Derek Sullivan's exhibition
¶ * † ‡ closes today at Susan Hobbs Gallery, in Toronto.
The exhibition features 8 large scale drawings based on books: one each for Martin Kippenberger's
Pscyhobuildings and the National Gallery of Canada's Donald Judd catalogue (both of which Sullivan has mined before) and six for a lesser known Art Metropole publication called
Evidence of the Avant Garde Since 1957. Subtitled
Selected Works from the Collection of Art Metropole Including Audiotapes, Records, Videotapes, Film, Multiples, Kitsch, Manuscripts, Stamps, Buttons, Flyers, Posters, Correspondence, Catalogues, Porn, T-Shirts, Postcards, Drawings, Poems, Mailers, Books, Photographs and Ephemera. Toronto, Ont.: Art Metropole, 1984, the book is edited by AA Bronson, Peggy Gale and Christina Ritchie.
"Derek Sullivan’s drawing series examines the question of how a book is perceived and the potential it carries. While many can appreciate a good story transporting us to a different head space, Sullivan wonders about the spaces a book physically travels throughout its lifetime. How many places does a book travel to and what does it pick up along the way?
In ¶ * † ‡, a closer look at Art Metropole’s Evidence of the Avant Garde Since 1957 reveals 6 new drawings that depict what one can only guess is the beginning of the book’s journey – the printing stage. In each work, 8 pages of the catalogue sit on the surface horizontally, forming a signature. The tops of the pages face one another, inviting a tilt of the head to read the content. The de-familiarized portrait of the book serves to emphasize the physicality of the codex.
Art Metropole’s original book illustrates a period in the artist-run centre’s existence that analyzed the distributive works from their collection up to 1984 when it was first published. As the front cover of the book states, “Evidence of the Avant Garde Since 1957 consists of: selected works from the collection of Art Metropole including audio tapes, records, videotapes, film, multiples, kitsch, manuscripts, stamps, buttons, flyers, posters, correspondence, catalogues, porn, t-shirts, postcards, drawings, poems, mailers, books, photographs and ephemera”. Sullivan’s drawings play with the content, serving as a replica to the original publication, while also introducing content that is replicable and multipliable in its essence. Signifiers collide and scatter on the surface, suspending the timeline of where content begins and where it ends."
- press release
For more information, visit the gallery website,
here.
