Sunday, January 26, 2020
Helsinki, Finland: Artek, 2019
38 x h. 44 cm.
Edition of 600 stamped and numbered copies
Barbara Kruger (who celebrates her 75th birthday today) produced this work featuring Alvar Aalto’s Stool 60 in support of the ICA in London, which provided the artist with her first museum solo exhibition, in 1983.
Designed in 1933, the stackable Stool 60 is an iconic piece of furniture, used as a seat, a table, a plant stand or a display surface. Several million copies have been sold, worldwide.
Untitled (Kiss) was originally produced in an edition of 300. A second and final edition of 300 was later released, with one remaining copy available from the ICA bookstore, for £1,000.00, here.
Labels: Barbara Kruger
Saturday, January 25, 2020
“The word unique is overused, but this really is a unique environment, it’s a unique building,” said artist Jeremy Deller, speaking of filmmaker Derek Jarman's Prospect Cottage. “Within it you can see his thought processes, you can see his work and it is all in such incredible condition . . . He deserves to have this kept as it was.”
Deller and fellow artists Tacita Dean and Wolfgang Tillmans have produced works available as incentives for the fundraising drive to help preserve the home and famous garden in Dungeness, a hamlet on the coast of Kent, England.
The National Heritage Memorial Fund has pledged $981,000 and there's another $654,000 from the Art Fund, and $327,000 from the Linbury Trust. This figure must be doubled to provide for the cottage’s long-term care, so that residencies and tours of the property can still take place.
"Paradise haunts gardens, and some gardens are paradises. Mine is one of them,” said Jarman, who purchased the home in 1986. Following his death eight years later, it was maintained by his partner Keith Collins until his passing in 2018. The garden was made by arranging flotsam washed up nearby, interspersed with endemic salt-loving beach plants, both set against the bright shingle. Published posthumously, Derek Jarman's Garden features writing by the artist and photographs by Howard Sooley. It's available from Amazon, here.
“First and foremost, the cottage was always a living thing, a practical toolbox for his work,” said Swinton (pictured above) at the launch of the fundraising campaign. Jarman had given the actress her first role, in his acclaimed 1986 film based on the life of Baroque painter Michelangelo Merisi da Caravaggio. The film also provided the debut for actor Sean Bean.
Jarman's other films include Edward II, The Garden, Jubilee, and Wittgenstein. His final film, Blue, was produced after he was blinded from AIDs related complications. The seventy-nine minute film features a saturated blue still as it's only visual.
Jarman also produced music videos for Bryan Ferry, Marianne Faithful, Throbbing Gristle, Suede, The Pet Shop Boys and Patti Smith. His short film The Queen Is Dead, was later edited to provide The Smiths with videos for their songs "Panic", "Ask", "There is a Light that Never Goes Out" and the title track.
The fundraising drive will continue another 67 days. Pledge here:
New York City, USA: 0 to 9 Books, 1968
 pp., 28 x 22 cm., staple-boundEdition size unknown
In collaboration with her brother-in-law Vito Acconci, Bernadette Mayer ran 0 To 9 magazine from 1967 to 1969, publishing seven mimeographed issues in editions of between 100 and 350 copies, and selling them for a dollar each. The more than seventy artists, poets and composers who contributed to the periodical include Robert Barry, Ted Berrigan, Clark Coolidge, Morton Feldman, John Giorno, Dan Graham, Dick Higgins, Les Levine, Sol LeWitt (the first publication of his influential text Sentences on Conceptual Art), Lee Lozano, Jackson Mac Low, Adrian Piper, Bern Porter, Yvonne Rainer, Jerome Rothenberg, Aram Saroyan, Robert Smithson, Alan Sondheim, Gertrude Stein, Bernar Venet, Hannah Weiner, Emmett Williams and Jasper Johns (whose stencil paintings gave the magazine it's name).
