Showing posts with label shopping bag. Show all posts
Showing posts with label shopping bag. Show all posts

Thursday, March 5, 2026

General Idea | Lucre Shopping Bag














General Idea
Lucre Shopping Bag
Toronto, Canada: Self-published, 1990
27.8 x 40 x 10 cm.
Edition size unknown


The Lucre logo [see previous post] adorned on an oblong black glossy paper bag with offset adhesive-backed label. The work debuted at the ARCO Art Fair (1990) in Madrid at the Yen-Boutique of Galerie Montenay, Paris, France



Thursday, October 10, 2024

Cary Leibowitz | Vomit-bag









Cary Leibowitz
Vomit-bag
Dusseldorf, Germany: ID Galerie, 1991
39 x 44 cm.
Edition of 500


A week from today a new exhibition by Leibowitz opens at Tibor de Nagy in New York City. Titled You Haven't Changed At All, the show runs from October 17th to November 23rd. 

Visit the gallery website, here, for more information. 










Sunday, February 18, 2024

Yoko Ono












Yoko Ono turns 91 today. 




Tuesday, April 25, 2023

Maurizio Nannucci | Not More Than Fifty Thousand Tourists Have Visited the Antarctic








Maurizio Nannucci
Not More Than Fifty Thousand Tourists Have Visited the Antarctic 
Toronto, Canada: Art Metropole, 2003
30 x 20"
Edition of 1000


The Art Metropole site lists this as the sixth iteration in the "Shopping Bags By Artists' series, but if it was 2003, I'm inclined to think it was the third. If I remember correctly, it was preceded by Yoko Ono and Dan Graham, and followed by John Jack Baylin and Ross Sinclair. After I left the series continued with bags by Michael Snow and Jonathan Monk. Almost a decade prior, Art Metropole and Printed Matter produced a paper shopping bag by Richard Prince and Lawrence Weiner. 

The silkscreened bags were produced to take to Art Basel each year, and were available free with purchase. Sometimes they were used to carry books or editions home, but mostly they tended to be saved. The Ono bag often appears for sale or at auction. 

Nannucci's bright yellow shopping bag is emblazoned with the text “NOT MORE THAN FIFTY THOUSAND TOURISTS HAVE VISITED THE ANTARCTIC”. 




Sunday, July 26, 2020

Andy Warhol | Campbell's Soup Can (Tomato)









Andy Warhol
Campbell's Soup Can (Tomato)
Boston, USA: Institute of Contemporary Art, 1966
48.9 x 43.2 cm.
Edition size unknown


Warhol first painted Cambell's Soup cans in 1962 and continued with the motif throughout his life. This 1966 shopping bag, published alongside an exhibition at the Boston Institute of Contemporary Art, was the second paper shopping bag. The first screen-printed Soup Can bags were produced for the iconic Pop Art exhibition “The American Supermarket,” organized byBen Birillo in October 1964, at the Bianchini Gallery in New York. Roy Lichtenstein produced a Turkey shopping bag for the same occasion.

It has been suggested that it was other pop artists that led him to the subject matter: the impact of seeing Claes Oldenburg’s Store in 1961, or the Painted Bronze ale cans of Jasper Johns a year prior. Or possibly learning that Lichtenstein was also painting comic strip imagery, led Warhol to seek out alternatives.

Various people have taken credit for suggesting that he paint soup cans over the years. According to Warhol friend Ted Carey, it was the gallerist Muriel Latow who came up with the idea for the cans (as well as for Warhol's money paintings).

Marcel Duchamp dismissed the subject matter as not particularly relevant: "If you take a Campbell Soup Can and repeat it fifty times, you are not interested in the retinal image. What interests you is the concept that wants to put fifty Campbell soup cans on a canvas.”

Robert Indiana said: "I knew Andy very well. The reason he painted soup cans is that he liked soup.”However, Ted Carey’s lover, John Mann, maintained that Warhol painted the Campbell's Soup Cans precisely because he disliked the soup.

Warhol himself was characteristically coy in interviews, declining to answer, or producing answers that contradicted one another. One consistent is that he ate soup every day of his life as a child (for "twenty years"), but he also made clear to note that he ate sandwiches just as often.

Two years before his death, the artist was interviewed for The Face magazine by Fiona Russell Powell and David Yarritu. "I heard that your mother used to make these little tin flowers and sell them to help support you in the early days,” asked Yarritu.

"Oh God, yes, it's true,” Warhol replied, “the tin flowers were made out of those fruit cans, that's the reason why I did my first tin-can paintings...You take a tin-can, the bigger the tin-can the better, like the family size ones that peach halves come in, and I think you cut them with scissors. It's very easy and you just make flowers out of them. My mother always had lots of cans around, including the soup cans."

Reflecting on his career, Warhol cited the Campbell’s Soup Can as his favourite work, adding: "I should have just done the Campbell’s Soups and kept on doing them ... because everybody only does one painting anyway."

Tuesday, February 16, 2016

Maurizio Nannucci | Découvrir Différentes Directions



Maurizio Nannucci
Découvrir Différentes Directions
Pisa, Italy: Fondazione Teseco per l’Arte, 2002
49 × 32 × 13 cm.
offset paper bag
Edition of 3000

Available at Art Metropole, here, for $15.00 CDN.

Saturday, November 3, 2012

Ben Vautier | No Art






Ben Vautier
No Art
Nice, France: Self-published, [circa 1965]
17.75 x 13.375 inches
Printed paper bag
Edition size unknown

Produced by Vautier but included in some assemblings of Fluxus 1 and included in the Fluxus European Mail Order Warehouse. Previously Vautier had produced bag projects for the record store he owned and operated in France: 


Ben Vautier
[paper bag from Disque de Musique Total]
Nice, France: Self-published, circa 1960
17.6 x 13.8"
Letterpress printed paper bag
Edition size unknown.