it dovetails with her visual art. 

The book is - of course - not intended as comprehensive biography or catalogue raisonné. There would not be enough room to do justice to Ono's multi-faceted practice within the confines of the Phaidon series’ 160 pages. It is a welcome and long-overdue addition to the ongoing series. 

If you own no monographs on Ono, this is a good a place as any to start. If (like me) you have dozens, this book will be a necessary addition to the library. 

1. Curator Thierry Raspail proposes the opposite: that Grapefruit represents Ono’s first retrospective, including pieces that date back more than a decade prior to its publication. 

2. When translated back into Japanese the title somehow ends up as Grapefruit Juice. 

3. Filmmaker Jonas Mekas described the moment as: "suddenly the cloud landscape opened up like a huge poem, you could see the tops of the clouds, all beautifully enveloped by sun, stretching into infinity..."

4. Apotheosis is similar to Michael Snow’s Wavelength (a work which Ono greatly admires), in that the image is limited by a particular camera movement: Snow used the zoom of the camera, and Ono employed the ‘pedestal’ shot. 

5. From the groundbreaking War Is Over (If You Want It) campaign, to the more recent Imagine Peace billboards and full page ads in newspapers. 

6. The rightful credit denied to Ono is unsurprisingly owing to racism (or "cultural differences", if we’re being generous). Presented in her native Japanese, the all-text works featured characters that were ‘drawn’ in a calligraphic style by Ono’s first husband, composer Toshi Ichiyanagi, and were therefore dismissed as being ‘graphic’ works, and not strictly ‘conceptual’.

7. Laurie Anderson herself is a perfect candidate for the Phaidon treatment. I’d also like to see titles on Kay Rosen, David Hammons, and Cary Leibowitz. 

8. Heart of a Dog is ostensibly about remembering her late beloved dog Lolabelle. I don’t recall Lou Reed’s name mentioned at all (maybe once?) but it’s clear that Anderson is working through grief from his loss two years prior. 

9. Songs from Season of Glass have been covered by Anohni, Apples in Stereo, Deerhoof, Roberta Flack, Japanese Breakfast, Holly Miranda,  Harry Nilsson, Sudan Archives, Sharon Van Otten and others. 

10. In addition to the studio albums, Ono has released two live recordings, several EPs, compilations, a collaboration with The Flaming Lips, and an ill-advised off-Broadway musical. 

Michael Snow Tribute #4: Mercersound

[Various Artists] 

Mercersound

Toronto, Canada: Mercer Union, 2005

Audio CD, 12.4 × 14.3 cm.

Edition of 1000

When I was the Director of Programming and Publications at Mercer Union I compiled this CD of artists' audio to be distributed at the 51st Venice Biennale, in June of 2005. The disk included works by Yoko Ono, Martin Creed, Laurel Woodcock, Thurston Moore, Mathew Sawyer, Jonathan Monk, Kelly Mark, David Cunningham (of the Flying Lizards), Christian Bök, and others. Michael Snow's contribution is very short work from two years prior, called Elevator Music. 

Many of the other contributors have ties to Snow. Yoko Ono cites his 1967 film Wavelength as hugely influential to her work, describing it as "an incredibly beautiful film. A revolution in itself really."

Thurston Moore is also a fan. I saw Snow's band CCMC open for Sonic Youth at a Warehouse show in 1998. I worried that their free-jazz approach - fronted by sound poet Paul Dutton - might not go down so well with pop music audiences, even a band with avant-garde pedigree like Sonic Youth. But before their set, Moore took to the stage and asked the audience to give CCMC their full attention.  Such is the respect for Sonic Youth's curation, that the room fell silent. They pay rapt attention to a performance they might've otherwise talked through, impatiently waiting for the headline act. On the tourbus afterwards, several Sonic Youth members brought out books for Michael to sign. 

I don't know if Christian Bök had a professional relationship with Snow, but he was there the first time I met Michael, at a dinner after a performance at Nathan Philips Square. 

