Showing posts with label Bookworks. Show all posts
Showing posts with label Bookworks. Show all posts

Monday, April 13, 2026

Emma Kay | Worldview






Emma Kay
Worldview
London, UK: Bookworks, 1999
224 pp., 21 x 15 cm., softcover
Edition of 1500


In Worldview, Emma Kay recounts a history of the planet told entirely from unaided memory. It begins with the big bang, and ends with apocalyptic visions suggested by the then-imminent end of the millennium in 1999. The piece was first realized as a high-resolution ink-jet print [see below], with a typeface and layout designed by the artist. The spaces between the paragraphs indicate omitted material, their size related to the artist’s perception of her memory lapse. The large digital print (176 x 270.5 cm) was produced in an edition of three.

The content, presumably from half-remembered exam text books, period piece movies, novels and magazine articles, features major omissions and dodgy information, presented in a neutral tone. Two sample paragraphs:

"Apes’ upper limbs were long and strong, and were known as arms. Their brains were much larger in relation to their upper body weight than the dinosaurs’ brains. About a million years ago apes were multiplying rapidly, they appeared all over the Earth in pockets. They lived in social groups, which were hierarchical. They were herbivores. Most lived in trees but some had begun to live on the ground. The apes had the biggest brain in relation to their body of all the creatures so far. Their brain continually evolved, and their social interaction grew more complex.”

[...]

"After all the Ice Ages, and as the Sun continued to get hotter, the Earth became a nicer place to live again. Some of the mammals had begun to try to walk on two of their legs, to reach food that was growing on trees. They were the apes. Dinosaurs gathered food this way too, but their upper limbs were quite weak in comparison to the lower ones. Apes’ upper limbs were long and strong, and were known as arms. Their brains were much larger in relation to their upper body weight than the dinosaurs’ brains. About a million years ago apes were multiplying rapidly, they appeared all over the Earth in pockets. They lived in social groups, which were hierarchical. They were herbivores. Most lived in trees but some had begun to live on the ground. The apes had the biggest brain in relation to their body of all the creatures so far. Their brain continually evolved, and their social interaction grew more complex. They made very rudimentary tools to assist with food-gathering. They protected each other, not just their offspring. They spent a proportion of their time in play, since they were so good at gathering food that they did not need to do it all the time. Their predators were larger mammals such as lions and tigers, wolves and bears. As they became more intelligent, they learned how to avoid being eaten. They were a very successful species, and this fact enabled them to multiply and evolve at a quick rate."

Worldview follows Kay's The Bible from Memory (1997), a 7,500 word single page retelling of the King James Bible and Shakespeare from memory. Similarly, Worldview tells a global history bookended with creation and destruction, and represents an attempt at classification which reveals the flaws inherent in all histories.

The cover map is drawn by the artist, also from memory.


"When I am writing I always imagine myself in some kind of virtual computer environment and think of my memory works as hypertexts. The associative and cognitive links people make are the very ones which computers try to emulate, and even represent. Hypertext is an apparently objective attempt to impose order over chaos and to get to grips with vast resources, though its subjectivity is inescapable. It seemed to me to be interesting to represent this attempt visually."
- Emma Kay








Wednesday, August 20, 2025

Joseph Kosuth | Two Oxford Reading Rooms






Joseph Kosuth
Two Oxford Reading Rooms [Special Edition]
London, UK: Book works, 1994
[112] pp., 21 x 9.8 cm., hardcover with slipcase
Edition of 250 signed and numbered copies


"Joseph Kosuth made two installations in Oxford as part of The Reading Room Project, for the particular contexts of the Taylor Institution and of the Divinity School of the Bodleian Library. This book configures these works back to back: The (Ethical) Space of Cabinets 7 & 8 is printed vertically while Say: I Do Not Know is printed horizontally. Both works put in apposition texts by Voltaire and John Locke. The ideas explored in the original installations are expounded in the book through the manipulation of the book format, utilising die-cut windows, tracing paper pages and two-colour printing.” 
- publisher’s blurb






Tuesday, May 20, 2025

Mahmoud Khaled | Fantasies on a Found Phone, Dedicated to the Man Who Lost It











Mahmoud Khaled
Fantasies on a Found Phone, Dedicated to the Man Who Lost It
London, UK: Bookworks, 2022
144 pp., 10.6 x 17.8 cm., softcover
Edition of 1000


Recalling the work of Hans-Peter Feldmann and Sophie Calle, the images and texts in this artist book/catalogue come from an unlocked phone found in a public toilet. The publication accompanies Mahmoud Khaled‘s first UK solo exhibition of the same name, at The Mosaic Rooms. 


