Showing posts with label John Armleder. Show all posts
Showing posts with label John Armleder. Show all posts

Tuesday, December 24, 2024

Endre Tót | Correspondence with John Armleder










Endre Tót
Correspondence with John Armleder
Geneva, Switzerland: Ecart Publications, 1974
84 pp., 29 x 21 cm., softcover
Edition of 500 numbered copies


Similar to Ray Johnson’s The Paper Snake (which collected mail art and correspondence sent to publisher Dick Higgins*) this catalogue in the form of an artists’ book gathers postcards and letters sent from Endre Tót to John Armleder. 

Armleder had founded the Groupe Ecart with Patrick Lucchini and Claude Rychner five years prior. Tót was preparing for a solo exhibition at Ecart Gallery and sent a wide variety of typed and handwritten letters, altered postcards and other forms of mail art such as the one dozen rain pOstCarDs 1971–73, which were featured in the show. 

Of the edition of five-hundred, fifty copies included an additional page with a unique rubber stamp design, signed by both artists. 


* Ray Johnson described The Paper Snake as "all my writings, rubbings, plays, things that I had mailed to [Higgins] or brought to him in cardboard boxes or shoved under his door, or left in his sink, or whatever, over a period of years.”




Wednesday, January 3, 2024

Joseph Kosuth and John Cale | Balzac's Solitude










Joseph Kosuth and John Cale 
Balzac's Solitude 
Cincinnati, USA: Solway Gallery, 1994 
36 x 23 x 10 cm. 
Edition of 12 signed and dated copies


Balzac's Solitude is a collaboration between one of the founding members of the Velvet Underground, and one of the earliest practitioners of Conceptual Art.1 

The work consists of a leather-bound book housing a 144-note Reuge music box mechanism. Kosuth designed the work, mostly the inclusion of the quote from French novelist Honore de Balzac: “Solitude is fine, but you need someone to tell you that solitude is fine.” Cale composed the music. 

He originally set out to create a low rumbling sound to be reproduced by the music box mechanism. When this proved impossible, he substituted an existing untitled composition he had written for a friend’s wedding. I haven’t heard it, but the LA Times described it as "a bland little piece of no particular distinction."

The work was created for the 1994 exhibition The Music Box Project, curated by Claudia Gould. Gould had co-founded Tellus Audio Cassette Magazine with Joseph Nechvatal and Carol Parkinson in 1983. When their audio periodical folded after a decade of activity, she revisited the idea of music boxes by artists, something originally conceived of as a fundraising edition for Tellus. 

Other works in the show include Laurie Anderson's witty Tilt #1, which utilizes as a carpenter’s level. One of two short tunes by Anderson plays, depending on which ay the level is titled. The movement also activates either a bobbing boat or tiny floating balloon. 

John Cage contributed Extended Lullaby, which features a dozen music boxes, each playing a fragment of a piece he composed for his partner Merce Cunningham's Dance Company a year before his death in 1992.

Kiki Smith transcribed a poem she wrote into Braille and then translated the raised patterns on the page into the pins of the revolving music box cylinder, creating a brief, atonal composition.

Other artists in the exhibition include John Armleder, Nam June Paik, Aminah Robinson and Haim Steinbach. David Byrne, Stevie Wonder, Peter Gabriel, and Glenn Branca all declined to participate. 



1. Josuth Kosuth provided the cover graphic for John Cale’s live album, Fragments of a Rainy Season, two years prior. It also consisted solely of a quotation: two lines from Shakespeare’s Macbeth: 

Banquo: It will rain tonight.
First murderer: Let it come down!





Wednesday, October 18, 2023

John M Armleder | U40 drop cloth











John M Armleder
U40 drop cloth
Amstermd, The Netherlands: Galerie Van Gelder, 1992
32.5 x 32.5 cm.
Edition of 92 signed and numbered copies [+13 AP]


"A series of unique 'Drop cloths' John Armleder has made on cotton. While preparing his solo exhibition in the Centraal Museum Utrecht in 1992 creating a large three panel 'Pour Painting' of 3 x 6 meters. After having finished the huge painting the poured over piece of cotton was one big left-over, which was eventually cut into 105 pieces, still wet and very smelly. The 106th piece appeared to be a real left-over as it is shaped in the form of a very long stretched out triangle. The artist folded this one zigzagging into the last pizza box. The code 'U 40' refers to the forty paintings he showed in the museum".
- publisher's note 


Available from Saint Martin's Bookshop for 800 Euros, here




Saturday, July 1, 2017

Endre Tót | Zeropost




Endre Tót
Zeropost
Zurich, Switzerland: Galerie Howag, 1970
30 x 20.7 cm.
Edition of 100 signed and numbered copies

A set of perforated postage stamps from 1970, later reissued as a co-publication with John Armleder's Ecart Publications, who were producing a number of artists' stamps at the time.  The second run was produced in an edition of 1000 copies.



Sunday, November 13, 2016

Christian Marclay | Untitled (Record Without A Groove)





Christian Marclay
Untitled (Record Without A Groove)
Geneva, Switzerland, Ecart Editions, 1987
12" Vinyl
Edition of 50 signed and numbered copies

Released two years after Marclay's debut release Record Without A Cover, and two years before the breakthrough Footsteps, Untitled (Record Without a Groove) is the ultimate Marclay fetish item: a grooveless black vinyl record housed in a deluxe black suede bag. The bag is printed with gold lettering that reads "Christian Marclay Ecart Editions Geneva New York 1987”. Ecart Editions was formed in 1973 by artist and dealer John Armleder. The box seen pictured above is not part of the edition. 

"In mint condition it reportedly sounds a lot like a Coil B-side."
- Craig Dworkin, 2009





Wednesday, September 12, 2012

John Armleder and Ecart


John Armleder, artist, publisher and dealer, is presenting his first solo exhibition in Canada at the Charles H. Scott Gallery at the
Emily Carr University of Art + Design, this Saturday. The artist will give a talk/performance at the opening (4pm, in the ECU theatre) and the show continues until October 21st.

"The Charles H. Scott Gallery is pleased to present John Armleder and Ecart, curated by Lionel Bovier. The exhibition focuses on Swiss artist John Armleder's early Fluxus-related works with Ecart, a group Armleder founded with Patrick Lucchini and Claude Rychner in Geneva in the late 1960s. The Ecart Group published artists' books, presented exhibitions and performances, and opened a bookstore/gallery that is considered to be "one of the most important alternative spaces in Europe in the 1970s" (Ken Friedman). Ecart worked with many artists including Dick Higgins, Lawrence Weiner, Annette Messager, Daniel Spoerri, Giuseppe Chiari, and Maurizio Nannucci.

The exhibition features artworks made by Armleder and Ecart and includes a complete set of Ecart publications, works on paper, mail art projects, films, and sound works created for Paul McCarthy's Close Radio."

An interview with Armleder, about Ecart, can be found here.