"Vito and I created 0 To 9 as an environment for our own work, which did not seem to exist anywhere else," Mayer later noted, and the pair both self-published standalone projects under the 0 To 9 banner (see previous post for Acconci's Four Book).
The title Story refers to the many stories (or "like-stories" as Mayer has called them) in the slim volume, but also to the random insertion within the text of synonyms for the word "story", such as "anecdote", "scenario", "lie", "report", "tale", and "myth".
“This is the first book I ever published. I published it myself. It’s called Story. It has no page numbers. It’s about thirty pages. The way it came into being was I wrote a story that was about falling down, tripping and falling down. It was nicely written, experimentally so, but it seemed dull. So I tried to figure out what to do with it; and being a twenty-year-old person at the time, I went overboard and made a structure that is like a diamond shape where I accumulated other texts. I was very interested in American Indian myths at that time so I included a Kwakiutl myth about hats and about smoking; their description of a hoop and arrow game; and then an Italian folk tale about fourteen men who went to hell; another Italian tale about a man who sold cloth to a statue; then from Coos myth texts, a story of the five world makers, and the man who became an owl. Then I accumulated some lists from the dictionary of other words for beginning, middle and end. There’s a recipe for true sponge cake, there’s a 19th-century letter about etiquette, a couple of quotes from Edgar Allan Poe, and an article by the biologist Louis Agassiz about coral reefs.
Each of these things I thought was relevant to the diamond-shaped nature or accumulation of the story…. As I was saying to Clark Coolidge, there is some aspect of this work that I can’t remember (as to how I did it). I took the longest work which was the story I’d written about falling, and I made that begin at the beginning and end at the end. Everything was going on in the exact middle of the work, and at the beginning and end only one thing was going on and it was gradually accumulating and decreasing. To make things worse, I decided to interrupt the text at random moments with all the words I could think of that would mean story…. There are fifty-one…anecdote, profile, life-story, scenario, love-story, lie, report, western, article, bedside reading, novel, thumbnail sketch, talk, description, real-life story, piece, light reading, confessions, dime novel, narrative poem, myth, thriller. It was interrupted at random. The confluences were amazing. All of a sudden it would say detective story, and the section that was randomly chosen to be a detective story really became one. Or could become one in the reader’s mind. Probably more so than in my mind.”
- Bernadette Mayer, 1989
Friday, January 24, 2020
New York City, USA: 0 To 9 Books, 1968
[unpaginated], 28 x 22 cm., staple-bound
Edition size unknown
Acconci's second publication (and first artists' book) consists of typographical poetry, photocopies of the Manhattan phonebook and the type of reader-as-writer projects that Kenneth Goldsmith would later pursue to their logical conclusion. Some of the works had a kinetic quality and shortly afterwards Acconci abandoned writing for performance:
"When I was writing, what interested me was the space of a page, how you move from left margin to right margin, how you turn from one page to the next. I treated the page as a kind of field over which I, as writer, traveled, just as you, the reader, traveled. Once I realized I was so interested in movement, it seemed unnecessary to restrict that movement to an 8.5-by-11 piece of paper."
Four Book was published under the umbrella of 0 To 9, the mimeographed magazine Acconci produced with Bernadette Mayer. A copy signed by the artist in 1974 is available at Granary Books, here, for $1850.00 US.
Acconci was born on this day in 1940. He died on April 28, 2017, at the age of 77.
Labels: Vito Acconci
Wednesday, January 22, 2020
Another Notion of Possibility
Toronto/New York City, Canada/USA: Shark Editions, 1998
5.7 cm. diameter
Edition of 50 signed and numbered copies
The first of two Maurizio Nannucci multiples produced by John Goodwin's Shark Editions (the second being an embosser the following year, with the text "Let's Talk About Art") is a billiard ball engraved with the title. The artist would revisit the format a year later, for a work produced for Text Zur Kunst.
