Thursday, April 10, 2025

Endre Tót | Look!! Here's a Giant Zero for you






Endre Tót
Look!! Here's a Giant Zero for you
Geneva, Switzerland: Ecart Publications, 1974
19.8 x 11.8 cm.
Edition of 500 signed and numbered copies


"Tót’s postcard, “Look! Here’s a giant zero for yoo!” (1974) is a modest yet intricate joke on the viewer, a commentary about the futility of art making, as well as giving a cheerful finger to any and all higher powers.” 
- Ágnes Berecz





Wednesday, April 9, 2025

Yokossance




I can’t remember the last time I bought a magazine, and I’ve probably never bought one from a grocery store check-out display. But I couldn’t resist this copy of Zoomer (which I’d never heard of before) with Yoko Ono on the cover. Between the new biography (see post earlier this week) and the forthcoming documentary film One to One maybe the Yokossance* that the New York Times writes about is actually arriving? 


*Roula heard the term and called it “poor portmanteau, or poormanteau”. 





American Pop Art, 106 Forms of Love and Despair








Billy Klüver and Öyvind Fahlström
American Pop Art, 106 Forms of Love and Despair
Stockholm, Sweden:  Moderna Museet, 1964
112 pp., 22 x 22 cm., staple-bound
Edition size unknown


An early Pop Art exhibition catalogue, produced to accompany the show of the same name which ran from February 29th to April 12th, 1964. Artists included Jim Dine, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, George Segal, Andy Warhol and Tom Wesselman.


"This catalogue, created for an exhibition curated by Pontus Hultén (1924–2006)—director of the Moderna Museet between 1958 and 1973—was its own peculiar work of art. The show was a close read of seven then up-and-coming artists utilizing Pop imagery and populist subjects. This seemingly unfussy staple-bound book contained pictures of artworks that were printed, aside from a few tip-in plates, entirely in duotone. Imagine a world where we might know and remember Roy Lichtenstein’s or Claes Oldenburg’s or George Segal’s art in peachy pink and magenta, muddy green and gray. This volume offered up a subversive Pop idea—that these psychedelic reproductions depicting different paintings and sculptures could have (or should have) appeared this way in real life. It anticipates a world where images as we experience them are and are not what they seem.”
- Alex Da Corte




Monday, April 7, 2025

Micah Lexier | Quiet Fire: Memoirs of Older Gay Men













When I recall back to over thirteen years ago when I began this blog, in my head the first post was this Micah Lexier work, accompanied by some advice from John Waters ("If you go home with somebody and they don’t have books, don’t fuck ‘em”). When I went searching for it, it turns out almost a month of posts happened before I got to this. But it should have been the first. 

The work is titled Quiet Fire: Memoirs of Older Gay Men, and it sits in the collection of Michael Klein, our (now shared) gallerist, hanging above his bed, in the bottom two images. The others I stumbled across recently, warranting a repost. 

 



Sunday, April 6, 2025

David Sheff | YOKO: A biography




David Sheff
YOKO: A biography
New York City, USA: Simon & Schuster, 2025
384 pp., 23.5 x 16 x 3.2 cm., hardcover
Edition size unknown


This new title - out last week - purports to set the record straight on Yoko Ono, and to examine her life and work beyond the impact on John Lennon and Beatles lore. I hope this is true. 

Sheff interviewed Ono and Lennon almost forty-five years ago, in what became Lennon’s final substantial interview before his murder*. They were promoting a collaborative record (Double Fantasy, 1980), but most of the questions were for John. 

The YOKO dust jacket blurb notes that Sheff became close friends with Ono after that interview (mirroring the way that Elliot Mintz entered the inner circle a decade prior), which would make this the closest to an authorized biography that we’re likely to get, particularly with the artist being 92 years old. 

Three years ago Donald Brackett published Yoko Ono: An Artful Life, which also set out to more-fairly evaluate Ono’s contributions to Art, Activism and music. I wrote at the time: 

“Despite declarations that Ono's work needed to be viewed outside the lens of being a Beatle wife- the majority of the book is occupied with Ono's fourteen years with John Lennon (which amounts to just over 15% of her 89 years). To use music as a quantifiable example, she has released nine solo studio albums since his death in 1980 and only four prior."

The press release for this title makes note of Ono’s nine decades, so hopefully the forty-five years after Lennon’s death is more than a coda in this new title. 

