Showing posts with label Donald Rance. Show all posts
Showing posts with label Donald Rance. Show all posts

Monday, June 4, 2018

Taryn Simon | An American Index of the Hidden and Unfamiliar




Taryn Simon
An American Index of the Hidden and Unfamiliar
Gottingen, Germany: Steidl, 2007
152 pp., 26.2 x 34.5 cm., clothbound
Edition size unknown

Taryn Simon documents places and objects that are typically inaccessible or unknown to a public audience. After what one can only imagine is painstaking negotitations, she visits hidden, forbidden, under-the-radar and the generally inaccessible sites and distills them into a single image.

Her large format photographs (printed on the page in very small reproductions, for some reason) capture things most people have never seen: the AIDs virus in a vile, 48 hours worth of items confiscated by customs agents, containers of radioactive nuclear waste, the CIA’s art collection, the Imperial Office of the KKK, the operating theatre during a Palestinian woman's hymenoplasty (the 'restoration' of her virginity), a simulated city in Kentucky used to conduct battlefield training exercises, the cave of a hibernating bear, and over fifty other oddities.


“I am always immensely grateful to people who do impossible things on my behalf and bring back the picture. It means I don’t have to do it, but at least I know what it looks like.”
- Salman Rushdie, forward



Sunday, June 3, 2018

Liz Magor | Four Notable Bakers



Liz Magor
Four Notable Bakers
Toronto, Canada: Self-published, 1983
[42] pp., 18 x 23 cm., softcover
Edition Size Unknown

"Magor's artist's book juxtaposes images from professionnal baking manuals, with a variety of images which refer to the body and social practice, including hairstyles, tatoos and the wearing of uniforms."

From the AGO Library and Archives Unshelved event, last Wednesday [see previous posts].


Saturday, June 2, 2018

Chloe Dewe Mathews | Shot at Dawn














Chloe Dewe Mathews
Shot at Dawn
Madrid, Spain: Ivorypress, 2014
[unpaginated], hardcover
Edition size unknown

A macabre pun, Shot at Dawn records the sites of the executions of British, French and Belgian soldiers during the first World War. The result of two years research, the book features images of forests, fields, a town hall, a primary school, an abattoir, a cemetary, and other now mostly serene locations where soldiers were executed by firing squad. They were not the victims of enemy combatants, but were killed by their fellow soldiers, as punishment for cowardice or desertion.

Suffering from shell shock, the soldiers felt unable to continue fighting and fled. Senior military commanders believed that if such behaviour was not harshly punished, the discipline and morale of the entire army might collapse. The disgraced soldiers were charged with “fleeing in the face of the enemy”. It is unlikely that they received a fair trial or an adequate defence. Many were minors. The cause of death was rarely shared with the relatives of the deceased.

Dewe Mathews' photographs are seasonally accurate and were taken as close as possible to the precise time of day at which the executions occurred, typically around dawn.


"Initially, I was wary of taking on a project about the first world war as I have no personal connection with it, but, from a documentary photography perspective, I was drawn to the idea of arriving somewhere 100 years afterwards. It's almost the opposite of war photography. So, instead of the photographer bearing witness, it is the landscape that has witnessed the event and I who am having to go into that landscape in the hope of finding anything tangibly connected to the event. It was almost like having to find a new language or way of seeing."

"I had studied the first world war at school and knew about the terrible suffering and slaughter, but I had never heard about the executions and so I was really shocked. It seemed incredible to me that young men who had signed up to fight for their country and who were sent out to the trenches and exposed to this unimaginable horror, should be executed by their own men because something went wrong in their heads or they simply couldn't do it any more. From today's perspective and our understanding of soldiers returning from Iraq or Afghanistan with post-traumatic shock, it just seems brutally unjust."

- Chloe Dewe Mathews, interviewed by Sean O'Hagan, The Guardian



From the Unshelved event at the AGO Library and Archives on Wednesday (see previous posts). 