"Moving between the erotic, intimate, baroque and everyday, the compulsive sequence of images references the dissonant and voyeuristic experience of scrolling through social media and swiping in dating apps, and the clash of hyper-capitalist forces of productivity and technology with the intimacy of a queer male gaze.”
- publisher’s blurb


Friday, November 24, 2023

Emma Kay | Macbeth from the series ''Shakespeare from Memory''




Emma Kay 
Macbeth from the series ''Shakespeare from Memory''
Self-published, 1998
23'' x 16 1/4'' 
Edition of 7 signed, dated and numbered copies


Emma Kay's subject matter (and materials, for that matter) are subjectivity and memory. After graduating from Goldsmiths College in 1997 she began compiling index-like lists of inanimate objects from novels. That year Art Metropole included her in the Little Cockroach Press series, and her contribution was a text list, separated by commas, of adjectives and nouns used by the authors of seven pornographic paperback novels ("jar of cream, camera, white velvet trousers, white velvet shoes, false prick and balls, skirt, garter belt, pants, pantyhose, undershorts, money, 2 pillows, vaginal jelly"...).

Her first memory text was The Bible from Memory, in which she recounts as much of the Bible as she is able to recall. 

After this - and before Worldview, an attempt to write down the history of the world from memory - Kay produced the Shakespeare from Memory series. 

This text recounts the "Scottish Play" from 1606, on half a sheet of paper. The work is valued at between 
$700 USD and $900 US. 


Sunday, November 12, 2023

Itinerant Texts











[Various Artists]
Itinerant Texts
London, UK: Bookworks, 1996
8 x 11.5 x 6 cm.
Edition of 40 signed and numbered copies



Itinerant Texts is a set of original slide works by Judith Barry, Robert Barry, Angela Bulloch, Tacita Dean, Jimmie Durham, Tracey Emin, Liam Gillick, Douglas Gordon, Susan Hiller, Joseph Kosuth, Tracy Mackenna and Simon Patterson. 

Each have created works commenting on travel, transience and the nature of site-specificity.

The works were originally commissioned for Artist / Author: Contemporary Artists’ Books, a touring exhibition organized by the American Federation of Arts. Itinerant Texts takes as its starting point the idea of the artist as itinerant worker, continually travelling on a kind of circuit and producing site-specific work.


Thursday, February 25, 2021

San Francisco Sex and Protest 1988-2003


 


Starting in one hour (2pm): 


Dark Room: online event with Phyllis Christopher, Michelle Tea & Laura Guy

"At the 2021 Printed Matter Virtual Book Fair, Book Works will present an online event to present Dark Room: San Francisco Sex and Protest 1988-2003 – the first ever collection of Phyllis Christopher’s trailblazing photography of lesbian erotic life and political struggle. The event will stream live as part of the Classroom programme at Printed Matter on 25th February 2021 at 2pm EST (7pm GMT).

In 1988, at the age of 24, Phyllis Christopher was drawn to San Francisco with her camera to capture a thriving lesbian counterculture involving sex parties, kiss-ins, and street demonstrations. This program features an intimate conversation about lesbian sexuality and documentary on the occasion of Phyllis Christopher’s debut solo publication, Dark Room (Book Works, 2021). The conversation will include Christopher and acclaimed author Michelle Tea, moderated by Laura Guy, editor of Dark Room."


Wednesday, February 24, 2021

The Printed Matter Virtual Art Book Fair








PMVABF launches today at 4pm with countless participating vendors, including Art Metropole, backbonebooks, Book Works, Bywater Bros. Editions, Draw Down Books, Fillip, Jonathan A. Hill, Bookseller, NERO EDITIONS, New Documents, Nieves, Primary Information, RE/Search and Search & Destroy, RITE Editions, siglio, Slow Editions, Tenderbooks, Three Star Books, White Columns, Whitechapel Gallery and dozens and dozens of others. 