Jonathan Monk had a two-person exhibition with Snow at Jessica Bradley's gallery. It was accompanied by a reception event that Mercer Union co-presented, though I can't recall what the pair did. Unless I'm conflating it with another event, Jonathan served drinks from behind the bar. 

The top image above is from the MoMA website, who have the disk in their library collection. The second is a scan of the inner CD tray card, from Discogs.  With no funds to hire a designer, I typed the track listing on an old typewriter whose ribbon would occasionally jog from black to red. The final image is from my archive of the original CDs used to compile the disk. 

Michael Snow would often attend openings and receptions at Mercer Union, with his partner Peggy Gale. On more than one time a visiting artist would be beside himself with joy at the realization that the legendary Michael Snow was attending his exhibition. 

"In 2003, a curator at the Reina Sofia Museum in Madrid asked me to do an installation in one of the building elevators which are beautifully glass-enclosed on the facade of the very old building (17th century?). I proposed "Elevator Music", which was to play in one of the elevators. There was to be a computer program that would sustain a single note as the elevator opened, then would resume the piece as the rose or descended. The duration of the two parts of the piece are how long it takes to rise or to descend in the elevator without stops at any other floors. I went to Madrid to work on it, but bureaucratic arguments over who had the right to what where in the museum finally cancelled it". 

- Michael Snow

Destroy All Monsters | Geisha This

Destroy All Monsters

Geisha This

Detroit, USA: Book Beat Gallery, 1995 

100 pp., 8.5 x 0.5 x 11", softcover

Edition size unknown

Destroy All Monsters was a noise-rock, performance art band formed in 1973, by University of Michigan art students Mike Kelley, Jim Shaw, Niagara, and filmmaker Cary Loren. They were influenced by Futurism, Beat Culture, Sun Ra, the Velvet Underground, and monster movies. The group took its name from a 1968 Japanese kaiju film, directed by Ishirō Honda.

The original line-up performed in the Ann Arbor area, and their only release was an hour-long cassette, which was only available through Charlton Burch's Lightworks magazine. 

Kelley and Shaw left the band in 1977 and were replaced by members who had previously performed with The Stooges and MC5, adding to the notoriety of the group. Rock critic Lester Bangs described their music as "anti-rock". Further cementing their legendary status among noise-rock fans, was a three CD collection compiled by Sonic Youth's Thurston Moore, released in 1994.

Continuing the revival of interest in their output is this compilation of Destroy All Monsters magazine, released a year later. The volume reprints seven issues of the 'zine, one previously unpublished. The title also includes a flexi-disc containing unreleased tracks. 

I believe this is the second edition. The first (published in an edition of approximately 800 copies) was reportedly hand-assembled and featured a metallic gold cover by Niagara. The third and final edition features the same graphic, but in black and white. 

In 2011, Primary Information released a comprehensive compilation of all of the DAM publications. It was released in an edition of 3000 copies and is out-of-print. 

"The images that drove us were the strange combinations of film noir, monster movies, psychedelia, thrift-shop values, and the relentless anarchy of an over-stimulated pop culture." 

- Cary Loren

ACBA: Lawrence Weiner for Thick Pigeon

[Lawrence Weiner] Thick Pigeon

Too Crazy Cowboys

Manchester, UK: Factory Records, 1984

12" vinyl LP

Edition size unknown

The 1984 debut from the New York Art Rock duo of Miranda Stanton and Carter Burwell.

Burwell would later find success as a soundtrack composer, scoring three films by Todd Haynes, three for Spike Jonze, almost every movie by the Coen Brothers, and every film by Martin McDonagh. He received Oscar nominations for his scores to Haynes' Carol and McDonagh's Three Billboards Outside Ebbing, Missouri.