Tuesday, January 21, 2020
Steal this book
Paris, France: Paraguay Press, 2000
136 pp., 11 x 18 cm., softcover
Edition of 15000
Activist Abbie Hoffman published Steal This Book (pictured below) in April of 1971. By November of that year, the book - intended as a manual for survival in the counter culture and a guidebook for battling the government and large corporations - had already sold a quarter of a million copies.
The title, initially off-putting to both publishers and booksellers who feared their customers would take it at face value, has become iconic. Several tribes and parodies exist, including Steal this Album (by the band System of a Down), Steal this Episode (the ninth episode of the 25th season of The Simpsons) and Steal This Film, a documentary about piracy. Hoffman himself revisited the title with Steal This Urine Test, sixteen years later. Steal This Movie! is a biopic starring Vincent D'Onofrio and Janeane Garofalo as Abbie and Anita Hoffman.
Dora García's book pays tribute to Hoffmann’s, and documents eleven of her then-recent performative projects. The title presents the private correspondence of the artist with the various interpreters of the situations she sets up in public spaces. Questions, misunderstandings and even arguments arise, giving voice to the collaborative nature of her practice. It functions as s record of a body of work, but without the authoritative voice of the artist, curator or critic.
The book is presented in exhibitions as a cross between the free take-away posters of Felix Gonzalez-Torres, and the proposed theft of Hoffman's original. It is also available in bookstores, and can be purchased from Printed Matter for $18.000 US, here.
Labels: Dora Garcia
Friday, January 17, 2020
Matchbook for Carnegie International 1991
Pittsburgh, USA: Carnegie Museum of Art, 1991
4.9 × 5.1 × 0.8 cm.
Edition size unknown
Labels: Louise Lawler
Thursday, January 16, 2020
Twelve Works 1979 - 1981
London, UK: Coracle/D'Offay, 1981
32 pp., 14 x 19.4 cm., clothbound
Edition of 250 signed and numbered copies
An artist book produced in conjunction with an exhibition at the Anthony d'Offay gallery in 1981. The title reproduces the texts of twelve walking works. The above is the special hard-cover edition with embossed boards, each copy signed and numbered in red crayon on the colophon page.
Labels: Richard Long
Mask of George Maciunas
New York City, USA: ReFlux Editions for Ubu Gallery, 1996
25 x 19.5 cm.
Edition size unknown
Die-cut mask of the late founder of Fluxus, with eyeholes, a fold-out nose and an elastic strap. By Fluxus photographer Peter Moore (and husband of Barbara Moore, who operated the publishing venture, ReFlux editions).
Wednesday, January 15, 2020
Thursday, January 9, 2020
Wednesday, January 8, 2020
Playboy Space Program Official Document
New York City, USA: Self-published, 2012
25.4 × 21.6 cm.
Edition of 100 signed and numbered copies
Hand-painted and stencilled vintage 1970's Playboy Magazines.
Labels: Tom Sachs
Barrytown, USA: Printed Editions, 1978
14 × 13.3 × 13.3 cm.
Edition of 22 signed and numbered copies
Green card box containing dried beans, gelatin silver print, and printed cotton bags containing objects in various media.
Friday, January 3, 2020
Herman de Vries
terre, vie et poesie
Mouans Sartoux, France: L'Espace de l'Art Concret, 1991
48 pp., 23 x 18.5 x 1.3 cm., loose leaves
Edition of 500 signed and numbered copies
A catalogue for the exhibition “herman de vries. Terre, vie et poésie”, which ran from September 22 to February 16, 1991 at the Espace de l’Art Concret, Château de Mouans-Sartoux. Included are texts (in French) by Marnix Bonnike and Troels Andersen, an interview with the artist by Sybil Albers-Barrier, a poem by de Vries, biographical and bibliographical information, and a list of the artworks.
The book also features a pressed plant leaf. The pages are unbound and housed in a slipcover.
The title is valued at between $250 and $350 US, depending on condition.
Labels: herman de vries