Watch for a live worldwide drawing event in honour of the late Jason Polan, and a performance by ambient musician Laraaji. 

An incomplete list of the many vendors participating this year: 


& Half Letter Press
3 Hole Press
8-Ball Community
A Magic Mountain
A Published Event
A.I.R. Gallery
a/b Books
Aarati Akkapeddi & Philipp Schmitt
Aaron Krach
ABC (Artists’ Books Cooperative)
After 8 Books
 aka Bunker Basement
AKIO NAGASAWA Gallery | Publishing
Alder & Frankia
Alicia's Klassic Kool Shoppe
Allied Productions, Inc./Le Petit Versailles
Almighty & Insane Books
Almine Rech Editions
Alternate Projects
AMBruno
André Frère Éditions
Andrew Miksys
Animal Press
Anteism Books x The Hole
Antenna's Press Street Press
Anthology Editions
Anthology Film Archives
Aperture
Arcana: Books on the Arts
Arcangel Surfware
Archive Books
Arquitectura y fantasía 
Art Metropole
Art Museum
Art Resources Transfer (A.R.T. Press)
ARTFORUM/BOOKFORUM
Arthur Fournier Fine & Rare
Artphilein Editions
Atelier Éditions
Autonomedia 
AVARIE
B&D Press
backbonebooks 
Bad Student Press
Bard Graduate Center Publications
BASEMENT
Beijing Inside-Out Art Museum
billy ocallaghan / 
Bitter
blisterZine
BLOW UP PRESS
BOA NOITE
BOM DIA BOA TARDE 
BOMB Magazine
Book Works
Books for All Press
Brain Washing from Phone Towers 
Bread and Puppet Press
Brian Cassidy Bookseller 
Brick Press
Bricks from the Kiln
Bronze Age
BULK SPACE
Bywater Bros. Editions
Caboose / The Smudge
Calipso Press
CAMP BOOKS
Candor Arts
Capricious 
Carlo Quispe
Carnage NYC
Caroline Paquita-Kern
Case Publishing
Cash Machine
CASSANDRA Press
Center for Book Arts
Centre d'édition 
Chimurenga 
Christina Martinelli
Christopher Branson
Clifton Meador
Clown Kisses Press
Co—Conspirator Press
Cody DeFranco
Cold Cube Press
COLLI independent art gallery
Colour Code
Coloured Publishing
Colpa Press
Connecticut
Contemporary Art Review 
Conveyor Editions
Corraini Edizioni
Cory Emma Siegler
Counterbound
cpress
crevasse
cripple
CRISIS EDITIONS + DANE PRESS
Dale Wittig
Danarti Zine
Dancing Foxes Press
Datz Press 
David Kordansky Gallery
David Zwirner Books
Deadbeat Club
DelMonico Books
Desapê
Dia Art Foundation
Diagonal Press
diasporan savant press
dispersed holdings
District of Columbia (D.C.)
Dizzy Magazine
dmp editions
Dobbin Books
Dongola Limited Editions
Draw Down Books
Dream Press
Drum Machine Editions
East of Borneo
ECU Press/Libby Leshgold Gallery
Ecuador
Ediciones El Fuerte
Edition Patrick Frey
Edition Taube
Edizione Multicolore
EFA Robert Blackburn 
EMBAJADA 
Endless Editions
EXILE Books
EYE IN VISION
F Magazine
Façadomy
Fair Enough (Boabooks, edition fink, 
Farside Collective
FAW
Feixue Mei
Felicita Felli Maynard
Fillip
Florida
Floss Editions
Flower Press
FotoEvidence
Frans Masereel Centrum
frieze
Futurepoem books
Gato Negro Ediciones
GenderFail
Ginger
Gnomic Book
Gold Rain
GOST Books
Gravel Projects
Gregory R. Miller & Co.
GRRRR
HAMBRE HAMBRE HAMBRE
Hammer Museum
Harper’s Books
Hassla
Hauser & Wirth Publishers
Heather Benjamin
Helen Douglas/Weproductions 
Hesse Press
Hi-Bred
Homie House Press
HOMOCATS
Hotam Press
HUMOBOOKS
HUNTERS POINT PRESS
Hyperlink Press
ice fog press
IDEA BOOKS / AMSTERDAM
IKREK
Image Text Ithaca
Infinite Kisses - Artist Zines 
Ink Cap Press, Inc. | GroundWork
Instantes Gráficos
Institute 193
Institute for Interspecies Art 
Interference Archive 
Inventory Press
Irrelevant Press
Issue Press
J&L Books
Jamiyla Lowe
Jason Rovito, Bookseller
JBE Books
Jo Rosenthal & Friends
Jody Zellen
Jonathan A. Hill, Bookseller
Justseeds Artists' Cooperative