Miranda Stanton played bass in a band with Kim Gordon called CKM, which was formed in order to participate in a festival organized by Dan Graham. It was their first and final performance, but Stanton introduced Gordon to Lee Ranaldo and Thurston Moore, who and they soon after formed Sonic Youth together. (Moore also appears on the Thick Pigeon song "Pope", which is available on the 2003 reissue of Too Crazy Cowboys). 

Stanton's other Factory Records connections include the single "Wheels Over Indian Trails" (produced by Stephen Morris and Gillian Gilbert from New Order),  a cover of Joy Division's "Love Will Tear Us Apart", and guest vocals on recordings by the Durutti Column. 

She also had an acting career, appearing in three films by Jonathan Demme: Something Wild, Married to the Mob, and Silence of the Lambs. She played the lead role in the small art-house film Souvenir, directed by Michael H. Shamberg of Factory Records US. 

Shamberg invited Lawrence Weiner to design the album cover, which features a die-cut jacket. 

In a 2003 review for Pitchfork, William Bowers gave the record a 2.1 out of 10, noting "don't buy this Thick Pigeon reissue unless you love post-Warhol sub-glam absurdist-meets-infantile eighties-underground New York-ness, or atrocious-Tony-Wilson hair-era Factory."

This Week on Tumblr: Sonic Youth covers and collaborations

http://artistsbooksandmultiples.tumblr.com/tagged/Sonic-Youth

Printed Matter Membership Drive

Above: letters of support for Printed Matter/artworks by Harmony Korine, Jenny Holzer, John Waters, Lucy Lippard, Paul Chan, Raymond Pettibon, Thurston Moore, and Yoko Ono.

Christian Marclay, Lee Ranaldo, Thurston Moore | Fuck Shit Up

Christian Marclay, Lee Ranaldo, Thurston Moore
Fuck Shit Up
Victoriaville, Canada: Les Disques VICTO, 2000
Audio CD, 71:33
Edition size unknown

On May 24th, as part of the 16th International Festival de Musique Actuelle, Christian Marclay and half of Sonic Youth played an improvised set in the small Quebec town of Victoriaville. Other performers in the festival that year included Godspeed You Black Emperor! Jim O'Rourke, Merzbow, John Zorn and Elliot Sharp.

The sixty-three minute set and nine minute encore are presented here in their entirety. The cover graphic features a turntable that Marclay found in a junk shop across the street from the hotel a day before the performance. It once belonged to a Diane Allaire, who the encore is dedicated to.

The title, if I remember correctly, comes from an eager fan who shouted "Fuck shit up!" as the performers took the stage.

Excerpts from the program are below.

RRR-500

[Various Artists]
RRR-500
Lowell, USA: RRRecords, 1998
12" vinyl LP, gatefold sleeve
Edition size unknown


Upping the ante from the 7" a few years prior, RRRecords release a single LP containing 500 tracks, by 500 artists or bands, all untitled. Notable contributors include Jad Fair, His Name is Alive, Terry Riley, Roger Miller, Derek Bailey, Red Krayola, Mike Kelley, Jon Oswald, Alan Licht and Sonic Youth (as well as both Lee Ranaldo and Thurston Moore, separately).

Full track listing:

