Per Kirkeby | BLA

Per Kirkeby
BLA, 5”
Copenhagen, Denmark: Edition: Panel 13, 1965
[12] pp., 12x12 cm, staple-bound
Edition size unknown


Kirkeby's first artist book consisted of five blue squares and an essay by Hans-Jörg Nielsen, in Danish.

Other titles from the series are below.

James Lee Byars | 100 Questions

James Lee Byars
100 Questions
Croton-on-Hudson, USA: Hudson Institute, 1969
[100] pp., 28 x 21.7 cm., softcover
Edition of 100


In 1966, the curator of modern art at the Los Angeles County Museum of Art, Maurice Tuchman, initiated an Artist-in-Residency program that would still be considered adventurous by today's standards. The program, titled Art and Technology (A&T), had a mandate to promote an exchange between artists and the corporate world. Tuchman modestly proposed, “that if the best artists are exposed to the sophisticated techniques of industry, something will come out of it. Both artists and corporations may gain something from each other”, but his ambitions were considerably grander.
He selected local companies capable of supporting ambitious art projects, either financially, or by providing technical expertise.

Two hundred and fifty corporations were approached, and about a third were interested. The industries included cinema and television (Universal Film Studios, Twentieth Century Fox, Disney), audio recording technologies (the Ampex Corporation), computer and information technologies (IBM, Hewlett-Packard), and perhaps a disproportionate number of defence companies (Rockwell, Lockheed, Aircraft , RAND). Seventy-six artists were selected to participate, including Michael Asher, John Baldessari, Iain & Ingrid Baxter, Larry Bell, George Brecht, Christo, Walther De Maria, Dan Flavin, Hans Haacke, Donald Judd, Jackson MacLow, Bruce Nauman, Robert Smithson, Karlheinz Stockhausen, and Robert Watts.

James Lee Byars was partnered with the Hudson Institute, a right-wing think tank founded by Herman Kahn, the futurist, military strategist and systems theorist who was the inspiration for the title character of Stanley Kubrick's 1964 classic Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb.

Byars worked with the Hudson Institute for the second half of 1969, under the guidance of Kahn himself. His plan was to lock one hundred of the world's most brilliant minds in a room and have them ask each other the questions they had been asking themselves. It was a brilliant plan, but when he attempted to reach them by telephone, apparently most of them hung up on him.

He had hoped to enlist the help of the Gallup polling agency, but they declined also. The work, now called The World Question Center, ended up being broadcast on Belgium television, and involved questions solicited from viewers.

Byars then wanted the questions compiled in book, which would be edible. When costing it out ($3.70 per 100 sheets) he noted that "I do want it to be exquisite however...the world's first eatable public book...cover hopefully will also be eatable ...."

He asked the LA County Museum help to produce it, but they declined. The Hudson Institute would also not fund an edible book, but did agree to print a simple book with one hundred unnumbered pages, each containing a single question, printed in microscopic font:

This book is eatable?
Merry X?
Woo?
O?
I'm the self-appointed World Question Center?
Putting Byars in the Hudson Institute is the Artistic Product?
E=MC2,  next?
I have perfect question?
This is question theory?
Say it is yours?
The question of perfect speed and total elasticity?
A proposition is public question?
Clone me?
Which questions have disappeared?
Do you have an affection for question?
What's the difference between asking and telling?
He grabbed my nose and said what do you want a nonlinguistic question?
Put your hypothesis in general language?
Imagine the palpability of question?
Did Plato forget question?
ls all speech interrogative?
Ho! Ho! Ho! is the same in all languages?
Call all earth attention to a signal?
Arro, is repeat.info.?
l'll give you 5 min. of face?
What questions are you asking yourself?
Think yourself away?
My business is asking and access?
I'll get her question grammar?
Read Plato's nonsensical definition of the Good?
"Forget it" is a treatise?
Put your autobiography in a question?
The question is the answer?
A Pompidou?
Is self-conscious option enough?
Trancequestion?
I fell in love with Herman Kahn because I knew in advance he could speak 400 words a minute? What's fancy for those in power (does it keep them healthy)?
A '69 question?
My only desire is to explain everything?
I listed all the Universal Questions before?
What's your general honorific sweetie?
Put question in the Encyclopedia Britannica?
I am the complete history of the world?
How to meet a General,"Imagine I have short hair and birds on my shoulders like you once had"?
This question is capable of questioning itself?
The ghost of question?
Starquake?
I'm the Unofficial Poet Laureate of the United States?
Make a soliloquy on question?
"Well?" was her favorite question?
Question is Big Art?
What's the difference between quantity and quality?
How to fall in love with a phone call?
Are all people interchangeable at some live level?
How does he question and how does he eat?
The world is so fantastic why make up?
All questions consist of establishing the notion of asking followed by a nominative?
The Earth at least?
His head weighs 25 lbs?
Exalting question is surprising?
To present the opportunity of possible response is the exhibition?
I can repeat the question but am I bright enough to ask it?
Multiply a question?
Find the world question in a week?
He asks 100 times or not at all?
Mathematics HaHa?
Imagine being possessive of a question?
Questions are gifts?
I'm full of Byars?
My work is civil defense?
You're the person they pretend doesn't exist?
Herman Kahn'll be a Buber by 50?
What's the speed of an idea?
He has the heaviest question in the U.S.A.?
Question boon?
I'll be the Artist in the Pentagon, next?
Make a question was the whole exam?
Suppose the context around this question?
I quit you?
All questions rise in intonation?
The first sentence I ever read was "I can see you"?
Israel is a philosophical mistake?
A?
Zoo?
Numbers don't count?
Ask is New English?
Limit all talk to the sound of 0?
It takes 5 minutes to come down to your level?
I'm 1/16 Jewish?
Drop hello?
Empty mouth, what's the matter?
Her questions are her ornaments?
The world's smartest man got mad when asked for a question?
Axiologv? from The Director of Atomic Energy?
I've done Anglo-Saxon?
If you ask for something that doesn't exist you deserve it on the intelligence of the request?
Question bully?
Suddenly he's a collar, a necktie, and a lapel?
Credit is to identify your question?
My tongue is insured for $50,000?