Friday, June 1, 2018

Joe Fafard | MacLaren Against the Grain Fafard Field Project






Joe Fafard
MacLaren Against the Grain Fafard Field Project
Barrie, Canada: MacLaren Art Centre, 1997
[64] pp,  5 x 12 cm., flipbook
Edition size unknown

A 'drawing' made on over fifty acres of land is documented in a miniature flip book. 


Thursday, May 31, 2018

Gillian Wearing | Signs that say what you want them to say and not Signs that say what someone else wants you to say











Gillian Wearing
Signs that say what you want them to say and not Signs that say what someone else wants you to say
London, UK:  Interim Art, 1997
[96] pp., 23 x 15.2 cm., softcover
Edition of 1500

"When most people are stopped in the street they expect to be asked questions usually concerned with either a product, money, a survey, a personality test or directions. To be asked only to write something, anything, presents a challenge and creates a totally different relationship to the person posing the question. The bizarre request to be 'captured' on film by a complete stranger is compounded by a non-specific space; the blank piece of paper, which almost replicates an unexposed film.

Perhaps the fascination in the relationship between the person and their slogan is in the confidence or diffidence of the people being 'imaged' in the first place.

This image interrupts the logic of photo-documentary and snapshot photography by the subjects clear collusion and engineering of their own representation."
- Gillian Wearing, artist statement


"What might make it uncomfortable is people being so honest. Especially within the art world, you can get very guarded. That's why I ask strangers, because people are much more honest to someone they're not going to see again."
- Gillian Wearing, interviewed by Ben Judd



From the Unshelved event at the AGO Library last night, hosted by Donald Rance (see previous post).


Tuesday, May 29, 2018

Photo-based Books at the AGO Library



Tomorrow night at the Art Gallery of Ontario, librarian Donald Rance and other archivists present another in the "Unshelved" series. The previous iteration, in February, presented books, multiples and ephemera by Lawrence Weiner. See previous post here, for more information.

Tomorrow evening's event is essentially the flip-side of Weiner's text-based practice: it will be focused on photo-based artists books, both historical and contemporary. As always, the books are not presented under glass, but on desktops where viewers are encouraged to interact with the works.

The event takes place at the E.P. Taylor Library & Archives, between 5 and 7pm on Wednesday May 30th.

For more information, vis the AGO website, here:
https://ago.ca/events/library-archives-unshelved-photo-based-artist-books


Saturday, February 10, 2018

Lawrence Weiner | Under Lime Trees










Lawrence Weiner
Under Lime Trees
Zurich, Switzerland: Parkett Editions, 1994
Stamp, red ink pad in silkscreened cardboard box
Edition of 80 signed and numbered copies


One of almost a hundred Lawrence Weiner items on display last Wednesday night at the Art Gallery of Ontario's Unshelved event. From 6 to 8pm, gallery visitors were invited to interact with the presentation, which included bookworks, multiples, postcards, invitations, posters, a preparatory drawing for a wall piece and this rubber stamp (which was available for use).



Wednesday, January 31, 2018

Unshelved: Lawrence Weiner tonight at the AGO






Tonight at the Art Gallery of Ontario, librarian Donald Rance will host visitors at an informal presentation of book works and multiples by Lawrence Weiner.

It's a drop-in event at the E.P. Taylor Library & Archives, between 6 and 8pm.

https://ago.ca/events/library-archives-unshelved-lawrence-weiner

Wednesday, September 21, 2016

The Art Gallery of Ontario's Library Unshelved











The Art Gallery of Ontario's monthly “Library Unshelved” drop-ins return this fall, a week from today, at 6pm on Wednesday September 28th. Due to construction, the event will take place outside of the library, in the P&D centre.

Librarian Donald Rance will host a display of artists’ books and multiples inspired by the current AGO exhibition Toronto: Tributes + Tributaries 1971-1989. The display will include titles by Michael Snow, Robert Fones, Janice Gurney, Greg Curnoe and many others. 

The event is free, and runs until 8pm. 

For more information, visit the AGO website, here