Punk Sheep On Drugs Untitled
–ST 37 Untitled
–Moray Eels Untitled
–Aube Untitled
–Sian Untitled
–Loop Circuit Untitled
–Hyper Ventilation Untitled
–Akifumi Nakajima Untitled
–Toy Bizarre Untitled
–Bruno Moreigne Untitled
–Lichatz Untitled
–Foom Untitled
–Radboud Mens Untitled
–Shifts Untitled
–Goem Untitled
–Captain Black Untitled
–Quest (2) Untitled
–Mark Poysden Untitled
–Basssix Untitled
–L.O.S.D. Untitled
–TAW Untitled
–Peter Fleur Untitled
–√Sub* Untitled
–Raum Untitled
–Bruce Gilbert Untitled
–Put Put Untitled
–Barbed Untitled
–:Zoviet*France:* Untitled
–Otomo Yoshihide Untitled
–Cult Junk Cafe Untitled
–Tone Motion Untitled
–Lumbar Trio Untitled
–Liminal Untitled
–Aerospace Soundwise Untitled
–TV Pow Untitled
–Wheaton Research Untitled
–Pencilneck Untitled
–Thomas Deater Untitled
–7000 Dying Rats Untitled
–Tim Fletcher Untitled
–Clive Graham Untitled
–Sarah Winton Untitled
–Mike Davies (2) Untitled
–Kymatik Untitled
–Jeff Filla Untitled
–Jgrzinich Untitled
–Dan Plunkett Untitled
–Brekekekexkoax (Koax)* Untitled
–ERG Untitled
–Zygote (5) Untitled
–Seth Nihil* Untitled
–MNortham* Untitled
–Astroglijd Untitled
–Karen Finley Untitled
–Pedestrian (2) Untitled
–Ward Eldredge Untitled
–Asche Untitled
–Morgenstern Untitled
–Templegarden's Untitled
–Synapscape Untitled
–Telepherique Untitled
–P·A·L Untitled
–Noisex Untitled
–Salt Untitled
–Nimoy Untitled
–DKF Untitled
–Venoz TKS Untitled
–MSCHarding* Untitled
–People Like Us Untitled
–Mickery Untitled
–Wallypops, The Untitled
–Teletubbies, The Untitled
–Penguin Untitled
–Water Untitled
–Breath Untitled
–Ryoji Ikeda Untitled
–Aardvark (3) Untitled
–Cerebro Untitled
–Palimsest Untitled
–Y-Bom Untitled
–Static Insect Untitled
–Neil Wiernik Untitled
–Tocsin (3) Untitled
–Infant Cycle* Untitled
–Sleeping Basement Cat Untitled
–Mind Skelp-cher Untitled
–Gwaho Untitled
–Band Of Pain Untitled
–H.J. Irmler* / S. Pittis* Untitled
–Intravene Untitled
–Satori (2) Untitled
–Contrastate Untitled
–Yukiko Untitled
–Kazumoto Endo Untitled
–Killer Bug Untitled
–Sperm Donors, The Untitled
–Government Alpha Untitled
–TBC (2) Untitled
–Klangkrieg Untitled
–Felix Kubin Untitled
–Reznicek Untitled
–Raumpatrouille Gunter Untitled
–AER Untitled
–Wax Infant, The Untitled
–Alvars Orkester Untitled
–Frak Untitled
–Ü Untitled
–Pher Untitled
–Villa Åbo Untitled
–F4E G.H.* Untitled
–F4E R.J.* Untitled
–F4E V.C.* Untitled
–F4E J.W.* Untitled
–F4E M.D.* Untitled
–F4E G.M.* Untitled
–F4E C.M.* Untitled
–F4E C.R.* Untitled
–F4E A.B.* Untitled
–F4E J.O.* Untitled
–Doo-Dooettes Untitled
–Foundation Boo Untitled
–Monique Experience Untitled
–Precambrian Three Untitled
–Friends Of Leslie Untitled
–Tom Recchion Untitled
–Extended Organ Untitled
–Ro-G Untitled
–Marcus Peroud Untitled
–Rotor Syndrom Untitled
–Myiase Untitled
–Batchas Untitled
–Frank Dommert Untitled
–Jan Werner* Untitled
–Nomarulp* Untitled