Juxta Press
K. Verlag 
KARMA
Kaunas Gallery Books
Kayrock Screenprinting
Kentucky
KGP | MONOLITH
Knust/Extrapool
Kodoji Press
Kunstinstituut Melly 
Kwago
L'Arengario Studio Bibliografico
L'Artiere
LAGON REVUE / SAMMY STEIN
Landfill Editions
Las Injurias
Letter16 Press
LIFTA
Linus Bill + Adrien Horni
Lisson Gallery
Little Mountain Press
Lodret Vandret
Look Back and Laugh
Los Sumergidos
Louis M Schmidt
lucky risograph
Lugemik
Maamoul Press 
MACK
Marcus Campbell Art Books
Margaux Bigou
Maria Editions
Marian Goodman Gallery
Martian Press
Más Allá
Matthew Marks Gallery
McGilvery, Laurence
Mega Press/Panayiotis Terzis
MEMBRANA
Mi Casita Press
Michalis Pichler
microutopías
Migrant Journal
Mike Mandel and Chantal Zakari
Miniature Garden
MIT Press
mixedgreens
Moniker Press
Monograph Bookwerks
Most Ancient
Mousse Magazine & Publishing
Multinational Enterprises
NANG Magazine
Naranja Publicaciones
National Monument Press
NERO EDITIONS
New Documents
Nichole Shinn
nico fontana
Nieves
NIGHTED
NOAH LYON
NoRoutine Books
Norsk Risoforening
OAZA BOOKS
Offset Projects
OOF Books
Ooga Booga
Open Projects Press
Oranbeg Press 
Orange Crush: The Journal 
Other Forms
Other Publishing
OUTER SPACE PRESS
Pace Gallery
Pacific
Palm* Studios
Paper Crown Press
Paper Cuts
Paper Monument
Papertown & Nuts! Company
Paradise Systems
Passenger Pigeon Press 
Paul Zelevansky
Pegacorn Press/
per(r)ucho
Peradam Press 
Perfectly Acceptable Press
Perimeter Editions
Pioneer Works Press
PPP Editions/Andrew Roth Inc.
Precog Magazine
Press Press
Primary Information
Primrose Press
Printed Matter, Inc.
Printmaking Workshop
PrintRoom
prompt:
PromptPress
Publication Studio Vancouver
Queer.Archive.Work
Rabbit Rabbit Press / Alaska Bookmobile
Radix Media
Random Man Editions
Raw Meat Collective
RE/Search and Search & Destroy
Reconstructed Magazine
Red Letter Distro
Red Pocket Press
Redboldface
Redfoxpress & Antic-Ham
Rhode Island
Rhombus Press
Richard Kostelanetz /Archae Editions
Rinny Perkins
Ripopée
RITE Editions
Rollo Press feat Yellow Pages
Roma Publications
ROMAN NVMERALS
Ruja Press
RxART 
S U N 
Sacred Bones
Scott McCarney VisualBooks
Seaton Street Press
Secret Riso Club
Shining Life Press
Shortt Editions 
SICK magazine
siglio
Sigrid Calon
Silent Face Projects
Silent Sound
simple project NY
Sims Reed Ltd. 
Slow Editions
Small Editions
Sming Sming Books
Soberscove Press
Social Species
Space Sisters Press
Special Special
Spend Time Zine Mart
Spheres Projects
Stefan Marx
Stefanie Leinhos
Sternberg Press
Stolen Books
Stop Over Press
Street Salad
Strike Design Studio
Sugarcane Magazine 
sweaterqueens
Taller California
TBW Books
Temblores Publicaciones
Temporary Services 
Tenderbooks
Terminal Ediciones
Terranova
The Aldrich Contemporary 
The Black School
The Brooklyn Rail  & Rail Editions
The Concern Newsstand
The Eriskay Connection
The Everyday Press 
The Fulcrum Press
THE ICE PLANT
The New Gallery
The Renaissance Society
The Southland Institute 
The Teachers Project
theretherenow. 
Thick Press
Three Star Books
TIS books
Torpedo Press
TORTILLAGURL
Triangle Books
Tricia Treacy
Tropic Editions
Twin Palms Publishers
TXTbooks
Ugly Duckling Presse
Ulises
Unknown Unknowns
UPON
Vacancy Projects
Valiz
Visible Publications
Visual AIDS
Void
Volatile [redux]
Volker Renner
Water With Water / فسر الماء بالماء
Wave Books
Wendy's Subway
Werkplaats Typografie 
White Columns
Whitechapel Gallery 
Women's Studio Workshop
Wordshape 
WORK/PLAY
X-TRA
Yes Press / NOMag
Yoffy Press
Zatara Press
Zavod P.A.R.A.S.I.T.E.
ZINE COOP
ZOLO PRESS

