Tuesday, July 7, 2015
Max Schumann
Today Printed Matter announced that their new Executive Director is their long-time Bookstore Manager and Associate Director Max Schumann. Their full press release is below.
"Printed Matter is pleased to announce that Max Schumann has been appointed to the role of Executive Director. Max has worked with Printed Matter for 26 years, starting as a book packer in 1989. He served as Bookstore Manager from 1993-2004, as Associate Director from 2005-2013, and as Acting Director on a number of occasions during his time with the organization.
Max Schumann takes on the position at an exciting time for Printed Matter as it prepares to move into a larger location this fall. The new home at Eleventh Avenue and 26th Street will bring both challenges and opportunities to the organization, providing an expanded platform for the distribution of artists’ books and for the strengthening of Printed Matter’s public programs and services. The Executive Director role oversees the many facets of the non-profit organization’s activities, including administration, programming, development and institutional relations and partnerships. Max is also tasked with the significant challenges that come with the build-out of the new space, greatly increased programming and a growing infrastructure. The organization is currently undertaking the largest Capital Campaign in its 40 year history, with a goal of raising $850,000 to underwrite the renovations underway at Printed Matter’s new facility.
Philip Aarons, Chair of Printed Matter’s Board of Directors, said: "We couldn’t be happier that Max has decided to take on the Executive Director position. For many years Max has been the heart and soul of Printed Matter. He knows the organization better than anyone, and it is hard to imagine a more perfect match for the job. His expansive knowledge of the present day culture and history of artists’ books has already been a tremendous asset in shaping the vision of the organization, and I’m confident he is ideally suited to taking on Printed Matter’s new challenges in the chief executive role. His deep and genuine commitment to the possibilities of the artists’ book as both an artistic and political medium is remarkable, and speaks to much of what the organization stands for. We look forward to Printed Matter’s continued growth under his expert guidance.”
Max Schuman said of his new appointment: "We are at an extraordinary moment in Printed Matter’s history. With the recent resurgence of artists’ publishing, we are uniquely positioned to support this activity on a number of fronts. I’m eager to work with Printed Matter’s staff to best utilize our amazing new space, advance our many public programs including the NY and LA Art Book Fairs, and develop our online presence to strengthen the reach of artists’ publications as an accessible and democratic form of art. Artists’ books have an amazing legacy of addressing a range of social, political, economic and cultural themes, both as artistic works and as models of cultural activism. In the role of Executive Director I look forward to reinforcing Printed Matter as an essential platform for this type of material, as well as to encourage the field of artists books and publications in the broadest way possible.”
During his time at Printed Matter, Max has played a key role in the development of many of Printed Matter’s programs and services over the past three decades. He curated the exhibitions By Any Means Necessary: Photocopier Books and the Politics of Accessible Printing Technologies (1992); PROTECT ME FROM WHAT I WANT: the Multiples and Editioned Works of Jenny Holzer (2002); and A Show About Colab (and Related Activities) (2011); NOTHING IS NOT READY (2013), featuring the publishing work of Bread & Puppet Press; and co-curated the expansive Learn to Read Art: A Surviving History of Printed Matter at NYU’s 80WSE Gallery (2014). Max also curates “Friendly Fire,” which features political and activist publishing collectives at the NY and LA Art Book Fair. He is the editor of “A Book About Colab (and Related Activities)”, forthcoming from Printed Matter in the fall of 2015.
In addition to his work for Printed Matter, Max is an artist whose work has been exhibited internationally. He serves on the Board of Directors of Primary Information, a non-profit artists’ publishing imprint, and Bread and Puppet Theater, one of America’s longest running non-profit experimental theater groups."
Sunday, July 5, 2015
Collin Zipp | Selected Text
Collin Zipp
Selected Text
Winnipeg, Canada: Also As Well Too Press, 2015
24 pp., 13 cm x 20 cm., softcover
Edition of 50 signed and numbered copies
The inaugural publication of Also As Well Too Press is a bookwork that "records and reinterprets the structure of language through contemporary modes of communication" and consists of a "collapsed dialogue that eliminates individual voice."
It launches with a BYOBBQ at the barbecue pits at the southeast corner of Vimy Ridge Park (Canora Street at Preston Avenue, in Winnipeg) on Thursday, July 16th, from 6:00 to 9:00pm.
The book will be available to purchase for $15.
For more information, join the Facebook group, here. The artist's website is here.
