Tuesday, July 16, 2019
The blog has been on hiatus for weeks now, with any updates being auto-piloted ages ago. We have just relocated across the country to the incredible small town of Sackville, New Brunswick. Once our renovations are underway the blog will return to full capacity.
Please send review copies to
8 Pickard Place
Sackville New Brunswick
Canada E4L 4E6.
Labels: Peter Liversidge
Friday, July 12, 2019
Work No. 78
London, UK: Self-published, 1993
10.1 x 10.1 cm.
Edition of 50 signed and numbered copies [+ 5 AP]
As many 2.5 cm squares of Elastoplast tape as are necessary, piled up, to form a 2.5 cm cubic stack. House in a polystyrene box.
Labels: Martin Creed
Sunday, June 23, 2019
Lund, Sweden: Edition Sellem, 1979
[20 pp]., 8vo., staple-bound
Edition of 1000
A catalog issued on the occasion of Tót’s exhibition of the same name held at Galerie St Petri in Lund, Sweden from November 15th to the 25th, 1979. The slim volume features a series of appropriated nude graphic adult images overlaid with Tót’s signature typewriter slashes and texts.
Labels: Endre Tót
Saturday, June 22, 2019
Write an idea up here
Budapest, Hungary: Self-published, 1985
10.5 x 15 cm.
Edition size unknown
Artist's card printed black on white with rubber-stamp design to recto. Inscribed, dated and signed by Toth in purple pen to verso and dated 12.9.85.
Labels: Gabor Toth
Friday, June 21, 2019
Shit for Brains
Berlin/New York, Germany/USA: Galerie Bucholz, 2015
404 pp., 30.3 x 22.7 cm., softcover
Edition of 800
A novel that Bacher wrote in August of 2010, in California.
Bacher died last month at the age seventy-five.
Thursday, June 20, 2019
AN INTERRUPTED POEM / IN MEMORY OF DALEVY
Toronto, Canada: Ganglia Press, 1969
[unpaginated], 11 x 7 cm., staple-bound
Edition size unknown
The 24th title in the "5¢ Mini Mimeo Series", which also included publications by Gerry Gilbert, Margaret Avison, Jiri Valoch, David UU, Bill Bissett, Victor Coleman, George Bowering, Michael Ondaatje, and publishers bpNichol and David Aylward.
Sunday, June 16, 2019
Thinking of You
Chicago, USA: The Renaissance Society, 1998
 pp., 31 x 23.5 cm., hardcover
Edition of 2000
Produced in conjunction with Pettibon’s first North American museum exhibition at the Renaissance Society in 1998, this title features 115 illustrations of Pettibon's pen and ink drawings of phallic silhouettes, accompanied by texts and text fragments.
Available from Printed Matter, here, for $50.00 US.
Pettibon turns 62 today.
Labels: Raymond Pettibon
Friday, June 14, 2019
Posts will continue to be sporadic as we prep for our cross-country move. Instagram likely to be updated more frequently (even if it pains me to say).
Follow me there, at https://www.instagram.com/dave.dyment/. I suspect almost half of the posts will eventually end up being related to books, multiples and records.
Spiegelobjekt (Kunstmultiplikator) (Mirror Object (Art Multiplier))
Cologne, Germany: Édition MAT / Galerie der Spiegel, 1964
50 x 100 x 8 cm.
Edition of 100 signed and numbered copies
From the series Édition MAT Collection 64, this assemblage on mirrors in a hinged wooden frame featured various affixed objects, each edition with a different configuration. The work is signed and numbered on a paper label affixed to the verso.
Spoerri can be considered one of the originators of the artists' multiple, and already here is playing with variations: the unique multiple (with each arranged differently) and the idea of using mirrors to further multiply.
The work has an approximate value of $10 000.
Blood Objects from Family Album
New York City, USA: UBU Gallery, 1995
17.5 x 10.2 cm.
Edition size unknown
An invitation for the exhibition "Yoko Ono drawings from Franklin Summer and Blood Objects
from Family Album" which included a key, string, tag and postcard inside a printed transparent plastic envelope.
Thursday, June 13, 2019
Beyond Gutai : 1957-2009
Paris, France: Almine Rech Gallery Editions, 2009
130 pp., 27 x 12 cm., softcover
Edition of 500
Despite being the only woman artist active with the Gutai group from its origins to its dissolution, Tsuruko Yamazaki waited over fifty years for her first European solo show. Beyond Gutai : 1957-2009 was comprised of historical pieces from the Gutai era (1954-1972) as well as more recent works.
This title was published in conjunction with the exhibition from March 13th to April 30th, 2010. It features texts by Ming Tiampo and Midori Nishizawa, who writes:
"For six decades Tsuruko Yamazaki traversed a unique path as an artist dedicated to the fiercely independent and radically experimental spirit that defined the Gutai Art Association (1954-1972) the foremost avant-garde art collective to emerge in post-war Japan. As a founding member of the Gutai and a shimmering presence among her peers, Yamazaki found her voice after witnessing an apocalyptic vision. On a pitchblack night, reflections of light ricoched through a group of discared tin cans in the street. In a flash, the fusion of light and metal in the darkness mesmerized Yamazaki, a young aspiring artist, living in the midst of impending recovery from the ruins of war and determined to create something completely new."
Artforum reports that Tsuruko Yamazaki died earlier this week.
Wednesday, June 12, 2019
Tell me what sort of wallpaper your room has and I will tell you who you are
Amsterdam, The Netherlands: In-Out Productions, 1974
20 pp., 16.7 x 12.3 cm., softcover
2nd Edition of 50, stamp dated
While in residence at the In-Out Center - the first independent artist space in Amsterdam - Ulises Carrión created this and four other limited edition artist's books in 1974.
Carrión had came across some sample books on the street outside of the acclaimed Rath & Doodeheefver wallpaper company offices. He cut out the samples to create these hand-bound books, using different designs for the identification of various rooms: my sister’s room, my guest room, my psychiatrists’ room, etc., to suggest a kind of portraiture through taste in home decor.
The first edition features hand-typed additions to the wallpaper samples, and once these were sold or given away, a second edition of fifty copies was produced, using handwriting instead of the typewriter.
“Each page is a piece of real wallpaper that’s supposed to come from the bedroom of the person named on the same page.”
Labels: Ulises Carrión
Tuesday, June 11, 2019
William Wegman signing prints at White Columns today, for the 2019 White Columns Print Portfolio, which also includes works by Alvaro Barrington, Katherine Bradford, Scott Covert, Arthur Jafa, Caitlin Keogh.
Contact White Columns to purchase, here.
(Image courtesy of matthewhiggs2015).