–Marcus Schmickler Untitled
–L@N Untitled
–DS Imitator Untitled
–#/Tau Untitled
–A-Musik Untitled
–Peeled Hearts Paste Untitled
–Jason Willet* Untitled
–Jad Fair + Jason W.* Untitled
–Dramatics, The Untitled
–Jaunties, The Untitled
–Martha Colburn Untitled
–Sinkdrop Untitled
–Hurricane Camille Untitled
–Luminar Untitled
–Tom Dimuzio* Untitled
–Lord Jack Lord Untitled
–Buzz Doggy Dog Untitled
–Gench Master 2000 Untitled
–Cut Splice Untitled
–Awashed Untitled
–Light Matrix Untitled
–Locked Out Untitled
–Sensor (2) Untitled
–Whales, The Untitled
–Noise Camp Untitled
–Little Princess Untitled
–Princess Dragon-Mom Untitled
–Control Panel Untitled
–His Name Is Alive Untitled
–Crash, The (2) Untitled
–Science Fair Untitled
–Bears, The Untitled
–B.B.B.E. Untitled
–Voice Crack Untitled
–Andy Guhl Untitled
–Norbert Moslang* Untitled
–Sickness Untitled
–Seelenlärm Untitled
–Bill Orcuh Untitled
–Chel Jones Untitled
–Modern Surgery For Nurses Untitled
–Grunt Untitled
–Alchemy Of The 20th Century Untitled
–Woundead Untitled
–Yesmeansyes Untitled
–Bearmann's Bastards Untitled
–Noise Makers Fifes* Untitled
–Greg Jacobs Untitled
–Tapes Of Wrath Untitled
–Peterson Mixes, The Untitled
–Slusser* Untitled
–Duo Micro Untitled
–First Lady Embalmers Untitled
–Headless Untitled
–Luna Rose Atlantis Untitled
–Gen Ken* Untitled
–Con (2) Untitled
–La La Landia Untitled
–Eater Untitled
–Telecognac Untitled
–Darren Brown Untitled
–Impact Test Untitled
–Deknow Untitled
–More Untitled
–Julien Bradley* Untitled
–Neil Campbell Untitled
–Astatine Untitled
–Cindy Wonderful Untitled
–Crack Fierce Untitled
–Fluorescent Grey Untitled
–Birchville Cat Motel Untitled
–Lugosi Untitled
–Alkerthene Untitled
–M.K. Uva Untitled
–Hand Over Fist Untitled
–S. Jack Silman Untitled
–Lockweld Untitled
–Deerhoof Untitled
–Involution (3) Untitled
–Andy Bolus Untitled
–Evil Moisture Untitled
–Estupida Melodia Untitled
–Acerrimamente Untitled
–Makanakuna Untitled
–Armenia Untitled
–Ralph Nemec Untitled
–Rick Reed Untitled
–Angst Hase Pfeffer Nase Untitled
–Django Reinhardt III Untitled
–Commode Minstrals In BullFace* Untitled
–Nightstick Untitled
–Ashtray Navigations Untitled
–Mortician Untitled
–Bongzilla Untitled
–Agoraphobic Nosebleed Untitled
–General Surgery Untitled
–Human Remains Untitled
–Exit-13 Untitled
–Brutal Truth Untitled
–Today Is The Day Untitled
–Incantation Untitled
–Soilent Green Untitled
–Embalmer Untitled
–diSEMBOWELMENT Untitled
–Solarus Untitled
–Atrax Morgue Untitled
–Lull Untitled
–Bastard Noise Untitled
–Namanax Untitled
–Dissecting Table Untitled
–Japanese Torture Comedy Hour Untitled
–Emil Beaulieau Untitled
–Pica Untitled
–Abscess (2) Untitled
–Purge Untitled
–Brighter Death Now Untitled
–RZ Untitled
–Sudden Infant Untitled
–Bertoia* Untitled
–Terry Riley Untitled
–Derek Bailey Untitled
–Gary Todd Untitled
–Red Krayola Untitled
–Mike Kelley Untitled