Sunday, July 17, 2016

Adrian Piper | Colored People




Adrian Piper
Colored People
London, UK: Bookworks, 1991
292 pp., 21.5 x 28 cm., softcover
Edition of 1000 copies

“Tickled pink. Scarlet with embarrassment. Purple with anger. Blue. Green with envy. Jaundiced yellow. White with fear. Black depression.” Adrian Piper’s book is a collaboration with sixteen people who were asked to cut out these ‘metaphorical moods’ and record them as photographs which Piper then took responsibility for sorting, depending on her response to the expressions. According to Piper, the book “was intended as a light-hearted conceptual gesture with serious implications”.

Colored People is a project that attempts to deal with two aspects of prejudgement; those made about others and those made about art that is delimited as political as a method of containment of what else it may be about, how richly politics may be defined."

- Bookworks press release


Tuesday, February 9, 2016

Katie Paterson | Lightbulb to Simulate Moonlight






Katie Paterson
Lightbulb to Simulate Moonlight
London, UK: Bookworks, 2008
25 x 16 x 11 cm.
Edition of 10

Katie Paterson’s research-based projects often see her collaborating with specialists from the fields of astronomy, astrophysics, genetics, and nanotechnology. For the installation work Lightbulb to Simulate Moon Light, Paterson worked with engineers to determine the spectral measurements of moonlight. They took light-meter readings, analyzed wavelengths, and found an appropriate surface coating in order to produce a bulb that emits rays approximating the light of a full moon.

Paterson commissioned OSRAM Licht AG, a multi-national lighting manufacturer based in Munich, to manufacture the 28 W bulbs with a lifespan of 2,000 hours. The work is exhibited and sold as a wooden crate containing 289 bulbs, which corresponds to the average human life expectancy of 66 years (based on 2008 estimates). Each time the work (produced in an edition of nine copies) is exhibited - with a single bulb burning in the gallery - the lifespan of the artwork is shortened.

This version from Bookworks contains two of the bulbs in a cloth-covered, letter-pressed box.

Thursday, December 3, 2015

Holiday Recommendations Guest Post #1: Dora García



Maria Fusco
Master Rock
London, UK: Bookworks, 2015
92 pp., 21 x 13.5 cm., hardcover
Edition of 1250

"I have been interested in Maria Fusco's work for many years, since she is an author who is also an artist, or an artist who writes, or a writer who knows contemporary art, or an art writer; embodying what we should really mean by artistic research. I have always enjoyed her texts, and her position, and her projects, in very recent times with the periodic publication The Happy Hypocrite.

The present book is a reader for her project of the same name, Master Rock, portraying the shaping of a mountain by the industrial age, a mountain with a gaelic name: Ben Cruachan. The project puts together "geology, mythology, and technology" - a performance who is also a radio play is also part of the overall project."
- Dora García

Master Rock is available from the publisher, here, for £12.00. Visit Fusco's website, here.


