Friday, July 26, 2024

Who Has Seen The Wind?





Adjusting for inflation, Gone with the Wind (1939) is the top grossing of all time. The Wizard of Oz - released the same year, and also directed by Victor Fleming - opens with the sound of wind. Oz fan David Lynch will often instruct his actors "More wind," when he wants them to imbue mystery and intrigue into a scene.

Wind is useful in an establishing shot of a film, so the audience does not misconstrue it as a still photograph. Swaying trees or tumbling tumbleweeds remind us we are watching a “moving picture”. Similarly, puppeteers leave the mouths of their puppets agape when they are in the background and not speaking, otherwise they may appear as inanimate objects. A close-up of a digital clock always catches the minute changing, and is often accompanied by a beep that would drive anyone crazy who had to listen to the sound 1440 times a day. 

Tonight in Pittsburgh, Lenka Clayton and Phillip Andrew Lewis open a new show titled On Air. At the centre of his exhibition at 820 Gallery is The Wind, a new film work that compiles over a thousand clips from cinema featuring wind. They were diligently working on the piece last month when they hosted us,  and I have every confidence it’s going to be excellent. 

The opening runs tonight from 5:30 to 9pm at 820 Liberty Avenue. The exhibition continues until December 15th, Wednesday–Sunday 11am–5pm and free to the public. 




Merce Cunningham










Merce Cunningham died on this day in 2009, at the age of 90. Above are posters for his dance company, designed by Frank Stella, Robert Rauschenberg, Joan Miró, Jasper Johns, and Niki de Saint-Phalle.



Thursday, July 25, 2024

Primary Information Sale




For the next 24 hours, all titles at the Primary Information site are discounted by 50%. 

The above collection of three Something Else Press works is available for only five dollars, for example. The new Fluxus newspaper reprint is only ten dollars. 



David Shrigley | I Am The Jug You Are The Glass











David Shrigley
I Am The Jug You Are The Glass
Copenhagen, Denmark: Shrig Shop, 2022
320 pp., 15.5 x 21 x 4 cm., hardcover
Edition of 5000


Shrigley’s first book self-published through the Shrig Shop, is a black and white The book is a black and white collection of over 300 drawings made in the last five years. It is has been published in a limited edition of 5000 books, never to be printed again.


“Publishing with a bigger publisher is a bit of a pain in the arse because you have to do it on their terms and jump through a lot of hoops. I always end up really surprised at what people choose. They don’t choose the things that I think are brilliant and amazing. [...]

[The book form] is a way to give meaning to lots of individual parts, which are then presented as a whole. That’s what I like about it. It is about whatever the reader thinks it’s about.

I don’t know if I necessarily have a lot to say, but I have a need to say it, whatever it is. There’s definitely a difference there.” 
- David Shrigley




Wednesday, July 24, 2024

Ness Lee | Connected, Here Together




Ness Lee
Connected, Here Together
Toronto, Canada: The Art Gallery of York University, 2020
Enamelled zinc alloy lapel pin
Edition of 250


"Ness Lee’s distinctive style comes from their thoughtful reflection on intimacy and self-love, allowing for vulnerability, discomfort, and acceptance. Lee intertwines historical occurrences with personal narratives to create tender and ethereal artworks. This artist multiple was commissioned by the AGYU in conjunction with a mural developed in collaboration between Lee and York University’s TBLGAY, a safer space for the queer, trans, and asexual community on campus. AGYU imagined this intricate work as a symbol of connectedness during this time of global isolation.

Nee Lee’s work has been featured at the Art Gallery of Ontario, the Agnes Etherington Art Centre in Kingston, and the Art Gallery of Hamilton, as well as numerous art galleries in New York, Boston, Los Angeles, Montreal, and Toronto. Lee has also participated in mural festivals across Canada and internationally in Hyderabad, India, and Cozumel, Mexico.”
- publisher’s statement

Tuesday, July 23, 2024

Barbara Kruger | Picture/ Readings








Barbara Kruger
Picture/ Readings
N.P.: Self-published, 1978
[44] pp., 14.5 x 22.5 cm., softcover
Edition size unknown


The artist’s first bookwork, now scarce and valued at $1500 US. 


“...we might consider Kruger’s “Picture/Readings,” a series that necessitates a sustained engagement with its sentences and stories that precedes and even precludes our desire to fold them into critique. Completed in 1978 and self-published, “Picture/Readings” combines images, largely of the exteriors of houses in Berkeley, Los Angeles, and Deerfield Beach, Florida, with texts of filmic, novelistic, and melodramatic ambitions. Rather than short bursts of words scattered among images, the stories in Picture/Readings are long by comparison to Kruger’s more famous work and unceremoniously formatted in blocks. If one wanted to write a dissertation on “Picture/Readings,” one could certainly argue for the importance of architecture in Kruger’s photo-collages, since they are themselves syntactic architectures made from blocks of text and image building upon each other. What is there to be said, however, about Kruger’s words here? They are not declarations, but rather stories or narrative scaffoldings that interweave and become the built environments of a life, a psyche, a series of loves and disappointments, of bodies that come together and disentangle. For us to allow Barbara Kruger to tell a story would change everything.”
- William J. Simmons, Flash Art


Monday, July 22, 2024

Bob Watts | Male Underpants






Bob Watts
Male Underpants
New York City, USA: Implosions, Inc., [circa 1966]
33 x 22 cm.
Edition size unknown


The companion to Female Underpants (see previous post) these works are also screenprinted onto fabric. And like the female counterpart, they are also printed onto women’s underpants, presumably as the Y-Front interfered with the image. Unlike Female Underpants, these are not adorned with a flower. 

The penis reportedly belongs to sculptor John Chamberlain.