–Jon Appleton Untitled
–Wende Bartley Untitled
–Jean-Francois Denis* Untitled
–Martin Gotfrit Untitled
–Don Lander Untitled
–Philippe Le Goff Untitled
–John Oswald Untitled
–Stephane Roy* Untitled
–Claude Schryer Untitled
–Alain Thibault Untitled
–Roxanne Turcotte Untitled
–Annette Vande Gorne Untitled
–Id Battery Untitled
–Brainape Untitled
–Cutty Stool* Untitled
–Glock 2* Untitled
–Grampabampa* Untitled
–Krapkeep* Untitled
–Silica Gel Untitled
–Schloss Tegal Untitled
–Free Kitten Untitled
–Adam Bohman Untitled
–Morphogenesis Untitled
–Dorothea Conradi Untitled
–Werner Durand Untitled
–DJ Pure* Untitled
–Rehberg + Bauer* Untitled
–Felix Yen Untitled
–Artificial Memory Trace Untitled
–Malta Untitled
–Speed Wolf Untitled
–Moses Untitled
–Hapaxlegomena Untitled
–Ceramic Hobs Untitled
–Ambulance Chasers (2) Untitled
–Eric Lanzillotta Untitled
–Candle Labra Untitled
–Yes Means No Untitled
–M.B.L. Untitled
–Heaven For Kasner Untitled
–Psywarfare Untitled
–Snakedick Untitled
–Bloody Bombs Untitled
–Velvet Front Untitled
–DOG* Untitled
–Reality Challenged Untitled
–Steve Davis (2) Untitled
–Lo Lo Muñoz Untitled
–70 Gwen Party Untitled
–Cacophony 33* Untitled
–Mr. Outsider Untitled
–Expose Your Eyes Untitled
–Project D.A.R.K.* Untitled
–Speck Untitled
–Brauncewell Untitled
–Mark Wharton* Untitled
–M. Rafe Untitled
–Spiral Untitled
–Hemogoblin Moon Untitled
–Pee Wee Russell III Untitled
–Alessandro Moreschi Untitled
–Orphx Untitled
–Antiform Untitled
–Para (3) Untitled
–Raimundas Eimontas Untitled
–Ramūnas Jaras* Untitled
–Antanas Jasenka Untitled
–Robertas Kundrotas Untitled
–Irving Klaw Trio Untitled
–Hochenkeit Untitled
–Wham-O Untitled
–Jeff Fuccillo Untitled
–Kandalini Nivugretsevi Untitled
–Coffee (2) Untitled
–Diz Willis Untitled
–Nico (14) Untitled
–Chirone Rising Untitled
–Sukora Untitled
–Zohenshein Untitled
–Terminal Waste Band Untitled
–Demoon Skirt Untitled
–Daylight Savings Time* Untitled
–Universal Indians Untitled
–Thin Ensemble, The Untitled
–Glands Of External Secretion Untitled
–Lowest Chakra Untitled
–Being Untitled
–Nambi-Pambient Untitled
–Pee 69 Deflower Untitled
–Pre-Evil Untitled
–Trinket Untitled
–Abe Sada Untitled
–Hurdy Gurdy Cabana-Boy Untitled
–Andy Shea Untitled
–Marlo Pedroso Untitled
–M. Jones* / L. Rhodes* Untitled
–Hanged Mans Orgasm Untitled
–Skin Crime Untitled
–Fleur De Vie Weinstock Untitled
–Those Meddling Kids Untitled
–Melinda Read Untitled
–Beatrix Gingham Untitled
–Pat O'Neil* Untitled
–Shawn Smith Untitled
–No Mustard Captain Untitled
–Knut Remond Untitled
–Tim Martin (2) Untitled
–Quarrelling Xenophobic Waitresses Untitled
–Pumice Untitled
–Dick AKA Dick Untitled
–Laura Lee Hine Untitled
–Andreas Kallwitz Untitled
–Glen Peterson Untitled
–Kelly Rappuchi Untitled
–Thadd Comstock Untitled
–B.E.A.N. Untitled
–Neil Hamburger Untitled
–Jay Sullivan Untitled
–Faxed Head Untitled