I won’t get a chance to read it for a while, but the early reviews are promising: 


“Sheff’s book is as an important corrective to years of bad P.R. He’s done the opposite of a hatchet job, putting his subject back together branch by branch, like a forester... He argues convincingly for her as survivor, feminist, avant-gardist, political activist and world-class sass.”
- The New York Times Book Review

“In this unfiltered, unvarnished portrait of the artist, Sheff succeeds magnificently in bringing one of popular music’s most divisive and misunderstood personae to life.…Yoko is required reading for die-hard Beatles fans and music lovers, to be sure, but it’s also a master class about assembling the evidence and rethinking the manner in which we think about our culture’s most iconic figures.”
- Salon

“Until now, books on Ono have largely been limited to sketchy histories from a former tarot card reader or a takedown by a dismissed assistant. YOKO is the first significant biography of the Japanese-born artist... The strength of Sheff’s book is simple journalism, connecting the dots that existed only vaguely before YOKO.”
-Washington Post





*Originally for Playboy magazine, the long-form interview has subsequently been endlessly repackaged with various different titles: All We Are Saying: The Last Major interview with John Lennon and Yoko Ono, John Lennon and Yoko Ono: The Final Testament, The Playboy Interviews with John & Yoko, etc.






Saturday, April 5, 2025

Cildo Meireles | Mebs - Caraxia






Cildo Meireles
Mebs - Caraxia
Rio de Janeiro, Brazil: Self-published, 1970-1971
18 cm x 18 cm., 33 rpm 
Edition of 500


A scarce, self-published 7” vinyl single housed in a printed sleeve featuring the artist's 'sound sculpture', made with a frequency oscillator. Side A ("The Mebs") track projects the sound graph of the Möbius strip, while “Caraxia" refers to the sound of a spiral. 

Discogs lists only two copies available, both for around five grand, and no previous sales.




Friday, April 4, 2025

Kelly Mark











Last month the CBC asked me to write about Toronto artist Kelly Mark, and in particular, an ill-fated collaboration we worked on together for two years. That story can be read here

More recently, Momus ran a piece called “Remembering Kelly Mark”, featuring recollections from publisher Sky Goodden and other close friends, collaborators, and supporters, including Micah Lexier, Christina Ritchie, Anthony Cooper, Dell Pohlman and Lauren Raymore Pohlman, Dean Baldwin Lew, Paulette Phillips, and Paul E. Bain. Roula and I both contributed brief remembrances, also. 

It can be read at Momus.ca, here


"Kelly Mark had big dick energy. She was a total cunt. I loved her. [...]

Kelly was a master of minutiae. She was ever-dissecting work patterns, isolating fragments, and process into component parts for examination, where actions in repetition help dissolve our illusions.

Refusing an artist fee in lieu of minimum wage, she gives us a lens to observe our unpaid labor. The drywaller earns more. I began conversations about potential projects with, “What’s your catering budget?” (it’s always higher than artist fees). These institutional critiques aimed at assumed patterns were a delight to unbalance in cahoots. I take joy in playing bartender to patrons who treat me as one and Kelly’s “STAFF” jacket is emblematic of this cloak-and-dagger where we hide in plain sight to gain entry. As artists our unique power can be a chameleonic approach to social class. [...]

Kelly, I am angry at you for not letting me in on the plan. Angrier at myself, far away, for not knowing. I’ll carry on your light, flickering off this Zippo you left me . . . sleep well, friend.”
- Dean Baldwin Lew




Thursday, April 3, 2025

James Riddle | E.S.P. Fluxkit














James Riddle
E.S.P. Fluxkit
New York City, USA: Fluxus, 1966
3.5 x 4.75 x .75 cm.
Edition size unknown


A plastic box with a George Maciunas designed label containing a number of coloured cards. An instruction sheet reads: “DOP Instructions/Blindfold yourself securely and rub your fingers lightly over the colored papers. With practice you can learn to distinguish between the colors.”

In a letter to Paul Sharits dated July 1966, Maciunas wrote “Fluxus has no position on [William S.] Burroughs or psychedelics. Jim Riddle (a flux man) is very interested in psychedelics, ESP, LSD, etc. has done two Flux events last summer. One was ESP event across the country (by mail). Interesting results. [Brion] Gysin piece included for itself, not for his position on junk”.  

Jon Hendricks' Fluxus Codex notes that E.S.P. Fluxkit was "issued as an individual edition, and is a component of some Fluxkits and most copies of Flux Year Box 2”. It was also produced as an envelope edition (see earlier post, here, and below). 

The work - which originally was offered for sale for $3.00 - is held in numerous collections, including the Walker, MoMA, The University of Iowa Libraries, and Harvard Art Museum.












Wednesday, April 2, 2025

Herman de Vries | Rationele Structuren 1969















Herman de Vries
Rationele Structuren 1969
Apeldoorn, Gemeentelijke: Van Reekum Galerij, 1969
12 pp., 22 x 16.5 cm., staple-bound
Edition size unknown


A rare early exhibition brochure by Herman de Vries, published to coincide with the show Random Objectivations which was held in early 1969 at the Gemeentelijke van Reekum Galerij in Apeldoorn. The twelve-page booklet is illustrated with eight sculptures of objectivations and a portrait of the artist. It also includes a list of the artwork featured in the exhibition. The text is in Dutch. 

Available from The Idea of the Book, here, for £131.33.