Saturday, July 4, 2015
Hans Eijkelboom | The Street and Modern Life
Hans Eijkelboom
The Street and Modern Life
Stockport, UK: Dewi Lewis Publishing, 2015
120 pp., 19 x 34.5 cm., hardcover
Edition size unknown
Multistory is a British arts organization based in West Bromwich who work with "outstanding artists to make art with, for and about the people of Sandwell." They work with local residents, photographers, writers, documentary film-makers and artists with the aim to reflect and celebrate "everyday life from factories, pubs and clubs, people’s homes, gurdwaras and markets." Their projects include Martin Parr's Black Country Stories, Black Country Allotment Society by his wife Susan Parr, and now The Street and Modern Life by Hans Eijkelboom.
Parr has long championed Eijkelboom's work, with effusive praise such as "If I were an anthropologist, the first photographer I would call upon is Hans Eijkelboom. In fact, if I were a visitor from another planet looking for information on the nature of city life, I would also engage the services of Eijkelboom".
Eijkelboom has published over fifty photo-based artist books, several of them portraits of cities (Amsterdam by Numbers, New York by Numbers, Paris New York Shanghai, etc.). In these series he stands on a street corner with a camera around his neck, surreptitiously photographing passersby. The images are later arranged into photogrids, creating 'teams' out of the random residents and tourists, typically based on their clothing. These images highlight the way our purchases reflect our deep rooted need to both belong to a community and to distinguish ourselves as individuals.
The book launches with a signing by the artist at 5pm on Wednesday July 8th, at the Cosmos in Magasin Électrique, Parc des Ateliers SNCF, Arles, France. Martin Parr will be signing his Black Country Stories the day prior. For a full listing of signings and events, visit the publisher's website, here.
Visit Multistory here.
Friday, July 3, 2015
Printed Matter satellite
While Printed Matter prepares to move (see below post), they have been operating a small satellite operation at Carolina Nitsch Project Room. The second of these presentations is titled Dennis Oppenheim’s PROJECTS, 1973 and other works on view, although the main attraction is a near-complete set of the Multiples Inc. box Artists & Photographs.
The seminal 1970 boxed work include Mel Bochner's Misunderstandings (A Theory of Photography), Christo's Packed Tower, Spoleto, Italy 1968, Jan Dibbets' Perspective Correction 1967, Tom Gormley's Red File Cabinet, Dan Graham's Two Parallel Essays, Douglas Huebler's Location Piece #2 : New York City – Seattle, Washington, Allan Kaprow's Pose, Michael Kirby's Pont Neuf, Sol LeWitt's Schematic Drawing for Muybridge, Richard Long's Rain Dance, Robert Morris's Continuous Project Altered Daily, Bruce Nauman's LAAIR, Dennis Oppenheim's Flower Arrangement for Bruce Nauman, Edward Ruscha's Babycakes, Robert Smithson's Torn Photograph, Bernar Venet's Exploited, and Andy Warhol's Portraits. The rarest item in the box (missing here), is Robert Rauschenberg's Revolver.
The other inventory in the mini-exhibition is listed below. The show closes July 16th.
ATHENA TACHA
Gestures #1: A Study of Finger Positions, 1973
Expressions 1, 1972.
EXPERIMENTATION IN ART AND TECHNOLOGY
Benefit Show for Experimentation in Art and Technology, 1966
ALLAN KAPROW
4 Happenings, 1962
CLAES OLDENBURG
New Media, New Forms in Painting and Sculpture
KIKI SMITH
Island of Negative Utopia New York: ABC No Rio, 1
VITO ACCONCI
Body, 1971
DENNIS OPPENHEIM
Recent Work (Attempt to Raise Hell), 1973.
Projects, 1973.
Recent Work, 1975
Thursday, July 2, 2015
Artist Book Making Workshop
Later this month Calgary's TRUCK gallery will play host to an Artist Book Making Workshop, by ONE NIGHT STAND & Also As Well Too. The event is free and open to the public, but interested parties are requested to RSVP to ensure a place, no later than 5pm on July 21st. Write to programming@truck.ca. The workshop takes place July 24th, at 2pm.
For more information, visit the gallery website, here.
Wednesday, July 1, 2015
Objects Food Rooms at Tanya Bonakdar
Gertrude Stein's 1914 book of poetry Tender Buttons is divided into three sections: "Objects", "Food", and "Rooms". Curator Andria Hickey uses the headings as the title for a group show featuring Darren Bader, Nairy Baghramian, Frank Benson, Rachel Harrison, Luis Jacob, Esther Kläs, Ursula Mayer, Roula Partheniou, Laure Prouvost, Magali Reus, Arlene Shechet, and Haim Steinbach.
The exhibition opens tonight from 6 to 8pm and continues until July 31st.
For more information, visit the gallery site, here.
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