–Gregg Turkington Untitled
–United Negro College Fund Untitled
–Pickle Factory* Untitled
–New Peculiars* Untitled
–Y Front Untitled
–Karla Borecky Untitled
–Mike Popovich Untitled
–Brrr Untitled
–Andrews Liver Salt Untitled
–XX Committee Untitled
–Hermaphrodites For Stucky Untitled
–Diagram: A Untitled
–Proof Of The Shooting Untitled
–J. Brown (2) Untitled
–Jared Turinsky Untitled
–Psychadelic Pig Untitled
–Harm Jr. Untitled
–Horseback Solids Untitled
–Lettuce Little Untitled
–Steve Cerio* Untitled
–Roger Kummert Untitled
–Lore Barges* Untitled
–Seymour Glass Untitled
–Radiosonde Untitled
–Zipper Spy Untitled
–Haters, The Untitled
–Grromp Man Untitled
–Ed Taylor Untitled
–Suzanne Ramsey Untitled
–Crawl Unit Untitled
–AMK Untitled
–Original Artists, The Untitled
–Granex Glue Untitled
–Jordan Biren Untitled
–Haploid Untitled
–Torsten Z. Burns Untitled
–Nux Vomica Untitled
–A.T.M. (2) Untitled
–Maiden Taiwan Untitled
–Meeuw Muzak Untitled
–Brian Smith (2) Untitled
–tENTATIVELY a cONVENIENCE* Untitled
–DJ T.A. Quinn Untitled
–Karl Schontag Untitled
–Head Of Maja Untitled
–Chico Vega Untitled
–Bob Jordan Untitled
–Senritsubara Untitled
–Y.I.M. Untitled
–Jason Lescalleet Untitled
–Todd Deal, The Untitled
–Blue Moon (2) Untitled
–Ray Gaucher, Jr.* Untitled
–Man Ray Untitled
–Arterial Slash Untitled
–Mike Minutoli Untitled
–D. Bock / D.B. Cooper Untitled
–Shrilltower Untitled
–Remora Untitled
–D. Gross* / J. Chandonnet Untitled
–Ene Untitled
–Detune (10) Untitled
–Dave Perry Untitled
–Coits Untitled
–Andrew Szava-Kovats Untitled
–Compound (2) Untitled
–Parade Of Sinners Untitled
–Dominion (2) Untitled
–Data-Bank-A Untitled
–SMP Untitled
–Jason Bazinet Untitled
–Matt Sharifi Untitled
–Xiandi Untitled
–Macronympha Untitled
–Chop Shop (3) Untitled
–Lee Ranaldo Untitled
–John Wiggins Untitled
–Jerome Noetinger* Untitled
–RLW Untitled
–Michael Prime Untitled
–En Nihil Untitled
–Alan Licht Untitled
–Pain Jerk Untitled
–Naj Untitled
–Runzelstirn + Gurgelstock* Untitled
–Gruppe Schimpfluch* Untitled
–Thurston Moore Untitled
–Smell + Quim* Untitled
–Masonna Untitled
–MSBR Untitled
–Omit Untitled
–A Handful Of Dust Untitled
–Bruce Russell Untitled
–Knob Untitled
–Steven Weigt Untitled
–Toemass Untitled
–Eating Canada Untitled
–Moonjackals Untitled
–Horsey Wallett Untitled
–George L. Charpied Untitled
–Roger Miller (2) Untitled
–Chivrouga Untitled
–Crank Sturgeon Untitled
–Portable ManBoy Lyceum Untitled
–Joke Lanz Untitled
–Sabin Zenz Untitled
–Célest Urech* Untitled
–Howling Wolfenstein Untitled
–Juneau (2) Untitled
–Giant Big Eggs Untitled
–DJ Static (3) Untitled
–Naofumi Kaneko Untitled
–Pete Rutigliano Untitled
–Factory Of Noise Untitled
–Stabat Mors Untitled
–R.H.Y. Yau Untitled
–Charlie Parker (3) Untitled
–Chris Bush Untitled
–Cock E.S.P. Untitled
–Muckrakers, The Untitled
–Rexor Untitled
–Zartan Untitled
–Sonic Youth Untitled