The first 45 is Dreaming of Paris, which features a cover design by Ed Ruscha. Below is an excerpt from Interview magazine, about the "collaboration".
Read the full interview here.
PARKS: Oh, it's phenomenal to me that these artists have given me their works. I haven't paid a damn dime. I told them in a letter, "I can't give you a red cent." What do you say to somebody like Ed Ruscha, who's had one piece sell for over $100 million? What can you give the man? All I know is that we run in a parallel universe and I wanted to somehow recognize that. You see, when I went into popular music it was still popular, but it went Pop when Andy Warhol came out with the Campbell's soup can. Rauschenberg and Lichtenstein, these artists found a way of expressing the irreducible minimum, and music was touched by that world.
SLENSKE: What can you tell me about the Ed Ruscha collaboration?
PARKS: I didn't "collaborate" with Ed Ruscha. I asked each artist to allude visually to the lyrical work within, by letting me use a previously done piece, or devise something new. Ed got "Dreaming of Paris," and tossed in a colored-pencil drawing "Paris", that he'd done in '63. I sense he felt he'd treated me dismissively, for the next day, I got an additional sketch proposal for further elaboration, with the question "Van Dyke—what think?". I used it for the back jacket of "Dreaming of Paris."
SLENSKE: Did you know him from the Los Angeles scene?
PARKS: I had met Ed many years ago, when he was fresh out of Chouinard Art Institue in '63.
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