Dora García (born in Valladolid, Spain, 1965) lives and works in Barcelona and Oslo. She currently teaches at the Oslo National Academy of the Arts, Norway, and HEAD, Geneva. She is Co-Director for Les Laboratoires d’Aubervilliers, Paris. Her work is largely performative and deals with issues related to community and individuality in contemporary society, exploring the political potential of marginal positions and paying homage to eccentric characters and anti-heroes. She has exhibited her work at numerous international events such as the 54th, 55th and 56th Venice Biennale (2011, 2013 and 2015), the 29th São Paulo Biennale (2010), the 16th Sydney Biennale (2008), Documenta 12 (2007) and Münster Sculpture Projects (2007).

García's exhibition I See Words, I Hear Voices, closes at Toronto's Power Plant on January 3rd, 2016. Visit García's site, here.




Monday, July 20, 2015

Bring The Dead Back To Life



Gavin Everall and Jane Rolo [editors]
Bring The Dead Back To Life
London, UK: Bookworks, 2012
224 pp., 38 x 25.5 cm., softcover
Edition size unknown


"Specifically engaging with the circuits of practice that have materialised in the form of books, writing, magazines, language, spoken word, performative research and archival practice, contributors include: A Estante, An Endless Supply, AND, Banner Repeater, Claire Makhlouf Carter, Eastside Projects, Maria Fusco, Dora García, Melissa Gronlund, Sam Hasler, Stewart Home, Ian Hunt, Jonathan Monk, Apexa Patel, Mark Pawson, Bridget Penney, Pil & Galia Kollectiv, Plastique Fantastique, Sarah Pierce, Laure Prouvost and Rory Macbeth, Publish And Be Damned, John Russell, Slavs and Tatars, Spike Island, Barry Sykes, The Serving Library, The Showroom, Torpedo, Ubuweb, Marina Vischmidt, McKenzie Wark, White Columns and X Marks the Bökship – in the form of: artists’ pages, exploratory interviews, new writing, and a range of publisher and project space responses to the questions: Why Distribute? Why Archive?"

- cover blurb

Sunday, July 12, 2015

Dora García | All The Stories





Dora García
All The Stories
London, UK: Bookworks, 2013
526 pp., 21.5 x 14 cm., softcover
Unlimited Edition

All of the stories (which must be four lines or less) collected by the artist up until 2011 are included in this second, updated edition of the ongoing project.

Available from Tenderbooks, for £17.50, here.



García gave a presentation last week in Mississauga, while in town for a site visit for a forthcoming exhibition at Toronto's Power Plant.




Thursday, July 9, 2015

Book Works Summer Sale






Book Works is currently offering up to 50% off of certain titles. Visit their site, here, for details.





Saturday, May 16, 2015

Katrina Palmer | End Matter



Katrina Palmer
End Matter
London, UK: Bookworks, 2015
96pp,. 12 x 18 cm, softcover
Edition of 1500

This title consists of a text comprised solely from end matter: epilogues, postscripts, afterwords, addenda, and appendices. It was co-published by Artangel, who co-commissioned the work, with BBC Radio 4, after an open call. Palmer was selected out of 1,500 applicants.

Artangel commissions and produces artworks outside of the confines of galleries and museums. Other 2015 projects include Miranda July's New Society and PJ Harvey's Recording in Session (which saw Harvey's latest LP being recorded as a public exhibition). Classic Artangel projects include House by Rachel Whiteread, The Missing Voice by Janet Cardiff, Self-Storage by Laurie Anderson and Brian Eno, Seven Walks by Francis Alys, and Jeremy Deller's The Battle of Orgreave. Many of these projects become editions: Deller's was released as a DVD, Cardiff's a book with CD, the Gavin Bryar's Man in a Room Gambling CD, etc. etc.

End Matter, designed by James Langdon, is available from the publishers, here, for £10.00.

For more information about the work, read Miranda Sawyer's lengthy article in the Guardian, here.

Friday, July 25, 2014

Bookworks Sale



Bookworks begins a two-day sale on artists'  books, posters and prints, today at noon.

Their offices, at 19 Holywell Row in London (UK, EC2A 4JB), will be open from 12 to 8pm today and 12 to 6pm tomorrow and will offer discounted prices on "recently published titles by Céline Condorelli, Samuel Hasler, Laure Prouvost and Slavs and Tatars, and a discount on backlist titles by Jeremy Deller, Tacita Dean and Susan Hiller among many others."