Showing posts with label Al Hansen. Show all posts
Showing posts with label Al Hansen. Show all posts

Thursday, September 25, 2025

Al Hansen | Andy Warhol Box














Al Hansen
Andy Warhol Box (Drei Attentat Bilder)
Cologne, Germany: Hundertmark Editions, 1986
16.5 × 22.5 × 1.5 cm.
Edition of 30 signed, dated and numbered copies


On June 3rd, 1968, Gerard Malanga, Al Hansen and three others visited Andy Warhol’s Factory, to pick up a cheque. 

"The [elevator] door opened on madness," recalled Hansen. "Mario Amaya jumping around, blood all over the back of his shirt. He presents his bloody back to me, asking over his shoulder, 'Is it in me, is it in me?' Someone's legs sticking out from behind the far desk. Jed is kneeling, holding the someone's hand, tears in his eyes.” 

“Who’s the other one?” Hansen asked. It was Warhol, who had been shot with a 32-caliber pistol at close range, by Valerie Solanas, who Malanga and Hansen had missed by a matter of minutes. 

Earlier in the year, Solanas was attempting to have her book SCUM Manifesto published, and her script Up Your Ass produced. She presented the latter to Warhol to read, who feared it was entrapment: 

"In fact, when we'd gone to Cannes with Chelsea Girls the year before and I'd given that interview to Cahiers du Cinéma, it was Valerie Solanis [sic] I was referring to when I said, "People try to trap us sometimes. A girl called up and offered me a film script . . . and I thought the title was so wonderful, and I'm generally so friendly that I invited her to come over with it, but it was so dirty I think she must have been a lady cop. . . .”

Solanas returned to the Factory to retrieve the script, believing that Warhol was plotting with her publisher, Maurice Girodias, to prevent it from being published. Warhol had apparently misplaced it. 

Solanas was subsequently diagnosed with paranoid schizophrenia and sentenced to three years in prison.

This boxed work (the 110th edition by Armin Hundertmark) was published a few months before Warhol died in February of 1987. It features an original ballpoint pen drawings, handwritten text, three photocopies of watercolors and a watercolor title page, housed in a paperboard box. 



Sunday, December 8, 2024

Structure No. 1, Spring 1968








John J. Sharkey
Structure No. 1, Spring 1968
London, UK: Structure Publications, 1968
24 pp., 25.5 x 20.5 cm., staple-bound
Edition size unknown


The debut issue of Structure magazine laid out it’s mission as follows: 

"Structure will attempt to explore the concepts of potential environmental structures and their actual realisation in social terms, art of play. It will also explore the structural elements of environments as well as the creative possibilities and aesthetic extensions into dance, theatre, music, poetry, colour and light."

However, the first issue - of what was intended as a quarterly journal - was also its last. 

The twenty-four page magazine featured Dick Higgins' Some Graphis Mirrors (see below), Jeffrey Shaw’s "expanded cinema environment and eventstructure” work Corpocinema, artist/activist Jean Toche's Manifesto 1 for a Theatre of Human Destruction, poetry by editor John J. Sharkey and works by Al Hansen, Theo Botschuiver, Jack Collom, Brendon O'Regan, Ivor Davies, Jackie Cassen, Rudi Stern, John J Lobell, Michael Steiner, Stephen Willats and others. 

The front and back cover feature images by Dutch photographer Pieter Boersma of inflatable works by the Event Structure Research group (ERG). 

The issue is somewhat scarce and typically sells for a few hundred dollars. If securing the rights wasn’t a complete nightmare, someone should publish a compendium of single-issue magazines of the ‘avant-garde’. 

















Wednesday, November 30, 2022

Friday, November 19, 2021

Ausgabe No.6










[Various Artists]
Ausgabe No.6
Cologne, Germany: Edition Hundertmark, 1982
128 pp., softcover
Edition of 700 

The September 1982 issue of Ausgabe features "Solar Music Tent" by Joe Jones, "Very Few Examples of My Fashion Ideas" by Milan Knizak, Blues for Marcel Duchamp by Al Hansen, Henry Flynt's essay "The Meaning of My Avant Garde Hillbilly and Blues Music" and works by Takako Saito, Claus Bohmler, George Brecht, Gerhard Ruhm and others. 

Available from the publisher, here, for 20 Euros. 



Thursday, November 18, 2021

Al Hansen | Performance / Live Art Notes













Al Hansen
Performance / Live Art Notes
Cologne, Germany: Edition Hundertmark, 1981
16 pp., Size: 15 x 21 cm., staple bound
Edition of 300


Some confusion over edition size: the Hundertmark site lists the edition size as 300, but the Bonotto Foundation copy (above, centre) is signed and numbered out of 500, as is my copy (above, top). The copy from the Lomholt Mail Art Archive (above, bottom) is unsigned and unnumbered. 

Either way, the title is out-of-print and no longer available from the publisher. 


Thursday, June 4, 2015



Al Hansen
AL HANSEN: SCULPTURES-STRUCTURES NEW YORK CITY 1980-1986
Cologne, Germany: Offermann Gallery, 1986
83.5 x 30.5 cm
Edition size unknown