Showing posts with label Meret Oppenheim. Show all posts
Showing posts with label Meret Oppenheim. Show all posts

Tuesday, June 29, 2021

Meret Oppenheim | Caroline







Meret Oppenheim
Caroline
Basel, Switzerland: Edition Fanal, 1985
28 × 14 cm., slipcase
Edition of 89 [+ 12 HC proofs] signed and numbered copies


An artist's book with twenty-one etchings and two embossed prints, illustrating poems in German by Karoline von Günderode.

Monday, December 2, 2019

Meret Oppenheim | Handschuh (Glove)














Meret Oppenheim
Handschuh (Glove)
Zurich, Switzerland: Parkett, 1985
22.1 x 9.2 cm.
Edition of 150 signed and numbered copies

Produced for the 4th issue of Parkett Magazine, just prior to the artist's death at the age of 72. The work is based on a design she conceived of almost fifty years earlier, in 1936 - the same year as her famous “Furlined Teacup”.

The work consists of goat suede with silk-screen and handstitched blood vessels. It is signed with the artist's initials on the inside of the left glove and signed and numbered on the inside of the right glove.
In addition to the 150 copies, there were twelve artist's proofs labelled with roman numerals.


“Meret Oppenheim’s abstruse, multi-leveled work sometimes stubbornly eludes facile interpretation; her virtuoso performance on many instruments at once has long left viewers at something of a loss. On a picture done early in 1933 she wrote the laconic statement: ‘Well, then we’ll live a little later.’ Only gradually, after the critic’s stodgy demand for clear development and stylistic consistency had paled, yielding to a growing fascination for the unfettered approach of recent art, Meret Oppenheim has finally come into her own.”
- Jacqueline Burckhardt Parkett No. 4, 1985


Monday, April 22, 2019

Meret Oppenheim | Das Ohr von Giacometti












Meret Oppenheim
Das Ohr von Giacometti 
Schwetzingen, Germany: K. F. Schimper-Verlag, 1987
11 x 7.5 x 1.4 cm.
Edition of 500 monogrammed, numbered and dated copies

A bronze casting of the ear of artist Alberto Giacometti, in a felt bag housed inside a cardboard box, with an accompanying certificate of authenticity. 

Saturday, October 8, 2016

Meret Oppenheim | Eichhörnchen







Meret Oppenheim
Eichhörnchen
Rome, Italy: Galleria La Medusa, 1969
23 x 17.5 x 8 cm.
Edition of 100 unsigned and undated copies
not signed or dated

Eichhörnchen (or Squirrel) was produced thirty years after the artist's similar Breakfast in fur  solidified her place in the history of Surrealism. The work consists of a beer stein, almost overflowing with imitation foam beer, with its handle replaced by a fluffy squirrel tail.

Wednesday, July 1, 2015