Assessing his involvement in the program afterwards, Byars suggested that his presence at the Hudson Institute constituted an artistic work unto itself, which is possibly the best way to evaluate the LACMA program. Even as an incomplete work, the piece ranks high enough in the artist’s oeuvre to feature prominently in his New York Times obituary, nearly thirty years later.

About the above images: the seller included a quarter for scale , and the photograph of the artist  [c. 1975] was sold alongside the book at auction, but is unrelated.

Niki de Saint Phalle | The Devouring Mothers

Niki de Saint Phalle
The Devouring Mothers
London, New York & Zurich: Gimpel Fils, 1972
[28] pp, 14 × 17 × 1 cm., string-bound
First edition of fifty signed and numbered copies

A story book whose illustrations appear at first glance to be whimsical and lighthearted, in contrast to the disturbing subject matter of an abusive father and devouring mother.

The book is now valued at approximately $700 US.

A French language reprint was published in 2014. It is available from Amazon, here, for $26.00 US.

"A wall text at the Guggenheim described the ‘Nanas’ as ‘warriors in the feminist battle’, their bodies expressing ‘femininity without restraint, feminism with a smile’. I am unconvinced. Their appeal to an essentializing, voluptuous maternity is simplistic and anachronistic – even for the late 1960s and early ’70s, when second-wave feminists were fighting to divorce feminine identity from biological function. More interesting is Saint Phalle’s series of ‘Devouring Mothers’, sculptures and sketches made in the early 1970s. Darker versions of the earth mother archetype, these dowdy matriarchs take tea with babies in place of cakes; one swallows Daddy whole."

- Amy Sherlock, Frieze

Natilee Harren and Meredith Malone: Fluxus and Edition MAT

This Saturday, Natilee Harren, assistant professor of art history at the University of Houston School of Art, and Meredith Malone, associate curator at the Kemper Art Museum, present a talk about editioned artworks with an emphasis on Fluxus, Fluxkits and Daniel Spoerri's Edition MAT.

"This discussion will bring to life the original context of the Fluxboxes—reanimating the political and aesthetic stakes of these objects while highlighting the signal contributions of Fluxus affiliates, including George Brecht, Alison Knowles, George Maciunas and Daniel Spoerri, among many others."

The conversation is presented in conjunction with the exhibition "Multiplied: Edition MAT and the Transformable Work of Art, 1959-1965." Questions are encouraged and will be answered live.

The program is free, but registration is required. Register here:

https://wustl.zoom.us/webinar/register/WN_pvmWrhclTXmGPyyEZ4HD8A

Louise Bourgeois | Ear

Louise Bourgeois
Ear
New York City, USA: Carolina Nitsch Editions, 2002
10.2 x 23.5 x 20.3 cm.
Edition of 20 [+ 3 AP] initialed, dated and numbered copies


A urethane resin multiple, manufactured at the Modern Art Foundry in Long Island City, New York. The work features the artist's initials and date incised on the label affixed to the underside of the support.



"A New York art dealer and publisher of editions, Carolina Nitsch began her involvement with Bourgeois's prints in the 1990s as director of Brooke Alexander Gallery, where she included the artist's work in her inventory. Those prints were primarily from publisher Ben Shiff of Osiris imprint, and Nitsch continued working with Shiff and his prints after starting her own business in 2000. She eventually published her own editions with Bourgeois and also become her primary print dealer.

Nitsch's first Bourgeois publication, The Young Girl, came in 2006 as part of the benefit series she continues to produce for the New Museum. That print includes drypoint, hand coloring, fabric, and paper, a hybrid combination that is frequently found in Nitsch's work with the artist. In fact, Nitsch's publishing practice generally fosters the stretching of printmaking's traditional boundaries.

During Bourgeois's last years, Nitsch served a primary role, issuing highly significant projects such as Hours of the Day, a fabric book, and The Fragile, a multipart installation piece. For these, and other prints on fabric, Nitsch depended on Raylene Marasco of Dyenamix, a firm specializing in printing and dyeing textiles. She also relied on the collaboration of Bourgeois's assistant, Jerry Gorovoy, who facilitated the back-and-forth collaboration with the artist. Nitsch's publications culminated in Do Not Abandon Me, of 2009–10, a series Bourgeois worked on together with British artist Tracey Emin."

- MoMA

Jeff Berner | Fluxbook

Jeff Berner
Fluxbook
New York City, USA: Fluxus, [circa 1967]
10 x 11.9 x 1 cm.
Edition size unknown

A plastic box containing book pages encased in epoxy, with a George Maciunas designed, offset-printed label. Maciunas additionally designed an alternative label, featuring a child reading from an oversized book (below). The images above are from the MoMA website, the Bonotto Foundation and the Jeffrey Perkins' documentary George: The Story of George Maciunas and Fluxus. Copies of the work can also be found in the Walker Art Centre collection.


"Jeff Berner's Fluxbook consists of a plastic box with a label designed by George Maciunas on the cover. On the bottom of the box is a page of of pocket bible covered with a layer of wax. The Fluxshop in New York sold this beautiful Fluxus object in the late 1960s for 5 dollars each."

- Harry Ruhe

"Although I have only seen pages from a small bible used for the contents of the box, pages from other books exist for the work in the George Maciunas' estate"

- Jon Hendricks